[Intro — exposed amplified violin, fragile descending melody with audible bow friction; low electronic pulses emerge beneath the final note] [Verse 1 — low smoky female clean voice, intimate chest rasp; sparse bass and restrained guitar accents] Naevara, kelrun a mauren, Sa naevora hál, sa krenna kauren. En shaelira saen a draal, Draevith vaelshira sa kald graal. [Deep female growl; distorted guitars enter] No osh, kelrun! No mauretha, vael! [Transition — violin phrase reverses into a rising scrape; drums enter through a tight gated fill] [Chorus — powerful husky female clean singing; dark melodic hook over heavy syncopated guitars] Ór sa neld — draevanna, drae! Kaerith a vor, kaeritha vae! Ór sa neld — hrís, saelun! Em ul draevira vaelun! [Transition — final vocal note stretches into distorted delay; guitars drop to a muted pulse as violin takes over the melody] [Solo — amplified violin lead; mournful low-register phrases develop into fierce rapid bowing, gritty double-stops and climbing modal runs; heavy bass and live drums build underneath, rhythm guitars return halfway through] [Transition — violin ends on a short dry scrape; one distorted bass hit, then immediate vocal entrance] [Verse 2 — deep female growls, lurching syncopated riff; sharp screams answer the line endings] Þauritha veyr veyritha sauren, Hrann dhaelvanna skauritha kauren. En oskara mevrin a thren, En no torvanna thaen a en. [Alternating growl and scream over abrupt guitar stops] Saevanna, draeven! Hrís, draevith! [Chorus — smoky female clean lead with deep growled responses; violin countermelody] Ór sa neld — draevanna, drae! Kaerith a vor, kaeritha vae! Ór sa neld — hrís, saelun! Em ul draevira vaelun! [Transition — last syllable breaks into granular fragments; entire mix narrows to thin mono, then a sudden wide sub-bass impact] [Dubstep Breakdown — one short eight-bar section; distorted formant bass, metallic percussion and syncopated guitar stabs; chopped violin fragments answer the electronic bass, heavy half-time drums; no new lyrics] [Transition — bass modulation freezes and cuts off; dry kick and snare establish a straight 4/4 backbeat, tense muted guitars enter] [Bridge — eight long lines of rapid female rhythmic recitative; aggressive double-time rap cadence, low smoky rasp, crisp consonants, breath breaks at commas; intensity rises throughout] En ren naevira sa naevora hál, en ren shaelira kelvir a mauren. En ren moritha maerith sa morven, en ren thessira kaen sa kauren. Þaurn ren kraeshira thaen a en, veyr ren veyritha aeshara sa veld. En ren kaervitha kald graal við dhaerun, en ren no ossara krenna skeld. Nae kaelvanna sael a haerven, nae saevritha kaerith, nae draevira vor. Oskara mevrin, orritha orrun, no moritha kaen a mauren sa mor. Em ul haelvanna saelvara sa neld, em ul saelvetha vae sa hál. Em ul no mauretha sa nátt, em ul nae hrís, em ul kaeritha vaal. [Transition — final word snaps into a clipped scream; accelerating drum fill, reverse violin swell, one beat of silence] [Final Chorus — explosive full-band return; powerful husky female clean lead layered with growls and cutting screams; violin climbs above massive half-time guitars] Ór sa neld — draevanna, drae! Kaerith a vor, kaeritha vae! Ór sa neld — hrís, saelun! Em ul draevira vaelun! [Outro — violin transforms the opening descending melody into a rising phrase; guitars and drums strike in broken unison, electronics briefly pitch-dive; final violin double-stop and full-band impact, hard cut]
