Rock Remix — Fugue No. 7 by Wilhelm Friedemann Bach © 2026 v.1.3

Одна Людина

progressive rock, symphonic rock, baroque-influenced (fugue-like polyphony)

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V5.5

[Instrumental]

[Tempo: 92 BPM]
[Meter: 6/16]
[Duration: 4–6 minutes]
[Key: G minor with modulations]

[Form: fugue-inspired progressive rock structure]

[Chords (28 bars):
Gm |
Gm |
Gm |
Gm |
D7 Gm |
Gm |
Cm |
D7 |
Gm |
Gm D7 Gm |
Eb Cm |
Bb |
F7 Bb |
Bb |
F |
Bb |
Gm D7 |
Cm |
D7 |
Gm |
Cm |
F7 Bb |
Eb D7 |
Gm |
Gm D |
Cm |
D7 |
Gm |
]

[Instruments:
Organ = main subject voice, agile phrasing, continuous development |
Guitar1 = doubles subject and adds rhythmic articulation |
Guitar2 = harmonic support and counter-lines |
Bass = active root motion, supports modulation |
Drums = progressive groove in 6/16, light but driving, hi-hat and cymbal flow
]

[Intro – Organ Exposition]
[Organ: introduces fast articulated subject in 6/16]
[Guitar1: silent]
[Guitar2: silent]
[Bass: silent]
[Drums: silent]

[Section A – Entry Expansion]
[Organ: continues subject]
[Guitar1: doubles rhythmically]
[Bass: enters on roots]
[Drums: light pulse, cymbal subdivision feel]

[Section B – Polyphonic Motion]
[Organ: variation of theme]
[Guitar1: independent fragments]
[Guitar2: harmonic accents]
[Bass: more movement]
[Drums: flowing 6/16 groove, light snare]

[Section C – Modulation Field]
[Harmony: Cm Eb Bb F7 movement]
[Organ: develops subject in new tonal areas]
[Guitars: counterpoint and chordal support]
[Bass: connects harmonic shifts]
[Drums: groove with subtle fills]

[Section D – Peak Drive]
[Organ: intense phrasing]
[Guitar1 + Guitar2: dense rhythmic counterpoint]
[Bass: strong forward motion]
[Drums: most active, driving 6/16 pattern]

[Section E – Reduction]
[Organ: clearer phrasing]
[Guitars: reduced density]
[Bass: simplified]
[Drums: lighter groove]

[Final – Cadential Close]
[Organ: final subject in G minor]
[Guitars: harmonic reinforcement]
[Bass: strong tonal grounding]
[Drums: controlled ending]
[Cadence: D7 → Gm, full stop]

[Performance: articulated fast phrasing, clear note separation, rhythmic precision, polyphonic clarity, no blur]

[Mix: organ centered, guitars wide, bass tight low end, drums clear but not dominant, moderate hall reverb, analog warmth]

2088/7500

[Instrumental] [Tempo: 92 BPM] [Meter: 6/16] [Duration: 4–6 minutes] [Key: G minor with modulations] [Form: fugue-inspired progressive rock structure] [Chords (28 bars): Gm | Gm | Gm | Gm | D7 Gm | Gm | Cm | D7 | Gm | Gm D7 Gm | Eb Cm | Bb | F7 Bb | Bb | F | Bb | Gm D7 | Cm | D7 | Gm | Cm | F7 Bb | Eb D7 | Gm | Gm D | Cm | D7 | Gm | ] [Instruments: Organ = main subject voice, agile phrasing, continuous development | Guitar1 = doubles subject and adds rhythmic articulation | Guitar2 = harmonic support and counter-lines | Bass = active root motion, supports modulation | Drums = progressive groove in 6/16, light but driving, hi-hat and cymbal flow ] [Intro – Organ Exposition] [Organ: introduces fast articulated subject in 6/16] [Guitar1: silent] [Guitar2: silent] [Bass: silent] [Drums: silent] [Section A – Entry Expansion] [Organ: continues subject] [Guitar1: doubles rhythmically] [Bass: enters on roots] [Drums: light pulse, cymbal subdivision feel] [Section B – Polyphonic Motion] [Organ: variation of theme] [Guitar1: independent fragments] [Guitar2: harmonic accents] [Bass: more movement] [Drums: flowing 6/16 groove, light snare] [Section C – Modulation Field] [Harmony: Cm Eb Bb F7 movement] [Organ: develops subject in new tonal areas] [Guitars: counterpoint and chordal support] [Bass: connects harmonic shifts] [Drums: groove with subtle fills] [Section D – Peak Drive] [Organ: intense phrasing] [Guitar1 + Guitar2: dense rhythmic counterpoint] [Bass: strong forward motion] [Drums: most active, driving 6/16 pattern] [Section E – Reduction] [Organ: clearer phrasing] [Guitars: reduced density] [Bass: simplified] [Drums: lighter groove] [Final – Cadential Close] [Organ: final subject in G minor] [Guitars: harmonic reinforcement] [Bass: strong tonal grounding] [Drums: controlled ending] [Cadence: D7 → Gm, full stop] [Performance: articulated fast phrasing, clear note separation, rhythmic precision, polyphonic clarity, no blur] [Mix: organ centered, guitars wide, bass tight low end, drums clear but not dominant, moderate hall reverb, analog warmth]

0/500