Neurofunk in D Minor (Kick and Hats Forward, 174 BPM)

V6-MINI

[Mix balance: front line = kick, hats at 0 dB. All other elements = 19 dB below front line. 'Attenuated' below = −19 dB from the front line.]

[Bar 1–4 | 0.00–5.52 s | intro A]
[Kick: beats 1 and 3 only, 90→45 Hz pitch drop, 2–5 kHz click transient, 30 ms squared fade-out, front line at 0 dB — dominant thump]
[No hats, no snare, no bass, no arpeggio, no FX]
[Pad: detuned saw stack, low-pass 800 Hz, slow attack 300 ms, attenuated — soft ghost wash behind the kick]
[Wind bed: mono filtered noise, soft overdrive, attenuated — faint atmospheric bed]
[Sub: sine plus 15% octave harmonic, attenuated — near-silent rumble]
[Reese bass: detuned dual saws, low-pass 600 Hz, tanh saturation, attenuated — distant buzz]

[Bar 5–8 | 5.52–11.03 s | intro B]
[Kick: beats 1 and 3, front line at 0 dB — dominant thump]
[Hi-hats enter: 8th grid, closed 40 ms, alternating accents, front line at 0 dB — bright ticking]
[Pad: attenuated — soft ghost wash]
[Wind bed: soft harmonic distortion, attenuated — faint bed]
[Sub, Reese: attenuated — near-silent rumble, distant buzz]
[Arpeggio: 8th grid, pulse wave 25% duty, low-pass 4.5 kHz, attenuated — ghostly tinkle]
[No snare, no FX]

[Bar 9–24 | 11.03–33.10 s | main drop]
[Kick: syncopated on beats 1, 2.5 and 3.5 (16th positions 0, 6, 10), 90→45 Hz pitch drop, 30 ms squared fade-out, front line at 0 dB — punchy, dominant]
[Hi-hats: 16th grid, closed 40 ms alternating accents, open hat 150 ms on the "and" of 4, front line at 0 dB — dense ticking and bright open sizzle]
[Reese bass: two detuned saws ±0.5%, low-pass 600 Hz, tanh saturation, bar-length hit at beat 1 plus second hit on the "and" of 3, attenuated — distant buzz, ghost low end]
[Sub: sine plus 15% octave harmonic, 95% bar length, attenuated — near-silent rumble]
[Arpeggio: 16th grid, pulse wave 25% duty, low-pass 4.5 kHz, attenuated — faint shimmer]
[Snare: tight 2-step on beats 2 and 4, 190 Hz body plus band-passed noise 1.2–8 kHz, 180 ms tail, attenuated — ghost snap behind the kick]
[Wind texture (stereo side bed): cubic distortion, attenuated — thin ghost side content]
[Pad: low-pass 1600 Hz, attenuated — soft ghost wash]

[Bar 25–28 | 33.10–38.62 s | turnaround]
[Kick: beat 1 only, front line at 0 dB — single dominant thump per bar]
[Hi-hats: out]
[Sub: sine, full-bar sustain, attenuated — faint rumble]
[Arpeggio: 8th grid, filter darker, low-pass ~500 Hz, attenuated — faint]
[Wind bed: soft overdrive, attenuated — faint bed]
[Reese, snare: out]

[Bar 29–31 | 38.62–42.76 s | lift]
[Kick: beats 1 and 3, front line at 0 dB — dominant pulse]
[Hi-hats: 16th grid, closed 40 ms alternating, front line at 0 dB — dense ticking, no open hat]
[Snare roll: 16th grid, amplitude rising 0.15 → 0.45 across bars 29, 30, 31, attenuated — distant crescendo behind the hats]
[Arpeggio: 16th grid, brighter filter, attenuated — faint shimmer]
[Wind bed: arctanh-driven, most distorted, attenuated — ghost bed]
[Reese, sub: out]
[FX riser: 4-bar sweep, band-passed 1.5–10 kHz, attenuated — distant swell]

[Bar 32 | 42.76–44.14 s | reset]
[Kick: beats 1 and 3 only, front line at 0 dB — dominant pulse]
[Hi-hats: out]
[Pad: sustains, attenuated, no resolution]
[Snare, arpeggio, Reese, sub: out]
[FX riser: continues through bar 32, cuts at bar 33 boundary, attenuated — distant swell]

[Bar 33–64 | 44.14–88.28 s | exact repeat of bars 1–32]
[Second pass identical to the first — same attenuated balance, same front-line kick and hats]
[Do not add or remove sections on the repeat]
[Do not resolve the harmony at the end of bar 64 — leave open on D minor]
[Cut on the bar 64 boundary — no fade, no outro, no final chord]

3635/7500

[Mix balance: front line = kick, hats at 0 dB. All other elements = 19 dB below front line. 'Attenuated' below = −19 dB from the front line.] [Bar 1–4 | 0.00–5.52 s | intro A] [Kick: beats 1 and 3 only, 90→45 Hz pitch drop, 2–5 kHz click transient, 30 ms squared fade-out, front line at 0 dB — dominant thump] [No hats, no snare, no bass, no arpeggio, no FX] [Pad: detuned saw stack, low-pass 800 Hz, slow attack 300 ms, attenuated — soft ghost wash behind the kick] [Wind bed: mono filtered noise, soft overdrive, attenuated — faint atmospheric bed] [Sub: sine plus 15% octave harmonic, attenuated — near-silent rumble] [Reese bass: detuned dual saws, low-pass 600 Hz, tanh saturation, attenuated — distant buzz] [Bar 5–8 | 5.52–11.03 s | intro B] [Kick: beats 1 and 3, front line at 0 dB — dominant thump] [Hi-hats enter: 8th grid, closed 40 ms, alternating accents, front line at 0 dB — bright ticking] [Pad: attenuated — soft ghost wash] [Wind bed: soft harmonic distortion, attenuated — faint bed] [Sub, Reese: attenuated — near-silent rumble, distant buzz] [Arpeggio: 8th grid, pulse wave 25% duty, low-pass 4.5 kHz, attenuated — ghostly tinkle] [No snare, no FX] [Bar 9–24 | 11.03–33.10 s | main drop] [Kick: syncopated on beats 1, 2.5 and 3.5 (16th positions 0, 6, 10), 90→45 Hz pitch drop, 30 ms squared fade-out, front line at 0 dB — punchy, dominant] [Hi-hats: 16th grid, closed 40 ms alternating accents, open hat 150 ms on the "and" of 4, front line at 0 dB — dense ticking and bright open sizzle] [Reese bass: two detuned saws ±0.5%, low-pass 600 Hz, tanh saturation, bar-length hit at beat 1 plus second hit on the "and" of 3, attenuated — distant buzz, ghost low end] [Sub: sine plus 15% octave harmonic, 95% bar length, attenuated — near-silent rumble] [Arpeggio: 16th grid, pulse wave 25% duty, low-pass 4.5 kHz, attenuated — faint shimmer] [Snare: tight 2-step on beats 2 and 4, 190 Hz body plus band-passed noise 1.2–8 kHz, 180 ms tail, attenuated — ghost snap behind the kick] [Wind texture (stereo side bed): cubic distortion, attenuated — thin ghost side content] [Pad: low-pass 1600 Hz, attenuated — soft ghost wash] [Bar 25–28 | 33.10–38.62 s | turnaround] [Kick: beat 1 only, front line at 0 dB — single dominant thump per bar] [Hi-hats: out] [Sub: sine, full-bar sustain, attenuated — faint rumble] [Arpeggio: 8th grid, filter darker, low-pass ~500 Hz, attenuated — faint] [Wind bed: soft overdrive, attenuated — faint bed] [Reese, snare: out] [Bar 29–31 | 38.62–42.76 s | lift] [Kick: beats 1 and 3, front line at 0 dB — dominant pulse] [Hi-hats: 16th grid, closed 40 ms alternating, front line at 0 dB — dense ticking, no open hat] [Snare roll: 16th grid, amplitude rising 0.15 → 0.45 across bars 29, 30, 31, attenuated — distant crescendo behind the hats] [Arpeggio: 16th grid, brighter filter, attenuated — faint shimmer] [Wind bed: arctanh-driven, most distorted, attenuated — ghost bed] [Reese, sub: out] [FX riser: 4-bar sweep, band-passed 1.5–10 kHz, attenuated — distant swell] [Bar 32 | 42.76–44.14 s | reset] [Kick: beats 1 and 3 only, front line at 0 dB — dominant pulse] [Hi-hats: out] [Pad: sustains, attenuated, no resolution] [Snare, arpeggio, Reese, sub: out] [FX riser: continues through bar 32, cuts at bar 33 boundary, attenuated — distant swell] [Bar 33–64 | 44.14–88.28 s | exact repeat of bars 1–32] [Second pass identical to the first — same attenuated balance, same front-line kick and hats] [Do not add or remove sections on the repeat] [Do not resolve the harmony at the end of bar 64 — leave open on D minor] [Cut on the bar 64 boundary — no fade, no outro, no final chord]

0/500