Hijaz Serpentine - Serpent Utsav Trance

S.K.Udnur

Hijaz Serpent Trance, Indian Folk Middle Eastern Fusion

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V5.5

[Intro – 0:00 to 0:20]
[Instrumentation: Ney solo desert intro, ambient dusty FX, Darbuka deep pulse, Djembe low tribal answer, Brass drone swell, soft ceremonial claps, cymbal shimmer]

[Been Tease]
[Instrumentation: Been snake flute enters with a short sliding phrase based on Sa-Ga-Ma-Ga, played instrumentally only, not sung; bass drum distant hit]

[Tribal Layering – 0:20 to 1:00]
[Instrumentation: Banjo and Mandolin play a fast plucky dance riff based on Sa-Sa-Ga-Sa / Ma-Sa-Ga-Sa and Sa-Sa-Ga-Sa / Pa-Ma-Ga-Sa, strictly instrumental, not sung; Dhol ritual thunder, Tasha piercing accents, Darbuka sync groove, Djembe African pulse, Ney melodic snake line, soft offbeat claps]

[Percussion Hook]
[Instrumentation: Dhol plays boom-boom-tak pattern, Tasha plays sharp takita-takita accents, Darbuka plays dum-tek-tek-dum-tek groove, Djembe plays dum-pa-dum-pa tribal pulse, all instrumental rhythm only]

[Dance Groove – 1:00 to 1:50]
[Instrumentation: Been takes hypnotic lead with sliding main hook based on Sa-Ga-Ma-Ga / Sa-Ga-Ma-Pa / Ma-Ga-Sa, played instrumentally only; Brass Band answers with punchy stabs based on Pa-Pa-Dha-Pa / Ma-Ga-Sa, not sung; full Dhol-Tasha section, Darbuka groove, Djembe pulse, Banjo plucky riff, Mandolin swirling tremolo, claps, cymbals]

[Hook Stack]
[Instrumentation: Been main hook leads, Brass answers every 4 bars, Banjo-Mandolin keeps plucky dance pulse underneath, all motifs played instrumentally only]

[Trance Interlude – 1:50 to 2:20]
[Instrumentation: Ney plays circular desert melody based on Hijaz/Phrygian phrases, Darbuka solo rhythm, Mandolin floating tremolo motif, ambient dusty FX, low drone, light cymbals, claps removed]

[Rhythm Rebuild – 2:20 to 3:00]
[Instrumentation: Dhol + Darbuka + Djembe polyrhythmic layer, Banjo lead motif, Mandolin rising tremolo, claps return, Brass rise, Been high sliding phrases based on Sa-Ga-Ma-Pa / Dha-Pa-Ma-Ga / Sa, Tasha roll accents, all instrumental only]

[Final Trance Dance – 3:00 to 3:45]
[Instrumentation: All instruments layered in sync — Been full hypnotic lead, Ney desert counterline, Banjo-Mandolin plucky riff, Brass Band full response, Dhol-Tasha thunder, Darbuka-Djembe tribal groove, ceremonial claps, cymbals, bass drum, ambient dusty trance FX]

[Final Hook Stack]
[Instrumentation: Been repeats main sliding hook instrumentally, Brass Band answers with short punchy stabs, Banjo-Mandolin repeats fast plucky dance riff, Dhol-Tasha rolls intensify, Darbuka-Djembe polyrhythm drives the trance, claps wide stereo, cymbal crashes, dusty FX swell]

[Outro – Last 5 seconds]
[Instrumentation: Been final snake slide, Ney echo, Brass stab, Dhol hit, Cymbal crash, dusty FX fade]

2693/7500

[Intro – 0:00 to 0:20] [Instrumentation: Ney solo desert intro, ambient dusty FX, Darbuka deep pulse, Djembe low tribal answer, Brass drone swell, soft ceremonial claps, cymbal shimmer] [Been Tease] [Instrumentation: Been snake flute enters with a short sliding phrase based on Sa-Ga-Ma-Ga, played instrumentally only, not sung; bass drum distant hit] [Tribal Layering – 0:20 to 1:00] [Instrumentation: Banjo and Mandolin play a fast plucky dance riff based on Sa-Sa-Ga-Sa / Ma-Sa-Ga-Sa and Sa-Sa-Ga-Sa / Pa-Ma-Ga-Sa, strictly instrumental, not sung; Dhol ritual thunder, Tasha piercing accents, Darbuka sync groove, Djembe African pulse, Ney melodic snake line, soft offbeat claps] [Percussion Hook] [Instrumentation: Dhol plays boom-boom-tak pattern, Tasha plays sharp takita-takita accents, Darbuka plays dum-tek-tek-dum-tek groove, Djembe plays dum-pa-dum-pa tribal pulse, all instrumental rhythm only] [Dance Groove – 1:00 to 1:50] [Instrumentation: Been takes hypnotic lead with sliding main hook based on Sa-Ga-Ma-Ga / Sa-Ga-Ma-Pa / Ma-Ga-Sa, played instrumentally only; Brass Band answers with punchy stabs based on Pa-Pa-Dha-Pa / Ma-Ga-Sa, not sung; full Dhol-Tasha section, Darbuka groove, Djembe pulse, Banjo plucky riff, Mandolin swirling tremolo, claps, cymbals] [Hook Stack] [Instrumentation: Been main hook leads, Brass answers every 4 bars, Banjo-Mandolin keeps plucky dance pulse underneath, all motifs played instrumentally only] [Trance Interlude – 1:50 to 2:20] [Instrumentation: Ney plays circular desert melody based on Hijaz/Phrygian phrases, Darbuka solo rhythm, Mandolin floating tremolo motif, ambient dusty FX, low drone, light cymbals, claps removed] [Rhythm Rebuild – 2:20 to 3:00] [Instrumentation: Dhol + Darbuka + Djembe polyrhythmic layer, Banjo lead motif, Mandolin rising tremolo, claps return, Brass rise, Been high sliding phrases based on Sa-Ga-Ma-Pa / Dha-Pa-Ma-Ga / Sa, Tasha roll accents, all instrumental only] [Final Trance Dance – 3:00 to 3:45] [Instrumentation: All instruments layered in sync — Been full hypnotic lead, Ney desert counterline, Banjo-Mandolin plucky riff, Brass Band full response, Dhol-Tasha thunder, Darbuka-Djembe tribal groove, ceremonial claps, cymbals, bass drum, ambient dusty trance FX] [Final Hook Stack] [Instrumentation: Been repeats main sliding hook instrumentally, Brass Band answers with short punchy stabs, Banjo-Mandolin repeats fast plucky dance riff, Dhol-Tasha rolls intensify, Darbuka-Djembe polyrhythm drives the trance, claps wide stereo, cymbal crashes, dusty FX swell] [Outro – Last 5 seconds] [Instrumentation: Been final snake slide, Ney echo, Brass stab, Dhol hit, Cymbal crash, dusty FX fade]

0/500