<i-2-FRAME> [SECTION: HEADER] [Voca: Instrumental only; zero singing, scream, growl, chant, choir, speech, spoken sample, or human voice] [Key: F Major shifting to parallel F Minor and returning to F Major] [Tempo: 90 BPM] [Genre: Dark Trap foundation, Neoclassical melody, Sample-Based production detail, restrained Djent accent] [Instrumentation: Solo Nylon-String Classical Guitar Lead, Trap 808 Bass, Trap Drum Machine, Instrumental Sampler, 8-String Guitar, Violins, Cellos, Double Basses only] [Structure: SampledSignal-ClassicalLeadLaunch-MajorAdvance-ModalBreach-ParallelMinorBattle-FillBreak-DominantReturn-FinalCounteroffensive] [ChordProgression: F Major I-iii-vi-IV | F-Am-Dm-Bb; interchange I-bVII-iv-I | F-Eb-Bbm-F; parallel F Minor i-bVI-III-V | Fm-Db-Ab-C; return V-I | C-F] [SECTION: CONTROL] [HumanPlayableOnly: strict] [NoAutoLayer: true] [NoUnwrittenAdlib: true] [InstrumentWhitelist: Solo Nylon-String Classical Guitar Lead, Trap 808 Bass, Trap Drum Machine, Instrumental Sampler, 8-String Guitar, Violins, Cellos, Double Basses only] [LeadOwnership: Solo Nylon-String Classical Guitar is the only melodic lead; no other instrument may state, double, replace, or answer its melody] [DjentOwnership: 8-String Guitar supplies sparse low-register accents and one restrained breakdown only] [ClassicalOwnership: Classical Guitar carries all themes continuously; Violins, Cellos, and Double Basses provide chordal support only] [SECTION: MODULE] [ClassicalIntegration: Solo nylon guitar remains the foreground melody from the first beat through every sample edit, fill, and key change] [TrapIntegration: Deep tuned 808s, syncopated kicks, crisp snare-claps, controlled hats, transition fills, and negative space] [DjentIntegration: Drop-F guitar appears only as sparse choked accents and one short breakdown; never continuous, dominant, or absent] [SECTION: TRAP 808 BASS] [Role: Tuned low-end foundation following F-major and F-minor roots; zero melodic phrases] [Tone: Deep clean 808 fundamental, restrained saturation, firm attack, long controlled decay] [SECTION: TRAP DRUM MACHINE] [Kick: Deep short punch interlocked with 808 entries and occasional Drop-F accents] [SnareClap: Tight layered backbeat with dry crack and short dark tail] [HiHats: Straight eighths as base; sparse 16th/triplet rolls only at phrase endings] [Groove: Heavy 90-BPM trap pocket with syncopation, silence, and no four-on-floor pulse] [Fillers: One-beat snare drags, kick pickups, hat stutters, and sampled-percussion turnarounds at transitions only] [Constraint: No hyperactive rolls, constant clutter, predictable fill every bar, or drill pattern] [SECTION: INSTRUMENTAL SAMPLER] [Sources: Non-vocal violin pizzicato, cello knocks, nylon-guitar body taps, reversed string attacks, metallic percussion] [Role: Short sampled hooks, rhythmic punctuation, transition pickups, and callouts around the live classical-guitar lead] [Technique: One-shot chops, gated repeats, reverse tails, pitch-shifted hits, half-beat cutups] [SampleRule: No speech, vocal fragment, choir, sung tone, copyrighted recognizable phrase, or replacement of live instruments] [DensityRule: Maximum two sampled events per bar; leave complete gaps around lead-guitar phrase endings] [SECTION: 8-STRING ELECTRIC GUITAR] [Tuning: Drop F — F C F Bb Eb Ab C F] [Role: Sparse supporting Drop-F Djent punctuation; absent from most lead phrases but present at structural impacts] [Technique: Single palm-muted low-F hits, dead-note stops, short 3+3+2 cells, one restrained half-time breakdown] [SECTION: NYLON-STRING CLASSICAL GUITAR] [Tuning: E A D G B E] [Role: Sole continuous foreground melody from exposed opening through modal interchange, parallel-minor battle, and final return] [Tone: Unmistakable solo nylon-string timbre, close dry finger attack, warm wooden body, strong 1.5-4 kHz presence] [Technique: Single-note rest-stroke melody, quarter/eighth-note motifs, expressive slides, two-note resolutions, sparse broken triads] [AudibilityRule: Audible within the first second and throughout every section; expose it alone for one beat at each transition; never mute, bury, replace, or sidechain it away] [RegisterRule: F3-C6; remain above 808, samples, Djent, cello, and double-bass masking zones] [SpeedConstraint: Quarter/eighth notes dominate; isolated two-note 16th ornaments only; no rapid run, tremolo picking, or virtuoso burst] [SECTION: VIOLINS] [Role: Sustained chord tones and short non-melodic swells only; no theme, counter-melody, imitation, or lead doubling] [SECTION: CELLOS] [Role: Long chord tones and cadence roots only; no counterline or melodic answer] [SECTION: DOUBLE BASSES] [Role: Bowed orchestral mass reinforcing cadences above the Trap 808 sub range] [SECTION: MIX] [Priority: Solo Classical Guitar > Trap 808 > Kick > Snare-Clap > Instrumental Samples > Strings > Sparse Djent] [SECTION: END] [EndOfFrame: true] </i-2-FRAME>
