Song Cover Image

Shamanic Marketer EP - Side A （B to B）

Re:M Tokyo
[source | dry percussive axis, non-melodic rhythmic flow, Piano chorus repetition, dynamics of sound ] [keep | keep the dry percussive feel, keep the functional DJ-tool discipline, Keep synth/fx chorus] [reinforce | reinforce the peak-time lift, recover the forward thrust, reinforce the bounce] [direction shift | shift it toward a more forward-driving house feel, make it harder and more clipped] [energy | peak-time push, linear thrust] [timbre | cleaner and tighter, snappier transient attack] [structure edit | extend the groove section, make the post-break return hit harder] [faithfulness | source-faithful] [length | 4 minutes or more, extended club mix], ‑"arpeggio, ‑tremolo, ‑portamento, ‑glide, ‑ornament, ‑trill, ‑grace notes, ‑gated pad, ‑gated synth, ‑vibrato, ‑harmonic swell, ‑cinematic swell, ‑melodic lead, ‑epic trance, ‑uplifting trance, ‑melodic trance, ‑progressive trance, ‑psy trance, ‑goa trance, ‑big room, ‑edm, ‑supersaw, ‑bright saw lead, ‑supersaw lead, ‑epic lead, ‑anthem lead, ‑future bass synth, ‑trance pad, ‑bell arpeggio synth, ‑preset synth, ‑generic edm lead, ‑synth pluck, ‑long decay pluck, ‑digital bell, ‑fm bell, ‑brass, ‑synth brass, ‑brass stab, ‑brass hit, ‑orchestral hit, ‑impact brass, ‑epic hit, ‑cinematic hit, ‑horn section, ‑trombone, ‑baritone sax, ‑tenor sax, ‑alto sax, ‑sax riff, ‑jazz sax, ‑funk sax, ‑brass sax, ‑sax section, ‑asian, ‑arabic "
V5.5

[intro instrumental, minimal pulse, 4 bars] [Verse 1] Process layer redefined Pipeline structure optimized Compound phase re-evaluated Development path aligned Technical language expanded Clarity reduced Specification extended Meaning diffused [Pre-Chorus] Terminology circulating Understanding optional Perception redirected Interpretation uncontrolled [Chorus] Shamanic Marketer Shamanic Marketer Language as ritual Signal as illusion [Instrumental Pause, tension hold, 2 bars] [Spoken Word, dry, filtered, telephone-like, ironic, no melody] Any sufficiently advanced marketing is indistinguishable from shamanism [Instrumental Pause, empty space, 2 bars] Shamanic Marketer Shamanic Marketer [Instrumental Interlude, low pulse, 4 bars] [Verse 2] Predictive model applied Future scenario generated Data pattern projected Narrative constructed Possibility presented Probability distorted Expectation amplified [Pre-Chorus 2] Future described with certainty Verification deferred Confidence simulated Belief induced [Chorus] Shamanic Marketer Shamanic Marketer Language as ritual Signal as illusion [Instrumental Pause, tension hold, 2 bars] [Spoken Word, dry, filtered, telephone-like, ironic, no melody] Any sufficiently advanced marketing is indistinguishable from shamanism [Instrumental Pause, empty space, 2 bars] Shamanic Marketer Shamanic Marketer [Verse 3] Future pipeline extended Long-term vision projected Expansion beyond limits Return not defined Orbital scale introduced Frontier language applied Investment logic abstracted Time horizon infinite [Bridge, minimal tension] No clear function stated No direct output shown Only structure presented System believed [Final Chorus] Language as ritual Future as belief Prediction as performance [Instrumental Pause, suspended, 2 bars] [Spoken Word, dry, filtered, telephone-like, ironic, no melody] Any sufficiently advanced marketing is indistinguishable from shamanism [Instrumental Pause, empty space, 2 bars] Shamanic Marketer Shamanic Marketer [outro instrumental, 6 bars]