DJ KNEK TRIP - 畏敬螺旋 - EX CLIP #RRD #RoughneckRainDance

alternative rock, experimental rock, nu-psychedelia

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V4.5-ALL

ラフネックRAINダンス powered by DJ KNEK
https://suno.com/@djknek

天災、タイフーン、ハリケーン、嵐が運ぶのは破壊と恵み
それぞれの時代で変わってゆく感覚
景色から感じた事を伝える為に言葉が生まれ
言葉は意味を定め、意味は時とともに緩やかに流れてゆく
同じ現象が異なる意味となり、異なる景色を見せる
太古の昔から現在、おそらく未来でも雨は降るのだろう
あなたは何を感じて何を見るだろうか

雪の世界で生きる人々は雪を表す言葉が単語が細かく別れている
周りは雪だらけ雪しかない、どんな雪なのか、それを伝える為に

雨の恵みが少ないアフリカでは「雨」を表現する言葉が多い
畏怖と敬意の螺旋を持って感謝しよう、この雨に🌧️

🌀☔️🙏🏼日本雨乞い互助会🙏🏼☔️🌀

--- EX CLIP PROCESS
今回は特にややこしい事はしていないよ
ボツ曲の再利用してDAWで切り貼り
それをSUNOに与えて生成ボタンを連打👍🏼

Sample機能で与えた音源をプロンプトで楽器の入れ替えをする手法
様々なジャンルから音色を取り出して、複雑な音像ドラマに仕上げるみたいな🤔
テーマそのものが相反する対極のムード、組曲的な構造でアプローチしてみたので、楽しんでね😊

Prompt👇🏼
[meta: instrumental-focused. all text is instruction, not lyrics.]
[no vocal/voice, no rap, no narration, no chopped. do not sing all text.]
[melody scale alternate, E Phrygian (E-F-G) / E natural minor (E-F#-G), or common (A-B), added extensions (C-D).]
[Target runtime: 4:00, Clean ending, no abrupt cut-off.]

---
<instrumental song-structure>

<creating mood>
<rule> [drip of hazy/abstract memories; creating/imaging mood for sections covering three eras(Ancient times, the early modern era, and the future). ] </rule>
<system> [each section is structured in three parts(12 bar per one-part), using worldfusion/hybrid of diverse anti-mainstream musical genres(Improvisational/interactive) to sonically express shifting nature of unfolding drama.] </system>
<approach> [synesthetic rendering of non-verbal, multifarious textural arrhythmia motion.] </approach>
</creating mood>

---
<section1>
<subject> [in ancient times, storms brought life-giving rain, yet simultaneously caused rivers to overflow.] </subject>
<direction> [pan-flute melody expresses reverence for nature, while accompaniment follows melody.] </direction>

[emotion reverse filler]

<direction> [drumming portrays destruction wrought by storm, while horns play melody of awe.] </direction>

[reconstruction vitality arc]

<direction> [spirited accompaniment builds excitement, while marimba melody plays out radiance of amber.] </direction>
</section1>

---
<section2>
<subject> [in early modern era, storms were predictable phenomena, and rain became merely sight that bored people.] </subject>
<direction> [amidst the dull, rough strum noise of steel guitar and a mist-like ambience, only tabla-baya gently plays amber glow.] </direction>

[unconscious warning pulse]

<direction> [bassline resonates with amber-light, walking rhythm, guitar plays a synchronized melody, while pan flute adds definition with melancholic counter-trill.] </direction>

[Illusory transition]

<direction> [horn stabs—like those found in game played indoors, far removed from storm outside—and jaunty toy piano, with its roots in ragtime, play out dream.] </direction>
</section2>

---
<section3>
<subject> [In future scenario, artificial constructs render storms unpredictable, leading people to rediscover their gratitude for blessings those storms bring] </subject>
<direction> [amidst irregular beats that sound like an arrhythmia and evoke a sense of unease, harmony of pan flutes and horns plays melody of prayer.] </direction>

[rain blessing call]

<direction> [melody evoking the sound of rain, played alternately by marimba and steel guitar, intertwines with accents from darbuka to color the amber trails filtering through clouds.] </direction>

[meridian response]

<direction> [behold the amber sun shining amidst the rain—and dance, pray, and offer thanks.] </direction>
</section3>

---
[CODA: sound of draining glass of wine while gazing at hurricane rain—comfort that touches friend's heart—though it will soon come to end.]

</instrumental song-structure>

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ラフネックRAINダンス powered by DJ KNEK https://suno.com/@djknek 天災、タイフーン、ハリケーン、嵐が運ぶのは破壊と恵みそれぞれの時代で変わってゆく感覚景色から感じた事を伝える為に言葉が生まれ言葉は意味を定め、意味は時とともに緩やかに流れてゆく同じ現象が異なる意味となり、異なる景色を見せる太古の昔から現在、おそらく未来でも雨は降るのだろうあなたは何を感じて何を見るだろうか雪の世界で生きる人々は雪を表す言葉が単語が細かく別れている周りは雪だらけ雪しかない、どんな雪なのか、それを伝える為に雨の恵みが少ないアフリカでは「雨」を表現する言葉が多い畏怖と敬意の螺旋を持って感謝しよう、この雨に🌧️ 🌀☔️🙏🏼日本雨乞い互助会🙏🏼☔️🌀 --- EX CLIP PROCESS 今回は特にややこしい事はしていないよボツ曲の再利用してDAWで切り貼りそれをSUNOに与えて生成ボタンを連打👍🏼 Sample機能で与えた音源をプロンプトで楽器の入れ替えをする手法様々なジャンルから音色を取り出して、複雑な音像ドラマに仕上げるみたいな🤔 テーマそのものが相反する対極のムード、組曲的な構造でアプローチしてみたので、楽しんでね😊 Prompt👇🏼 [meta: instrumental-focused. all text is instruction, not lyrics.] [no vocal/voice, no rap, no narration, no chopped. do not sing all text.] [melody scale alternate, E Phrygian (E-F-G) / E natural minor (E-F#-G), or common (A-B), added extensions (C-D).] [Target runtime: 4:00, Clean ending, no abrupt cut-off.] --- <instrumental song-structure> <creating mood> <rule> [drip of hazy/abstract memories; creating/imaging mood for sections covering three eras(Ancient times, the early modern era, and the future). ] </rule> <system> [each section is structured in three parts(12 bar per one-part), using worldfusion/hybrid of diverse anti-mainstream musical genres(Improvisational/interactive) to sonically express shifting nature of unfolding drama.] </system> <approach> [synesthetic rendering of non-verbal, multifarious textural arrhythmia motion.] </approach> </creating mood> --- <section1> <subject> [in ancient times, storms brought life-giving rain, yet simultaneously caused rivers to overflow.] </subject> <direction> [pan-flute melody expresses reverence for nature, while accompaniment follows melody.] </direction> [emotion reverse filler] <direction> [drumming portrays destruction wrought by storm, while horns play melody of awe.] </direction> [reconstruction vitality arc] <direction> [spirited accompaniment builds excitement, while marimba melody plays out radiance of amber.] </direction> </section1> --- <section2> <subject> [in early modern era, storms were predictable phenomena, and rain became merely sight that bored people.] </subject> <direction> [amidst the dull, rough strum noise of steel guitar and a mist-like ambience, only tabla-baya gently plays amber glow.] </direction> [unconscious warning pulse] <direction> [bassline resonates with amber-light, walking rhythm, guitar plays a synchronized melody, while pan flute adds definition with melancholic counter-trill.] </direction> [Illusory transition] <direction> [horn stabs—like those found in game played indoors, far removed from storm outside—and jaunty toy piano, with its roots in ragtime, play out dream.] </direction> </section2> --- <section3> <subject> [In future scenario, artificial constructs render storms unpredictable, leading people to rediscover their gratitude for blessings those storms bring] </subject> <direction> [amidst irregular beats that sound like an arrhythmia and evoke a sense of unease, harmony of pan flutes and horns plays melody of prayer.] </direction> [rain blessing call] <direction> [melody evoking the sound of rain, played alternately by marimba and steel guitar, intertwines with accents from darbuka to color the amber trails filtering through clouds.] </direction> [meridian response] <direction> [behold the amber sun shining amidst the rain—and dance, pray, and offer thanks.] </direction> </section3> --- [CODA: sound of draining glass of wine while gazing at hurricane rain—comfort that touches friend's heart—though it will soon come to end.] </instrumental song-structure>

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