To Amanda, by PlzThkU

2025.07.02

On our way to 
MOCA Grand

[verse 1]
[Kicking off with a driving dance electronic violin beat and classical piano, the alternative dance vibe unfolds as pulsing synths blend with rhythmic bass. Verses focus on dynamic female soprano verse vocals layered over crisp percussion, building into a soaring, romantic rock chorus with energetic violin and big synth leads.]

K-Pop in the front
Flaming hot Cheetos 
To my left
Silent teenagers
With AirPods and headphones
In the back

[chorus]

[three female voices , coloratura soprano with British accent, lyric soprano Australian, dramatic soprano Italian accent]
Turn it up
Turn it up
Did you hear me
I can’t hear it 
Did it go up
Is it louder 
Where is the speaker
Where is that sound coming from

[verse 2]

[EDM solo with Synth leads and classical piano]

What’s our E T A
Ten more minutes
Parking 
Under the Disney
Concert Hall
Walls of 
Shiny metal
Manzanita 
Outside
Shading us
From the hot reflection

[chorus]
Let’s take a picture
A photo
A selfie
A video
Cinematic 
Spatial
I want to remember 
When I’m older
As if I’m back 
Here
Where 
We were together
Still alive

[Chorus]
[Duet Female chorus, sultry, deep house, minimal house, jazzy chords, swung groove, shuffled hi-hats, rolling bassline, warm pads, lo-fi texture, vocal chops, filtered vocal samples, hypnotic rhythm, dancefloor groove, analog warmth, garage influence, subtle percussion, ambient reverb, smooth transitions, late night vibe, introspective mood, laid-back tempo, club-ready, underground sound, atmospheric, groove-focused, syncopated drums, 125 bpm, vinyl-style saturation, mellow energy, soulful undertones, minimal tech-house, Berlin club

All downtown exits 
The Los Angeles 
Convention center 
To our right
Passing West Hall
Figure —-oooo

[Bridge]
[An instrumental bridge fuses electronic textures and rock intensity]

[verse 3]
Almost downtown
The streets then to numbers
Slowing down
Where are all these
Cars coming from

[Duet]

[three female voices , coloratura soprano with British accent, lyric soprano Australian, dramatic soprano Italian accent]

I thought we were still 
On zoom
Because we’re not
Zooming at all
No longer
Meeting 
Online
Just sitting in our cars
Waiting for the world
Time 
To pass us by

[chorus]
Off the freeway
City streets
Bumpy roads
Steep hills 
No people 
Just one way streets
Ending 
Into each other
Olive and
Fifth

Almost there
Five more my minutes
Flaming Cheetos
Burning out
Leaning into
The sun
Falling asleep
Taking a nap
Even with K-pop
Still blurring
Burning 
Bumping 
Thumping
Noise in the 
Background

[EDM, electronic violin, cello, and classical piano solo]

Amen

2661/7500

2025.07.02 On our way to MOCA Grand [verse 1] [Kicking off with a driving dance electronic violin beat and classical piano, the alternative dance vibe unfolds as pulsing synths blend with rhythmic bass. Verses focus on dynamic female soprano verse vocals layered over crisp percussion, building into a soaring, romantic rock chorus with energetic violin and big synth leads.] K-Pop in the front Flaming hot Cheetos To my left Silent teenagers With AirPods and headphones In the back [chorus] [three female voices , coloratura soprano with British accent, lyric soprano Australian, dramatic soprano Italian accent] Turn it up Turn it up Did you hear me I can’t hear it Did it go up Is it louder Where is the speaker Where is that sound coming from [verse 2] [EDM solo with Synth leads and classical piano] What’s our E T A Ten more minutes Parking Under the Disney Concert Hall Walls of Shiny metal Manzanita Outside Shading us From the hot reflection [chorus] Let’s take a picture A photo A selfie A video Cinematic Spatial I want to remember When I’m older As if I’m back Here Where We were together Still alive [Chorus] [Duet Female chorus, sultry, deep house, minimal house, jazzy chords, swung groove, shuffled hi-hats, rolling bassline, warm pads, lo-fi texture, vocal chops, filtered vocal samples, hypnotic rhythm, dancefloor groove, analog warmth, garage influence, subtle percussion, ambient reverb, smooth transitions, late night vibe, introspective mood, laid-back tempo, club-ready, underground sound, atmospheric, groove-focused, syncopated drums, 125 bpm, vinyl-style saturation, mellow energy, soulful undertones, minimal tech-house, Berlin club All downtown exits The Los Angeles Convention center To our right Passing West Hall Figure —-oooo [Bridge] [An instrumental bridge fuses electronic textures and rock intensity] [verse 3] Almost downtown The streets then to numbers Slowing down Where are all these Cars coming from [Duet] [three female voices , coloratura soprano with British accent, lyric soprano Australian, dramatic soprano Italian accent] I thought we were still On zoom Because we’re not Zooming at all No longer Meeting Online Just sitting in our cars Waiting for the world Time To pass us by [chorus] Off the freeway City streets Bumpy roads Steep hills No people Just one way streets Ending Into each other Olive and Fifth Almost there Five more my minutes Flaming Cheetos Burning out Leaning into The sun Falling asleep Taking a nap Even with K-pop Still blurring Burning Bumping Thumping Noise in the Background [EDM, electronic violin, cello, and classical piano solo] Amen

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