Electrap

[SECTION: CONTROL]
[HumanPlayableOnly: strict]
[NoAutoLayer: true]
[NoUnwrittenAdlib: true]
[InstrumentWhitelist: Nylon-String Classical Guitar Solo, Trap 808 Bass, Trap Drum Machine, Instrument-and-Vocal-Filler Sampler, 8-String Guitar, Violins, Cellos, Double Basses only]
[LeadOwnership: Nylon-String Classical Guitar exclusively owns every solo, main melody, improvisational phrase, and climax]
[DjentOwnership: 8-String Guitar supplies sparse low-register accents and one restrained breakdown only]
[ImmediateLeadStart: true]

[SECTION: HARMONY MODULE]
[ModalInterchange: Borrow bVIImaj9 and ivm9 from B Minor without abandoning the bright B-major center]

[SECTION: TRAP RHYTHM]
[Groove: Confident 90-BPM Trap pocket with syncopated kick, crisp snare-clap, controlled hats, and generous solo space]
[Kick: Tight warm punch interlocked with tuned 808 entries and occasional Drop-B accents]
[HiHats: Eighth-note base; maximum four consecutive 16ths or one beat of triplets at phrase endings]
[Fillers: Snare flams, reverse-kick pickups, hat cuts, body taps, and short non-lexical vocal chops at transitions]

[SECTION: TRAP 808 BASS]
[Role: Root and fifth foundation tracking complex harmony without becoming a melodic lead]
[Range: B0-B2]
[PlayableRule: Written 1/8-note roots and controlled glides no wider than one octave; no impossible sub jumps]

[SECTION: INSTRUMENT-AND-VOCAL-FILLER SAMPLER]
[Sources: Nylon harmonics, guitar-body taps, violin pizzicato, cello knocks, reversed bows, glassy clicks, short non-lexical vocal one-shots]
[Technique: One-shot chops, gated repeats, reverse tails, breath cuts, vowel hits, half-beat cutups]
[VocalFillerRule: Non-lexical ah, oh, hey-like one-shots, breath cuts, and chopped vowels allowed; maximum one beat; no sentence or melody]
[SampleRule: No lyrics, intelligible phrase, lead vocal, choir, copyrighted recognizable phrase, or live-instrument replacement]
[TriggerConstraint: 1/8 and 1/16 grid only; maximum two simultaneous sample triggers]

[SECTION: 8-STRING ELECTRIC GUITAR]
[Tuning: Drop B — B F# B E A D F# B]
[Role: Sparse Drop-B Djent punctuation beneath the Trap groove; present only at impacts and one short breakdown]
[Range: B0-B4]
[Technique: Palm-muted low-B hits, dead-note stops, short 3+3+2 cells, restrained half-time chugs]
[PlayableRule: Eighth notes dominate; maximum four consecutive 16ths; four-fret hand span; position shifts only during rests]

[SECTION: NYLON-STRING CLASSICAL GUITAR]
[Tuning: E A D G B E]
[Role: Continuous playable foreground fusion solo through every chord cycle, modal interchange, parallel-key passage, and ending]
[Tone: Articulate nylon-string solo tone, close finger attack, warm wooden body, open mids, natural sustain, no steel-string edge]
[Technique: Rest-stroke motifs, chord-tone targeting, short enclosures, position-safe slides, two-note stabs, controlled 16th bursts]
[AudibilityRule: Audible within the first second and throughout every section; expose it alone at transitions; never mute, bury, replace, or sidechain away]
[FRET_LIMIT: 12]
[InstrumentRange: E2-E5]
[SoloRegister: B3-E5 only; no note above E5 or below the written guitar range]
[SpeedConstraint: Quarter/eighth notes dominate; 16th bursts limited to four notes at 90 BPM with a rest afterward; no continuous shred or 32nd notes]
[LeapConstraint: Maximum melodic leap is a perfect fifth inside phrases; position shifts occur only during rests]
[HandConstraint: No stretch wider than four frets, no rapid cross-neck jump, no simultaneous impossible fingering]

[SECTION: STRINGS]
[Violins: G3-D6 only; sustained half/whole-note extensions; playable bow changes; no melody or solo doubling]
[Cellos: C2-E4 only; long chord tones and cadence support; no rapid crossing or counter-melody]
[DoubleBasses: E1-B2 only; bowed roots in half/whole notes; no fast leap, tremolo run, or 808 doubling]

[SECTION: MIX]
[Priority: Nylon Guitar Solo > Trap Pocket > 808 Pitch > Samples > Extended String Harmony > Sparse Djent]

[SECTION: END]
[EndOfFrame: true]
</i-2-FRAME>

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<i-2-FRAME> [SECTION: HEADER] [Voca: Instrumental composition with short non-lexical vocal fillers allowed; no lead vocal, lyrics, verse, chorus, or sung melody] [Key: B Major shifting briefly to parallel B Minor and returning through a new fusion turnaround] [Tempo: 90 BPM] [Genre: Trap Fusion foundation, Nylon-Guitar Fusion Solo, luminous Sample-Based detail, restrained Djent accent] [Instrumentation: Nylon-String Classical Guitar Solo, Trap 808 Bass, Trap Drum Machine, Instrument-and-Vocal-Filler Sampler, 8-String Guitar, Violins, Cellos, Double Basses only] [Structure: VocalFillPickup-SoloStatement-TrapFusionCycle-BorrowedColor-ParallelMinorPassage-SampledFillBreak-DjentPunctuation-ReturnTurnaround] [ChordProgression: Bmaj9-D#m7-G#m9-Emaj7#11 | C#m9-F#13sus-Bmaj9-A#7alt | Bmaj9-Amaj9-Em9-F#13 | Bm9-Gmaj7#11-Dmaj9-F#7alt | D#m7-G#7alt-C#m9-F#13-Bmaj9] [SECTION: CONTROL] [HumanPlayableOnly: strict] [NoAutoLayer: true] [NoUnwrittenAdlib: true] [InstrumentWhitelist: Nylon-String Classical Guitar Solo, Trap 808 Bass, Trap Drum Machine, Instrument-and-Vocal-Filler Sampler, 8-String Guitar, Violins, Cellos, Double Basses only] [LeadOwnership: Nylon-String Classical Guitar exclusively owns every solo, main melody, improvisational phrase, and climax] [DjentOwnership: 8-String Guitar supplies sparse low-register accents and one restrained breakdown only] [ImmediateLeadStart: true] [SECTION: HARMONY MODULE] [ModalInterchange: Borrow bVIImaj9 and ivm9 from B Minor without abandoning the bright B-major center] [SECTION: TRAP RHYTHM] [Groove: Confident 90-BPM Trap pocket with syncopated kick, crisp snare-clap, controlled hats, and generous solo space] [Kick: Tight warm punch interlocked with tuned 808 entries and occasional Drop-B accents] [HiHats: Eighth-note base; maximum four consecutive 16ths or one beat of triplets at phrase endings] [Fillers: Snare flams, reverse-kick pickups, hat cuts, body taps, and short non-lexical vocal chops at transitions] [SECTION: TRAP 808 BASS] [Role: Root and fifth foundation tracking complex harmony without becoming a melodic lead] [Range: B0-B2] [PlayableRule: Written 1/8-note roots and controlled glides no wider than one octave; no impossible sub jumps] [SECTION: INSTRUMENT-AND-VOCAL-FILLER SAMPLER] [Sources: Nylon harmonics, guitar-body taps, violin pizzicato, cello knocks, reversed bows, glassy clicks, short non-lexical vocal one-shots] [Technique: One-shot chops, gated repeats, reverse tails, breath cuts, vowel hits, half-beat cutups] [VocalFillerRule: Non-lexical ah, oh, hey-like one-shots, breath cuts, and chopped vowels allowed; maximum one beat; no sentence or melody] [SampleRule: No lyrics, intelligible phrase, lead vocal, choir, copyrighted recognizable phrase, or live-instrument replacement] [TriggerConstraint: 1/8 and 1/16 grid only; maximum two simultaneous sample triggers] [SECTION: 8-STRING ELECTRIC GUITAR] [Tuning: Drop B — B F# B E A D F# B] [Role: Sparse Drop-B Djent punctuation beneath the Trap groove; present only at impacts and one short breakdown] [Range: B0-B4] [Technique: Palm-muted low-B hits, dead-note stops, short 3+3+2 cells, restrained half-time chugs] [PlayableRule: Eighth notes dominate; maximum four consecutive 16ths; four-fret hand span; position shifts only during rests] [SECTION: NYLON-STRING CLASSICAL GUITAR] [Tuning: E A D G B E] [Role: Continuous playable foreground fusion solo through every chord cycle, modal interchange, parallel-key passage, and ending] [Tone: Articulate nylon-string solo tone, close finger attack, warm wooden body, open mids, natural sustain, no steel-string edge] [Technique: Rest-stroke motifs, chord-tone targeting, short enclosures, position-safe slides, two-note stabs, controlled 16th bursts] [AudibilityRule: Audible within the first second and throughout every section; expose it alone at transitions; never mute, bury, replace, or sidechain away] [FRET_LIMIT: 12] [InstrumentRange: E2-E5] [SoloRegister: B3-E5 only; no note above E5 or below the written guitar range] [SpeedConstraint: Quarter/eighth notes dominate; 16th bursts limited to four notes at 90 BPM with a rest afterward; no continuous shred or 32nd notes] [LeapConstraint: Maximum melodic leap is a perfect fifth inside phrases; position shifts occur only during rests] [HandConstraint: No stretch wider than four frets, no rapid cross-neck jump, no simultaneous impossible fingering] [SECTION: STRINGS] [Violins: G3-D6 only; sustained half/whole-note extensions; playable bow changes; no melody or solo doubling] [Cellos: C2-E4 only; long chord tones and cadence support; no rapid crossing or counter-melody] [DoubleBasses: E1-B2 only; bowed roots in half/whole notes; no fast leap, tremolo run, or 808 doubling] [SECTION: MIX] [Priority: Nylon Guitar Solo > Trap Pocket > 808 Pitch > Samples > Extended String Harmony > Sparse Djent] [SECTION: END] [EndOfFrame: true] </i-2-FRAME>

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