[P1 Outside | 16 bars | Beat A | Dadd9-C/D] [Half-time electro pulse; sparse FM signal.] Come in... [P2 Step In | 16 bars | Beat A grows | vi-IV-I-V] [Mostly instrumental. Angular bass begins answering the kick.] You belong here... [P3 Take Your Place | 12 bars | switch Beat B | I-V-vi-IV] [Dadd9] Take your place [A/C#] You belong here [Bm7] Let them hear you [Gmaj9] Loud and clear [P4 Presence Engine | 20 bars | Beat C | D pedal] [Angular bass trades gaps with whole vocal phrases.] Take your place... [Male, distant] You belong here... [Female, wide] Let them hear you... [P5 No Mask | 16 bars | exact centre | no kick | ii-IV-I-V] [Sub floor, Rhodes, nearly dry lead.] Already here... No need to hide... [P6 Answer | 20 bars | new Beat C2 | IV-I6-ii-V] [New longer electro bass contour. Another human voice answers.] [Male] I hear you... [Female] Come through... [P7 Room Opens | 20 bars | Beat C/C2 hybrid] [Instrumental response phase. Voices appear only as spatial punctuation.] You belong here... Come through... [P8 Full Presence | 16 bars | Beat D | full release | I-V-vi-IV] [Dadd9] Take your place [A/C#] We belong here [Bm7] Let them hear us [Gmaj9] Loud and clear [Layered] Already here... [P9 Presence Remains | 16 bars | Beat A returns] [Room falls away; two voices remain.] [Female] Take your place... [Male] You belong here...
