[INTRO – 8 bars: soft pads, filtered organ, faint hi‑hats, muted kick, subtle ambience] Casting Satan — Casting Satan — Casting Satan — Casting Satan — [VERSE – 16 bars: steady filtered kick, warm organ stabs, light percussion, restrained bass] Before you are so quick to shout “Get thee behind me, Devil” Make sure you’re standing in the light, with your head on a swivel. Don’t you let him— Creep behind your back. There’s no telling where he’s at. Step wise, step steady, Stay covered, stay ready. Casting Satan — Before you tell that devil “get behind me,” Make sure God is standing at your back. Otherwise keep that demon where you can see him, Right there in the light, Right there in the truth, Right there where he can’t move in the dark. Before you cast out shadows, Before you shout “get thee behind,” Check your covering, Check your spirit, Check who’s walking with you tonight. ’Cause if God ain’t guarding your back, Don’t you turn your head too fast. Keep that demon in your sightline, Keep that trouble in your view, [PRE‑CHORUS – 8 bars: filter opens, rising synth arpeggio, clap enters, bass prepares to lift] [BUILD – 4 bars: snare roll, rising filter, vocal delay, bass drops out on last bar] [CHORUS – 16 bars: DROP #1 — full house beat, heavy bass, organ chords, wah‑wah guitar, percussion layers, tenor sax echoing vocal rhythm] [BRIDGE – 12 bars: DROP #2 — drums out, bass out, pads + organ only, heavy reverb, sax shadows vocal] See him — name him — don’t let him hide. See him — name him — keep truth on your side. Before you say “get behind me,” Make sure you’re covered. Make sure you’re guided. Make sure you’re guarded. [BUILD #2 – 4 bars: snare roll, rising synth, vocal chop repeating “Casting…”, filter sweep, half‑beat silence] [FINAL CHORUS – 16 bars: DROP #3 — biggest drop, full drums, full bass, full organ, sax riffing, wah‑wah guitar, choir‑style backing] Casting Satan — Before you tell that devil “get behind me,” Make sure God is standing at your back. Otherwise keep that demon where you can see him, Right there in the light, Right there in the truth, Right there where he can’t move in the dark. [OUTRO – 8 bars: bass fades, drums fade, organ sustains, soft sax line, whispered tag: “Step covered… step ready…”]
