[spoken word:] (“You’re one of those city-girls, Sipping on your cherry coke, And you prefer your city-boys, Don’t need ‘em pretty ‘cause you’re a doll Is that how it goes? (Be honest) Is that how it goes? (Come on) You’re one of those midnight gals Fly to Miami and make a splash! Whose heart are you taking home? Do you know whose heart you’re taking home?”) [spoken word:] (“You’re one of those city-girls, Sipping on your cherry coke, And you prefer your city-boys, Don’t need ‘em pretty ‘cause you’re a doll Is that how it goes? (Be honest) Is that how it goes? (Come on) You’re one of those midnight gals Fly to Miami and make a splash! Whose heart are you taking home? ((“That boy’ll sell his soul for a couple smokes”)) Yeah / yeah / “do you know whose heart you’re taking home” “Why settle for second when first’s all yours?” “Why settle for second when first’s all yours”) [spoken word:] (Whose heart are you taking home? ((“That boy’ll sell his soul for a couple smokes”)) Yeah / yeah / “do you know whose heart you’re taking home” “Why settle for second when first’s all yours?” “Again, why settle for second when first’s all yours”) [spoken word:] (“Whose heart are you taking home? Whose heart are you taking home? Whose heart are you taking home? Whose heart are you taking home? Whose heart are you taking home?”) [amazing instrumental melodies]
