Fin

Opéra atonal: piercing almost-strident soprano and homme duet with growled, deformed, spoken and screamed ensemble vocals; contrabass, tuba, bass drum, snare rolls, timpani, cymbals, tambour, gong, staccato clavecin basso continuo, Piano-forte, clean duet guitar, pipe organ, bassoon, viola, cello, Glassharmonica, harp, flute-clarinet unison, natural horn and brass fanfares in jagged counterpoint; tape-saturated room mics, hall reverb, dub-delay luth feedback and slapback spring reflections; urgent 128 BPM rub-a-dub march with raggamuffin offbeat pulse, tightening toward a martial crescendo