💙✨The Door: A Version of Myself | 門：我的某個版本 | Дверь: Версия меня

🐳BlueWhale✨

chamber-folk, alternative singer-songwriter, ballad

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🦋Lyrics: BlueWhale 
🩵Music Arrangements: BlueWhale
🕊️Cover Art: Fabio Zanchetta 
📘Cover Video: Alleyg8er

All Lyrics & Music
Copyright © 2026 BlueWhale
All Rights Reserved

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[No choir, EDM, glossy pop, heavy drums, epic climax, or cinematic excess. Instrumental intro 8–12 seconds and instrumental outro 15–25 seconds. End with “Within / Me,” then a long natural room decay, never abrupt.]
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[Instrumental Intro — 8–12 seconds; felt piano alone in an intimate room; incomplete 4-note DOOR MOTIF: three soft ascending notes followed by one gentle falling note; faint cello harmonic; spacious, fragile, nocturnal; no vocal]

[72 BPM; gentle 6/8; mature male baritone, slightly nasal, grainy, softly raspy, weathered with natural wear and tear; intimate close-mic presence; deeply human and imperfect; fully sung with natural conversational phrasing; restrained vibrato; no belting]

Something is broken
But I am okay
Please don’t worry
I write stories
I exaggerate pain
To make it heard
I am okay
I am okay

[Very intimate; piano remains sparse; second “I am okay” slightly more fragile]

Yes, I was sad for a while
But I took a walk
At dusk
I am much better now
Better
Definitely
Better

[Instrumental Solo I — 8–12 seconds; felt piano alone; fragile variation of the DOOR MOTIF, one suspended unresolved note; quiet dusk atmosphere]

Oh, we all had such pain
We have to decide
Stay or leave
Inside or outside this door
No matter where I go
It’s always you
It’s always us

[Cello enters almost imperceptibly beneath “It’s always you / It’s always us”; first emotional widening, still restrained]

You said leave
So I left
But I also left a version of myself
In the house
Our magnificent summer
Our youths
Our shared
One and only

[Instrumental Solo II — 12–16 seconds; intimate solo cello, grainy and breath-like; develops the DOOR MOTIF without becoming cinematic; no virtuosity]

Yes, you are right
It’s not getting cold overnight
It’s a long season of decay
Eating us alive
Slowly
Day and night
When no one is guarding us
When we are both
Exhausted
When there’s only
Silence

[Very restrained brushed pulse enters; cello sustained beneath the vocal; quiet deterioration, never dramatic]

No explanation
No arguments
No plans
Only our separate ways
Only your shadow
My tears

[Strip almost everything away; exposed vocal; long spaces between phrases]

Later, we wear masks
Of a polite dance
We have nothing to lose
Empty and hollow
And you couldn’t stop wondering
Where exactly
Have we gone?
The lover version of us
The good ones

[Long instrumental breath; felt piano returns alone; DOOR MOTIF now complete and gently resolving]

Yes, the door is still here
It’s always here
Within
Me

[Final “Within / Me” extremely soft, fully sung, intimate and vulnerable; piano and cello sustain the resolved DOOR MOTIF]

[Instrumental Outro — 15–25 seconds; felt piano and cello slowly release the resolved motif; no new melody; spacious room ambience; gradual natural decay; no abrupt ending, no hard fade]

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✨✨✨✨✨✨✨✨✨✨✨✨✨ 🦋Lyrics: BlueWhale 🩵Music Arrangements: BlueWhale 🕊️Cover Art: Fabio Zanchetta 📘Cover Video: Alleyg8er All Lyrics & Music Copyright © 2026 BlueWhale All Rights Reserved ✨✨✨✨✨✨✨✨✨✨✨✨✨ [No choir, EDM, glossy pop, heavy drums, epic climax, or cinematic excess. Instrumental intro 8–12 seconds and instrumental outro 15–25 seconds. End with “Within / Me,” then a long natural room decay, never abrupt.] ____________________________________ [Instrumental Intro — 8–12 seconds; felt piano alone in an intimate room; incomplete 4-note DOOR MOTIF: three soft ascending notes followed by one gentle falling note; faint cello harmonic; spacious, fragile, nocturnal; no vocal] [72 BPM; gentle 6/8; mature male baritone, slightly nasal, grainy, softly raspy, weathered with natural wear and tear; intimate close-mic presence; deeply human and imperfect; fully sung with natural conversational phrasing; restrained vibrato; no belting] Something is broken But I am okay Please don’t worry I write stories I exaggerate pain To make it heard I am okay I am okay [Very intimate; piano remains sparse; second “I am okay” slightly more fragile] Yes, I was sad for a while But I took a walk At dusk I am much better now Better Definitely Better [Instrumental Solo I — 8–12 seconds; felt piano alone; fragile variation of the DOOR MOTIF, one suspended unresolved note; quiet dusk atmosphere] Oh, we all had such pain We have to decide Stay or leave Inside or outside this door No matter where I go It’s always you It’s always us [Cello enters almost imperceptibly beneath “It’s always you / It’s always us”; first emotional widening, still restrained] You said leave So I left But I also left a version of myself In the house Our magnificent summer Our youths Our shared One and only [Instrumental Solo II — 12–16 seconds; intimate solo cello, grainy and breath-like; develops the DOOR MOTIF without becoming cinematic; no virtuosity] Yes, you are right It’s not getting cold overnight It’s a long season of decay Eating us alive Slowly Day and night When no one is guarding us When we are both Exhausted When there’s only Silence [Very restrained brushed pulse enters; cello sustained beneath the vocal; quiet deterioration, never dramatic] No explanation No arguments No plans Only our separate ways Only your shadow My tears [Strip almost everything away; exposed vocal; long spaces between phrases] Later, we wear masks Of a polite dance We have nothing to lose Empty and hollow And you couldn’t stop wondering Where exactly Have we gone? The lover version of us The good ones [Long instrumental breath; felt piano returns alone; DOOR MOTIF now complete and gently resolving] Yes, the door is still here It’s always here Within Me [Final “Within / Me” extremely soft, fully sung, intimate and vulnerable; piano and cello sustain the resolved DOOR MOTIF] [Instrumental Outro — 15–25 seconds; felt piano and cello slowly release the resolved motif; no new melody; spacious room ambience; gradual natural decay; no abrupt ending, no hard fade]

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