[Intro] [somber solo piano, soft warm string pad, faint low-passed kick pulse] [Verse] [soulful close-mic male tenor, somber solo piano, warm string pad swell, soft brushed percussion] Keeping all the pieces makes it worse now Giving you the reasons doesn't help I am not the one who's leaving I'm the one who's left [Build] [soft snare-roll build, low-passed kick entering muffled, muted offbeat bassline, airy pitched vocal wisps, piano chords widening] Hold still [Chorus] [four-on-the-floor kick at gentle full power, bouncy offbeat sawtooth bassline, soft filtered gliding lead, warm string pads, restrained aching male tenor, airy vocal wisps] Hold still Hold still I'm letting go Hold still [Drop] [four-on-the-floor kick at gentle full power, bouncy offbeat sawtooth bassline, soft filtered gliding lead, airy vocal wisps as melody, warm string pads, gentle sidechain pump] [Breakdown] [Spoken Word, bare intimate male delivery, somber solo piano, long reverb tails] We didn't even fight. That's the, that's the strange thing. Nobody slammed a door. It just stopped. [Build] [soft snare-roll build, rising warm pad swell, low-passed kick brightening, airy pitched vocal wisps, piano chords driving eighth notes] Hold still [Chorus] [four-on-the-floor kick at gentle full power, bouncy offbeat sawtooth bassline, soft filtered gliding lead, warm string pads, restrained aching male tenor, airy vocal wisps] Hold still Hold still I'm letting go Hold still [Drop] [four-on-the-floor kick at gentle full power, bouncy offbeat sawtooth bassline, soft filtered gliding lead, airy vocal wisps as melody, warm string pads, gentle sidechain pump] [Outro] [somber solo piano returning alone, airy vocal wisps dissolving into reverb tails, warm pad fading] Hold still
