
CUT THE POWER [INTRO | 8 BARS | SPARSE INDUSTRIAL TENSION] [Metallic ticks | E♭ minor chord stabs changing slowly | Filtered sub pulse] [Close-miked husky female whisper] Come closer. [Reverse breath | Low distorted vocal swell] You feel that? [BUILD 1 | 8 BARS] [Syncopated kick | Ghost snares | Rising metallic scrape] [Whisper fragments, rhythmically staggered] Cut… cut… The power. [Chopped vocal repeats tighten against the drums] Cut it— [Micro-stutter | Drum fill | Complete one-beat silence] [DROP 1 | 16 BARS | HEAVY HALF-TIME] [Full drums slam in | Distorted talking-bass growl answers every vocal] [Female vocal chop] CUT. [Low formant-shifted bass answers] [Hard stop] POWER. [Two-bar bass motif | Tight kick and snare | Clean sub] [Chopped vocal fragments answer the bass in the gaps] Cut | cut | cut the power. [Four-bar variation | New growl rhythm | Ghost-snare switch] [Brief sub dropout | Mid-bass continues alone] [Sub returns with the kick | Final bass hit cuts dead] [BREAKDOWN | 8 BARS | INTIMATE AND UNSETTLING] [Drums removed | Warm husky female vocal | Clearly changing minor-key chords] You feel it… Under your skin. [Breath between phrases | A new chord shifts the tension] No way out. [Whisper trails into granular fragments] Under… under… [BUILD 2 | 8 BARS | BROKEN RHYTHM] [Broken percussion | Rotating bass accents | Rising vocal formant] Under your skin. [Each repetition shorter] Under. Your. Skin. [Metallic scrape | Rapid stutters | Chords rise in tension] [Fake impact — no drop] [Complete silence] [DROP 2 | 16 BARS | CONTRASTING BASS RHYTHM] [Sudden distorted bass entry | Three-beat bass accents against steady four-beat half-time drums] [Sharp female vocal chop] LOOK. [Long snarling bass response] [Staggered vocal fragments] You started it. [Pitch-bent “started” chopped into rhythmic stabs] [Rotating bass accents | Broken drum fills | Metallic impacts in the gaps] Started | start-ed | CUT. [Drums vanish briefly | One isolated whisper] Feel that? [Full drums and sub return together | New answering bass phrase] [Final four bars | Bass rhythm mutates | Vocal chops progressively disappear] Cut— [Hard stop] [OUTRO | 8 BARS | STRIPPED BACK] [Filtered pulse | Sparse metallic ticks | Final chord resolves darkly] [Close-miked whisper] Still feel it? [One reversed breath | Short distorted tail | Silence]

