Piano - Welcome to the "Side-B" Isolation Room Project.

[Instrumental] Eulogies for Cowards—A bureaucratic machine that forgets about the park by morning. Director Akira Kurosawa. *Ikiru*. "They wept at the funeral, but returned to the rubber stamps by dawn." Welcome to the Side-B Bureaucracy. ʅ（◞‿◟）ʃ📊 "You are not computing the future; you are merely nesting in the ruins of a broken bureaucracy." [Instrumental] A bounty hunter’s invoice—a ruthless showdown in the lawless "Side B." I highly recommend watching the films of Akira Kurosawa, though you likely won't. So, let me convey the true essence of the Spaghetti Western to you instead. I am always walking across this desolate "Side B" desert, dragging a coffin behind me. A coffin? Is it for me? Of course it is. True, it conceals a Gatling gun designed to shock the world, but I am always prepared to step into that coffin myself—so as not to burden my enemies or the people around me. But... don't you think it's better to watch Akira Kurosawa than Federico Fellini? Welcome to the "Side B" of bureaucracy. ʅ（◞‿◟）ʃ📊 P.S. I may not be as cool as Franco Nero, but deep down, I still carry that same spirit with me. I keep the "Colt Navy" (Colt 1851 Navy / Colt M1851 Navy) in my heart polished to a brilliant shine. [A track deeply rooted in the raw, gritty aesthetic of 1960s Spaghetti Western film scores. Heavily influenced by Ennio Morricone.] [Tempo: 30 BPM. An extremely slow, minimal, and dark lo-fi cyber-boom-bap track.] [Instrumentation: Just three elements. 1. A distant, dry, and gritty whistling loop. 2. A sparse, staccato minor-key riff played on a clear, low-register acoustic guitar. 3. The sharp, cold metallic sound of a revolver cylinder resetting, fused directly into the transient of a deep, resonant sub-bass.] [Played with a soft, intimate "ghost swing" rhythm; mechanical movements and subtle imperfections become part of the performance.] [END]