[Intro] [Instrumental: short lyrical violin opening, warm orchestral strings; tombak, tambourine and soft live drums establish a lilting Persian 6/8 dance groove] [Verse 1] [Mature female lead: warm chest resonance, intimate and smiling delivery, clear Persian diction; gentle slides into sustained notes, delicate violin replies between phrases] رَسیدی، مِثلِ نوروز تو دَسمالایِ رَنگی بِه رَقص اومَد بَنَفشه تو گُلدونایِ سَنگی [Vocal expression gently opens; strings rise beneath the melody, keeping the words clear and the rhythm buoyant] تو با رَقصَت نِوِشتی که اِمشَب غَم حَرومه دِلَم خوش شُد دوباره که دوری هَم تَمومه [Chorus] [Memorable rising melody, fuller strings and rounded bass; joyful, open female vocal with a tender nostalgic undertone; controlled vibrato at phrase endings] بیا با مَن بِرَقصیم بِذار عالَم بِدونه که با یِک خَنده اَز تو دِلَم بازم جَوونه [Repeat the same chorus melody; slightly brighter delivery, graceful Persian ornament on the final sustained word] بیا با مَن بِرَقصیم بِذار عالَم بِدونه که با یِک خَنده اَز تو دِلَم بازم جَوونه [Instrumental Turnaround] [Brief solo violin answer over the continuing 6/8 groove; soft tambourine accents lead naturally into the next verse] [Verse 2] [Return to a close, tender vocal; softer strings, nylon-string guitar and rounded bass; sing the question with affectionate sincerity] مَن اَز دُنیا چِه می‌خوام بِه‌جُز لَبخَندِ گَرمَت؟ بِذار آروم بِگیره تو دَستَم، دَستِ نَرمَت [Build warmth and confidence through the next four lines; connected phrasing, a gentle melodic lift and short violin responses] لَبَت خَندید و دیدَم که دُنیا غَرقِ نوره تو اینجایی و حالا دِلَم اَز غُصّه دوره [Chorus] [Bring back the established chorus melody; confident and romantic, full but balanced orchestration, lead vocal clearly in front] بیا با مَن بِرَقصیم بِذار عالَم بِدونه که با یِک خَنده اَز تو دِلَم بازم جَوونه [Instrumental Break] [Eight-bar melodic violin solo developing the chorus hook; expressive Persian ornamentation, warm string answers, steady tombak and live drums; keep the dance moving] [Bridge] [Pull the arrangement back to light percussion, bass and gentle strings; lower, affectionate female vocal, like a private invitation] بِچَرخ اِی نازَنینَم دِلَم خَندون بِمونه بِمون پیشَم هَمیشه دِلَم رَقصون بِمونه [Short instrumental lift: violin rises, tambourine returns, strings open into the final chorus] [Final Chorus] [Fullest arrangement, same familiar chorus melody; radiant mature female vocal, rich sustained notes, tasteful tahrir and expressive phrase-ending vibrato] بیا با مَن بِرَقصیم بِذار عالَم بِدونه که با یِک خَنده اَز تو دِلَم بازم جَوونه [Repeat with a little more emotional lift; keep the melody recognizable and the delivery graceful] بیا با مَن بِرَقصیم بِذار عالَم بِدونه که با یِک خَنده اَز تو دِلَم بازم جَوونه [Outro] [Voice softens while the dance groove continues gently; a tender closing phrase with a short violin response] بِمون پیشَم هَمیشه دِلَم رَقصون بِمونه [Instrumental ending: violin recalls the opening motif, strings resolve warmly, percussion closes with a soft final accent] [End]
