[Technical instructions: BPM 90, tempo steady, acoustic instruments only. Male vocal, low baritone/bass. Strong southern redneck accent, expressive sarcasm, romantic humor. Include instrumental intro, instrumental breaks before Verse 2, 3, 4, and extended instrumental outro. Use acoustic guitar, upright bass, light banjo, soft percussion. Emphasize drawl and timing for comedic and romantic phrasing.] [Intro: 8 bars, acoustic guitar & upright bass, soft banjo rolls, light percussion tapping.] Verse 1 If ya like, I’ll call ya sunshine, bright an’ sweet, Just be risin’ ‘fore that rooster greets. If ya like, I’ll call ya mornin’ glow, Just be everywhere on time, ya know. If ya like, I’ll call ya rainbow high, Only burn a lil’ brighter in my sky. If ya like, I’ll call ya all my joy, Only come each time I call, my little toy. Chorus With ya an’ me, it’s always consensual, safe an’ sane, I know yer limits, ya recall our safeword — “Pane.” Remember this, my lil’ cur, The proper answer most times is: “Yes, Sir.” [Instrumental break: 4 bars, acoustic guitar & upright bass, banjo fills.] Verse 2 If ya like, I’ll call ya little river, Only keep on flowin’, don’t ya shiver. If ya like, I’ll call ya star so bright, Only shimmer longer in the night. The dough’s been proofin’ since sundown, dear, So bake them pies — have ‘em ready here. Why’re ya sittin’ there, all slack an’ free? To the kitchen — quick now, hop fer me. Chorus With ya an’ me, it’s always consensual, safe an’ sane, I know yer limits, ya recall our safeword — “Pane.” Remember this, my lil’ cur, The proper answer most times is: “Yes, Sir.” [Instrumental break: 4 bars, acoustic guitar & banjo, light upright bass, playful fills.] Verse 3 I’ll call ya little fish, my sweet, Just don’t go waggin’ that tail in the street. I’ll call ya honeybee, soft an’ small, Only keep on workin’ — that’s all. Don’t like risin’ at break o’ day? Now, now, darlin’, don’t ya play. Ya got chores to finish ‘fore first light — Do ‘em well, then sleep ya might. Chorus With ya an’ me, it’s always consensual, safe an’ sane, I know yer limits, ya recall our safeword — “Pane.” Remember this, my lil’ cur, The proper answer most times is: “Yes, Sir.” [Instrumental break: 4 bars, guitar & bass, banjo rolls, soft percussion.] Verse 4 And don’t forget, my little girl, The barn needs paintin’ ‘fore high noon, pearl. Why that pout upon yer face? No need fer tears in this fine place. Yer day ain’t over yet, my dear — Ya know I love ya, that is clear. Now work, my darlin’, nice an’ slow… I’ll go upstairs an’ rest, ya know. Chorus With ya an’ me, it’s always consensual, safe an’ sane, I know yer limits, ya recall our safeword — “Pane.” Remember this, my lil’ cur, The proper answer most times is: “Yes, Sir.” [Extended Outro: 16 bars, acoustic guitar arpeggios, upright bass walking lines, banjo melodic fills, soft percussion fading out. Include playful licks, twangy harmonics, allow vocal echoes of key phrases: "Yes, Sir," "my lil’ cur," "burn a lil’ brighter," fading slowly.]
