[One female lead throughout, low alto register. Chest-led, dry grainy tone with smoky edges. Sing the verses conversationally with cheeky confidence, clipped consonants and relaxed phrasing just behind the beat. Give the chorus more bite through sharper accents and fuller chest resonance, not higher pitch or belting. Preserve the established vocal melody and every supplied lyric exactly. Keep natural breaths, small imperfections and minimal vibrato. Close, mostly dry vocal; short delay throws only between phrases. Female backing voices sing only the parenthesized responses. No added words, improvised runs, breathy sweetness or glossy pop delivery.] [Create an original vocal melody and instrumental hook. Keep the chorus melody consistent across repetitions. Leave clear spaces for bass and percussion. Sing only the supplied lyrics.] [Intro — 8 bars] [Kick, shaker and muted congas. Bass gradually opens. Close female voice, casually confident.] Open up the door Let a little daylight in [Instrumental Hook — 8 bars] [Introduce a short woody pluck motif answered by warm organ stabs. Elastic bass locks tightly to the kick.] [Verse 1] [Playful low-to-middle register. Short phrases, clear consonants, space between pairs of lines.] Six in the morning, shoes in my hand Last night's glitter coming off again You got a coffee, I got a grin Somebody's playing that record again Out on the pavement, heat in the stone Nobody's ready to make it home You call a taxi, I shake my head I got a different idea instead [Pre-Chorus] [Add open hats and rising organ warmth. Increase urgency without shouting.] Round that corner Past that sign Hear that rhythm Right on time Keep it coming Let it run We got room For another one [Chorus] [Bright, confident and rhythmically catchy. Give the title phrase a compact original melody. Quiet female responses answer the lead.] We're movin' to the sun (To the sun) Got a little night left in us And the day's just begun We're movin' to the sun (To the sun) Let the daylight catch us dancing Till the shadows come undone Slow turn, hands high Catch that gold as it goes by We're movin' to the sun And we're only warming up [Groove Drop — 16 bars] [Full kick, elastic bass and lively congas. Main pluck hook takes the lead. First eight bars instrumental. Sing the following phrases once in the second half.] Only warming up (Just warming up) Let the daylight in [Verse 2] [Same vocal identity, slightly cheekier. Keep bass strong; reduce the organ layer.] Small blue speaker on a window ledge Two more people saying, "What's one dance?" You spill your coffee, I steal your shades We make a dance floor out of this place Someone upstairs starts keeping time Tapping a spoon on a glass of wine No velvet rope and no guest-list names Just a little rhythm running through our veins [Pre-Chorus] [Build with percussion and sharper phrasing.] Round that corner Past that sign Hear that rhythm Right on time Keep it coming Let it run We got room For another one [Chorus] [Repeat the established melody. Slightly stronger backing responses; keep the lead forward.] We're movin' to the sun (To the sun) Got a little night left in us And the day's just begun We're movin' to the sun (To the sun) Let the daylight catch us dancing Till the shadows come undone Slow turn, hands high Catch that gold as it goes by We're movin' to the sun And we're only warming up [Percussion Break — 8 bars] [Strip to congas, rimshots and filtered bass. Close, teasing sung delivery. Short delay answers in the gaps.] Don't check the time It's written on your face You got one more dance I got one more place Follow that sound Round another bend If they play it right We can start again [Final Groove Return — 16 bars] [Kick and full bass return together. Restore the original pluck hook with organ answers. Add percussion variations. Let the instrumental groove breathe before the final chorus.] [Final Chorus] [Strongest performance. Warm chest voice and joyful confidence, no shouting. Subtle female doubles on the title phrase.] We're movin' to the sun (To the sun) Got a little night left in us And the day's just begun We're movin' to the sun (To the sun) Let the daylight catch us dancing Till the shadows come undone Slow turn, hands high Catch that gold as it goes by We're movin' to the sun And we're only warming up [Outro — 16 bars] [Sing each phrase once, spaced apart. Remove melodic layers gradually for a clean DJ-friendly ending.] Only warming up Let the daylight in We're movin' to the sun [Finish with bass and percussion. No additional vocals.]
