FRIENDS！｜#RPG000｜#NGD-3

DJ KNEK（ネック）【 #RPG000👌】

Brazilian/LATIN JAZZ IDM, experimental, avant-garde, 猫軍団, KNEK, #RPG000, #ラフネックPARTYグルーブ000, #NGD-3

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😻猫軍団企画😸✨💕  
　第1回！チキチキ！夏だ！祭りだ！妄想だ！

🔥イマジンしてかにゃい？🔥

我らが「猫軍団」イベント本日8/15最終日＾＾
　３種の画像から皆様で曲作り♪

まだ全曲聴けてない〜〜っ🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨

👇🐾🐈  プレイリスト＆イベント詳細👇🐾🐈

No.１　：Ｒ２－Ｅ２さん
イラストhttps://x.com/0504_with_u/status/2082618953701147005
募集曲　https://suno.com/song/6d31da15-04ad-46c0-adb9-3050b5e9cbdf
プレイリスト　https://suno.com/playlist/75a79c6e-9039-45b5-bd1f-971f3269b9af

No.２　：シデンさん
イラストhttps://x.com/0504_with_u/status/2082619090666156086
募集曲　https://suno.com/s/ZY3qHpHWCoQq3eYJ
プレイリスト　https://suno.com/playlist/8ce8afed-36cf-477c-a5f6-4528184cc337

No.３　：ＴＥＮＴＥＮ団長
イラストhttps://x.com/0504_with_u/status/2082619262397772174
募集曲　https://suno.com/song/bdd5c5d9-ef0a-4640-b5c4-3007f17c0bf8
プレイリスト　https://suno.com/playlist/0d0a74a0-fc6e-4488-9ade-05b6e150016c

素敵イベントありがとうございました＾＾♪
　　僕は３枚コンプリート！ギリセーフ🙏

DJKNEK１、https://suno.com/s/JhzFWc3Clq8wnK5K
DJKNEK２、https://suno.com/s/fN5tnqHVkz2kl3AA
DJKNEK３、https://suno.com/s/j8PLTZ26v22X4pgf

🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨

【イベント告知＆前イベント】

8/15は終戦の日＾＾祈りの日🙏　
そして本日、猫軍団イベント最終日

３枚目の画像にこんな過去曲を合わせてみました

そして、カオスな猫のお祭り画像に添え、
新イベントを近日スタートの告知だけ⛩️

「ラフネックPARTYグルーブ000」#RPG000

このエキゾチックで祝祭的なChantのこだまするブラジリアン祭囃子で
WARの名曲「Why can't we be friends ?」からお言葉拝借してエントリー
ぱっと見を重視で、短く「FRIENDS！」に＾＾🍀

イベント詳細と、ちょっとした物語を、
近々note〜X〜SUNOでももちろん、
改めてアナウンスしますので、

よろしければ、またワイワイとご参加いただけると幸いです🍀

【曲と新イベントSTORYちょい出し】

Why can't we be friends ? （なんで友達になれないの）

Jacob Millerのレゲエカバー（MUROさんミックステープ収録）で知る
原曲を知ったのはだいぶ後

元は人種混合バンドWARのオリジナル
1975年のヒット曲

Smash Mouthのスカコア・カバーもヒット

👇どんな曲か、note記事にまとめてみた（長文）
🔗 https://note.com/knek/n/ncfec02859e0c?sub_rt=share_pb

邦題はなんと「仲間よ目をさませ！」

🤣🤣🤣すごい強いw w

イナたくて、口ずさむと心地よくて、みんなで歌いたくなる
酒の席で馴染みの唄が手拍子で歌われる、あの空気と似てる

メンバー7人は２行分の異なる歌詞を順番に歌い
タイトルの「どうして俺たちは友だちになれないんだ？」
を何度も、繰り返し合唱する

原曲のできた経緯👇
日本かな、旅先で誰かが揉めていて
その時の経験がきっかけでできた曲だと、いつか雑誌で見た記憶

そんな不朽の名作の雰囲気
　　　　　＋
どんちゃん騒ぎ画像の祝祭感
　　　　　＋
これから始まる企画の賑やかさ

そんな公式に

埋もれた既出曲へ　新しい光を見出して
皆への感謝の気持ちをセットしてみました

終戦の日の祈りと共に🙏

想いを政治化し過ぎないこと
日常を戦争化し過ぎないこと

（実は意外にも政治学科卒👍👍👍）

ふと病院の待合室でよぎった懐かしい曲名が
ネコ祭の画像と、この歌詞のない過去曲と重なり
脳内でグルグル、どんちゃん騒ぎでグルーヴィーに躍動

そろそろ祖父の命日だから?

特別スピリチュアル〜霊感とかはない
不思議な感覚に襲われる事は稀にある

風のような衝動的感覚

だいたい祖父母がよぎる＾＾
じいちゃんばあちゃんのせいにしがちw

祖父はよく「折り紙教室」や「ダンス教室」を開いてた

声デカくてノリが良く
レクリエーションの天才だったみたい

生涯現役で活動的
挨拶も笑い声も豪快

小さい子〜お年寄りまで、大勢を集め
社会福祉の先駆け的な草の根活動を体現した

酒飲んで「戦争で３回死にかけた」と毎度の力説

「ケン坊〜！優秀〜〜♪」と、ワケも無く褒められたw

元は都庁づとめで
戦災孤児を集めた児童学園が設立
ということで出向→施設の初代園長に就任

その土地をとても気に入り
まだ何も無い場所に家を建てたのが僕の実家

おっと時間、、続きはまた！失礼しま〜す！

🐈🐾🐈🐾 🐈🐾　PROMPT　🐾 🐈🐾🐈🐾 🐈🐾🐈

[GENRE: SWEET DEEP Brazilian Jazz LIVE SHOW first, WORLD-CLASS GROSSY FULL ORCHESTRA HUGE GROOVE LIVE SHOW x ULTRA-SWEET MELLOW EXPERIMENTAL BAND LIVE x SUPER DEEP CLASSICAL JAZZ-HOP Live SHOW x NOIR CINEMA SUITE x Gospel choir]
[STRICT RULES: honor every item; no omissions or shortcuts]
[RUNTIME: 3:00 HARD STOP]
[CORE: SWEET-EXPERIMENTAL CINEMA Masterpiece 135BPM by DJ's DJ & WORLD-CLASS 81-PIECE BAND; DRIVING DEEP JAZZ engine; EPIC CINEMATIC JAZZ-HOP/GROOVE core]
[Vocal MANTRA: SWEET/Husky/TECHNICAL BUT DO KEEP COOL/MOODY; NEVER scream/shout/FORCED HYPE; NEVER BE "VOCAL-Masterpiece" BUT DJ's-DJ-MASTER-GROOVE]
[Vocals Presence: ≤10–12 s total within final 32 bars, extremely limited, a precious essence, a 'jewel' phrase]
[BAR RULE: every 4 bars = intricate fill/tight unison/musical jewel]
[PRIME: All sounds creates dramatic, SUPER-cinematic swells, NICE build-up, PERFECT layered—acoustic steel guitar/MOOG/ARP/woodwinds, percussion, strings, horns, a huge Gospel Choir]
[MASTER GROOVE: 128th-note microtiming; ±8ms drift; pocket swing; advanced-theory sound design; watershed, not just a track]
[VOCAL STRICT RULES] [natural/perfect/crisp enunciation; every syllable articulated precisely; TECHNICAL, husky harmonies; cool/neutral “god’s‑eye” control, as counter‑MELODY]
[METER/MIX/SPACE: 4/4 + occasional 2/4 cuts; mono sub<100Hz; clear center; wide, phase-true; bus comp 2:1; peak -3dBFS; dry center elec; plate/hall on keys/sax w/20ms predelay]
[DYNAMICS/COLOR: pp→ff arcs; pre-wreck dropouts; GOOD BRAZILIAN JAZZ VIBE in GROOVE/chord]
[PROTAGONISTS: acoustic guitars(TECHNICAL-SKILLED/STEEL)/DJ serves this song as GLOSSY 81-PIECE-WORLD-CLASS-orchestra BAND GIG; a highly technical, improvised classical guitar, expressive JEWELS; ANTI-MUDDY; obey structure+lyrics; GLOSSY HORNS & WOODWINDS]
[ARRANGE+MOOD: SAMPLING-FRIENDLY PIANO/baritone sax/flute RIFF, ARPEGGIO; EXPERIMENTAL melodic bass/Instant replay value; EPIC stab/RIFF]
[HARMONY GUIDE: modal‑minor body (Dorian/Phrygian); line‑cliché (m9→maj7→7→6); backdoor Cmaj7(#11)→D7(13)→Valt→i; brief #11 pivots; rootless 3/7/9/13; tasteful chromatic approaches; cadence often avoids root (9th/6th hold) & stylish chaos]

[QUALITY: studio polish; audiophile grade; pristine clarity; ANTI-MUD]
[ENFORCE: every 8 bars = fills/unison/JEWELS; honor structure+lyrics; HARD STOP 3:00]

[GROOVE/DRUMS]
[Kit rides “spang‑a‑lang” over a tight funk backbeat; congas on 3:2, bell pattern crosses the barline; fills on the 4s; lifts use micro‑shuffle ≈54%]

[BASS] [TOTAL-TOP-Quality Fingerstyle funk; ghost‑grace notes; pentatonic+chromatic approaches]

[ORCHESTRATION] [Add color (optional, sparing): Lydian Cinema pedal (Cmaj9#11)]

[Intro: acoustic STEEL guitar ARPEGGIOS ONLY | AMAZING EPIC PIANO｜elegant→moody]
[a dreamy, floating, and cinematic harmony/UNISON based on the Lydian mode. The progression floats over a constant C bass pedal note, creating a sense of wonder. The sound is defined by the constant, shimmering color of the sharp eleventh (#11). The piano or synth plays planing, quartal-voiced chords. The cadence resolves with sophisticated ambiguity, landing on the 9th or 6th, avoiding the root]
[EPIC PIANO ARPEGGIO & riff | 4 bars]

[Verse 1 | 16 bars | PIANO HOOK-GRADE RIFF & ARPEGGIO]
[a hypnotic and intellectual two-chord vamp in the Lydian Dominant mode, alternating between a tense E7(13#11,9) & a resolving A13sus(9,11)]

[Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar]

[Verse 2 | with acoustic steel guitar FREESTYLE]
[a deeply melancholic and emotional harmony. The progression is a deluxe version of the classic minor line-cliché, with an inner voice descending chromatically]

[Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar]
[a harmony of immense cinematic scale & tension. An immobile, sustained E bass pedal note acts as the anchor, while unrelated, shimmering upper-structure chords (Cmaj7#11, Bbmaj7#11, etc.)]
[rotate above it like a carousel, The contrast between the static bass and the moving chords creates a powerful, gravitational pull]

Ugh
mmhh

[Bridge | 4 bars | lift + unisons + COUNTER MELODY]
[a shimmering, complex, & modern texture created by layering two different major triads over a single bass note (e.g., A major + F# major over an E bass). A piano, harp, or vibraphone plays arpeggios that weave between the notes of both triads, creating a glittering, kaleidoscopic, & beautifully dissonant effect]

[CHOIR CAMEO: ≤10–12 s total within final 32 bars; non-lexical “mm/da/la”; tucked behind lead; exceptional counter-melodies & intricate scatting]

[Outro: EPIC GODDESS SIGH | 8 bars]
[a sophisticated, modern, film noir cadence. A standard minor ii-V-i progression is elevated by using a half-diminished ii chord with a natural second (iiø9(♮2)), a note borrowed from the melodic minor scale. This single note adds a refined, melancholic, yet slightly hopeful color, perfect for a bittersweet, unresolved ending]

7500/7500

　😻猫軍団企画😸✨💕 　第1回！チキチキ！夏だ！祭りだ！妄想だ！　　　🔥イマジンしてかにゃい？🔥 　我らが「猫軍団」イベント本日8/15最終日＾＾　３種の画像から皆様で曲作り♪ 　まだ全曲聴けてない〜〜っ🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨ 　　👇🐾🐈 プレイリスト＆イベント詳細👇🐾🐈 No.１　：Ｒ２－Ｅ２さんイラストhttps://x.com/0504_with_u/status/2082618953701147005 募集曲　https://suno.com/song/6d31da15-04ad-46c0-adb9-3050b5e9cbdf プレイリスト　https://suno.com/playlist/75a79c6e-9039-45b5-bd1f-971f3269b9af No.２　：シデンさんイラストhttps://x.com/0504_with_u/status/2082619090666156086 募集曲　https://suno.com/s/ZY3qHpHWCoQq3eYJ プレイリスト　https://suno.com/playlist/8ce8afed-36cf-477c-a5f6-4528184cc337 No.３　：ＴＥＮＴＥＮ団長イラストhttps://x.com/0504_with_u/status/2082619262397772174 募集曲　https://suno.com/song/bdd5c5d9-ef0a-4640-b5c4-3007f17c0bf8 プレイリスト　https://suno.com/playlist/0d0a74a0-fc6e-4488-9ade-05b6e150016c 　　素敵イベントありがとうございました＾＾♪ 　　僕は３枚コンプリート！ギリセーフ🙏 DJKNEK１、https://suno.com/s/JhzFWc3Clq8wnK5K DJKNEK２、https://suno.com/s/fN5tnqHVkz2kl3AA DJKNEK３、https://suno.com/s/j8PLTZ26v22X4pgf 🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨🐈🐈🐈♪🐈‍⬛🐈‍⬛🐈‍⬛🌻✨ 【イベント告知＆前イベント】 8/15は終戦の日＾＾祈りの日🙏　そして本日、猫軍団イベント最終日３枚目の画像にこんな過去曲を合わせてみましたそして、カオスな猫のお祭り画像に添え、新イベントを近日スタートの告知だけ⛩️ 「ラフネックPARTYグルーブ000」#RPG000 このエキゾチックで祝祭的なChantのこだまするブラジリアン祭囃子で WARの名曲「Why can't we be friends ?」からお言葉拝借してエントリーぱっと見を重視で、短く「FRIENDS！」に＾＾🍀 イベント詳細と、ちょっとした物語を、近々note〜X〜SUNOでももちろん、改めてアナウンスしますので、よろしければ、またワイワイとご参加いただけると幸いです🍀 【曲と新イベントSTORYちょい出し】 Why can't we be friends ? （なんで友達になれないの） Jacob Millerのレゲエカバー（MUROさんミックステープ収録）で知る原曲を知ったのはだいぶ後元は人種混合バンドWARのオリジナル 1975年のヒット曲 Smash Mouthのスカコア・カバーもヒット 👇どんな曲か、note記事にまとめてみた（長文） 🔗 https://note.com/knek/n/ncfec02859e0c?sub_rt=share_pb 邦題はなんと「仲間よ目をさませ！」 🤣🤣🤣すごい強いw w イナたくて、口ずさむと心地よくて、みんなで歌いたくなる酒の席で馴染みの唄が手拍子で歌われる、あの空気と似てるメンバー7人は２行分の異なる歌詞を順番に歌いタイトルの「どうして俺たちは友だちになれないんだ？」を何度も、繰り返し合唱する原曲のできた経緯👇 日本かな、旅先で誰かが揉めていてその時の経験がきっかけでできた曲だと、いつか雑誌で見た記憶そんな不朽の名作の雰囲気　　　　　＋どんちゃん騒ぎ画像の祝祭感　　　　　＋これから始まる企画の賑やかさそんな公式に埋もれた既出曲へ　新しい光を見出して皆への感謝の気持ちをセットしてみました終戦の日の祈りと共に🙏 想いを政治化し過ぎないこと日常を戦争化し過ぎないこと（実は意外にも政治学科卒👍👍👍）ふと病院の待合室でよぎった懐かしい曲名がネコ祭の画像と、この歌詞のない過去曲と重なり脳内でグルグル、どんちゃん騒ぎでグルーヴィーに躍動そろそろ祖父の命日だから? 特別スピリチュアル〜霊感とかはない不思議な感覚に襲われる事は稀にある風のような衝動的感覚だいたい祖父母がよぎる＾＾じいちゃんばあちゃんのせいにしがちw 祖父はよく「折り紙教室」や「ダンス教室」を開いてた声デカくてノリが良くレクリエーションの天才だったみたい生涯現役で活動的挨拶も笑い声も豪快小さい子〜お年寄りまで、大勢を集め社会福祉の先駆け的な草の根活動を体現した酒飲んで「戦争で３回死にかけた」と毎度の力説「ケン坊〜！優秀〜〜♪」と、ワケも無く褒められたw 元は都庁づとめで戦災孤児を集めた児童学園が設立ということで出向→施設の初代園長に就任その土地をとても気に入りまだ何も無い場所に家を建てたのが僕の実家おっと時間、、続きはまた！失礼しま〜す！ 🐈🐾🐈🐾 🐈🐾　PROMPT　🐾 🐈🐾🐈🐾 🐈🐾🐈 [GENRE: SWEET DEEP Brazilian Jazz LIVE SHOW first, WORLD-CLASS GROSSY FULL ORCHESTRA HUGE GROOVE LIVE SHOW x ULTRA-SWEET MELLOW EXPERIMENTAL BAND LIVE x SUPER DEEP CLASSICAL JAZZ-HOP Live SHOW x NOIR CINEMA SUITE x Gospel choir] [STRICT RULES: honor every item; no omissions or shortcuts] [RUNTIME: 3:00 HARD STOP] [CORE: SWEET-EXPERIMENTAL CINEMA Masterpiece 135BPM by DJ's DJ & WORLD-CLASS 81-PIECE BAND; DRIVING DEEP JAZZ engine; EPIC CINEMATIC JAZZ-HOP/GROOVE core] [Vocal MANTRA: SWEET/Husky/TECHNICAL BUT DO KEEP COOL/MOODY; NEVER scream/shout/FORCED HYPE; NEVER BE "VOCAL-Masterpiece" BUT DJ's-DJ-MASTER-GROOVE] [Vocals Presence: ≤10–12 s total within final 32 bars, extremely limited, a precious essence, a 'jewel' phrase] [BAR RULE: every 4 bars = intricate fill/tight unison/musical jewel] [PRIME: All sounds creates dramatic, SUPER-cinematic swells, NICE build-up, PERFECT layered—acoustic steel guitar/MOOG/ARP/woodwinds, percussion, strings, horns, a huge Gospel Choir] [MASTER GROOVE: 128th-note microtiming; ±8ms drift; pocket swing; advanced-theory sound design; watershed, not just a track] [VOCAL STRICT RULES] [natural/perfect/crisp enunciation; every syllable articulated precisely; TECHNICAL, husky harmonies; cool/neutral “god’s‑eye” control, as counter‑MELODY] [METER/MIX/SPACE: 4/4 + occasional 2/4 cuts; mono sub<100Hz; clear center; wide, phase-true; bus comp 2:1; peak -3dBFS; dry center elec; plate/hall on keys/sax w/20ms predelay] [DYNAMICS/COLOR: pp→ff arcs; pre-wreck dropouts; GOOD BRAZILIAN JAZZ VIBE in GROOVE/chord] [PROTAGONISTS: acoustic guitars(TECHNICAL-SKILLED/STEEL)/DJ serves this song as GLOSSY 81-PIECE-WORLD-CLASS-orchestra BAND GIG; a highly technical, improvised classical guitar, expressive JEWELS; ANTI-MUDDY; obey structure+lyrics; GLOSSY HORNS & WOODWINDS] [ARRANGE+MOOD: SAMPLING-FRIENDLY PIANO/baritone sax/flute RIFF, ARPEGGIO; EXPERIMENTAL melodic bass/Instant replay value; EPIC stab/RIFF] [HARMONY GUIDE: modal‑minor body (Dorian/Phrygian); line‑cliché (m9→maj7→7→6); backdoor Cmaj7(#11)→D7(13)→Valt→i; brief #11 pivots; rootless 3/7/9/13; tasteful chromatic approaches; cadence often avoids root (9th/6th hold) & stylish chaos] [QUALITY: studio polish; audiophile grade; pristine clarity; ANTI-MUD] [ENFORCE: every 8 bars = fills/unison/JEWELS; honor structure+lyrics; HARD STOP 3:00] [GROOVE/DRUMS] [Kit rides “spang‑a‑lang” over a tight funk backbeat; congas on 3:2, bell pattern crosses the barline; fills on the 4s; lifts use micro‑shuffle ≈54%] [BASS] [TOTAL-TOP-Quality Fingerstyle funk; ghost‑grace notes; pentatonic+chromatic approaches] [ORCHESTRATION] [Add color (optional, sparing): Lydian Cinema pedal (Cmaj9#11)] [Intro: acoustic STEEL guitar ARPEGGIOS ONLY | AMAZING EPIC PIANO｜elegant→moody] [a dreamy, floating, and cinematic harmony/UNISON based on the Lydian mode. The progression floats over a constant C bass pedal note, creating a sense of wonder. The sound is defined by the constant, shimmering color of the sharp eleventh (#11). The piano or synth plays planing, quartal-voiced chords. The cadence resolves with sophisticated ambiguity, landing on the 9th or 6th, avoiding the root] [EPIC PIANO ARPEGGIO & riff | 4 bars] [Verse 1 | 16 bars | PIANO HOOK-GRADE RIFF & ARPEGGIO] [a hypnotic and intellectual two-chord vamp in the Lydian Dominant mode, alternating between a tense E7(13#11,9) & a resolving A13sus(9,11)] [Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar] [Verse 2 | with acoustic steel guitar FREESTYLE] [a deeply melancholic and emotional harmony. The progression is a deluxe version of the classic minor line-cliché, with an inner voice descending chromatically] [Hook | EPIC 8 bars | Half-time illusion, SAMPLING FRIENDLY acoustic steel guitar] [a harmony of immense cinematic scale & tension. An immobile, sustained E bass pedal note acts as the anchor, while unrelated, shimmering upper-structure chords (Cmaj7#11, Bbmaj7#11, etc.)] [rotate above it like a carousel, The contrast between the static bass and the moving chords creates a powerful, gravitational pull] Ugh mmhh [Bridge | 4 bars | lift + unisons + COUNTER MELODY] [a shimmering, complex, & modern texture created by layering two different major triads over a single bass note (e.g., A major + F# major over an E bass). A piano, harp, or vibraphone plays arpeggios that weave between the notes of both triads, creating a glittering, kaleidoscopic, & beautifully dissonant effect] [CHOIR CAMEO: ≤10–12 s total within final 32 bars; non-lexical “mm/da/la”; tucked behind lead; exceptional counter-melodies & intricate scatting] [Outro: EPIC GODDESS SIGH | 8 bars] [a sophisticated, modern, film noir cadence. A standard minor ii-V-i progression is elevated by using a half-diminished ii chord with a natural second (iiø9(♮2)), a note borrowed from the melodic minor scale. This single note adds a refined, melancholic, yet slightly hopeful color, perfect for a bittersweet, unresolved ending]

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