[Use enharmonic synemmenon dromos hitzaz mode with çıkıcı-İnici seyir for all harmonic elements. Bassline follows strictly by doubling lead instruments in perfect fourths.] [Male voice C: Pigeon - male: narrator: snarky buffo bass. Delivery: smooth legato, measured, clear diction. Sings fluently in all languages cited.] [choral elements: construction workers choir: drunken kakegoe shouts.] [Lyrics in serbian, french, english and german] [Dynamics swell - full ensemble *including drums* joins immediately on beat 1] [Vorspiel starts with full intensity - 2 bars, full crescendo] [All vorspiels are the same copy/pasted from the opener, ghammaz section is the only one that changes the pattern.] [Vorspiel - 2 bars] [Verse 1] [Pigeon, further "P":] This one carried the letter Back to Berlin. Then dropped the letter Into Herr Weber's office, Standing at the window To see his face When he opens And reads. [Vorspiel - 2 bars] [Verse 2] In it was a photograph Of Милош and Фелиција, Posing before The renovated house. Ah, yes, Милош's parents Are there as well, Looking proud of their son And the foreign aide he brought. There's also a short note From Felix, But he didn't let this one see it. [Vorspiel - 2 bars] [Verse 3] Herr Weber only said, His voice seemed to tremble: "Felix... Bist du zufrieden?" * zufrieden... * zufrieden... [Vorspiel - 2 bars] [Instrumental bridge - Ghammaz section with taqsim - 2 bars] [Ghammaz Section - non-lexical vocalizations] * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... [Vorspiel - 2 bars] [start fade out, slow down] [Verse 4] Now I conclude, Musicians, Begin the postlude. Прича се завршава И закључак следи. Свирачи, извол'те... [Vorspiel - 2 bars, fadeout] [M:] BETONHERZ... (BETONHERZ...) Doch nicht so fest! BETONHERZ! (BETONHERZ!) Langsam wird es weich, (BEEEETOOOON!) Mit der Zeit absorbiert! (HERZ! HERZ!) [Outro] [yodelling] BETONHERZ! (BETONHERZ!) * A-yee-aaah-yee-ooh... BETONHERZ! (BETONHERZ!) * A-yee-aaah-yee-ooh... [end]
