[Intro: chaotic liminal gate opens, airy wind-like organ, subtle breakcore amens build up, delicate japanese whisper vocal enters slowly over deliberate glitch noise] まわる まわる よるの ふちで いきを ひとつ おとして [Verse 1: traditional japanese vocal phrasing, pentatonic vocal melody, heavy trap 808 pulse under polyrhythmic tension, leaving wide negative space] まわる まわる ゆびの あいだ なにも つかまず ただ [Pre-Chorus: beat thins into absolute silence, ethereal boys choir echoes the vocal, modern french impressionist strings rise slowly, triplet feel accompaniment] ここにいて まだ うごかないで しずけさの しん [Chorus: avant-garde surreal crossover, ultimate chaotic beat storm drops, chaotic 32nd note drum rolls mixed with lush modern french impressionist strings and heavy trap 808, vocal uses kobushi melisma] めぐる めぐる このよるを ふたつの こどう すれちがう かさならない ままで ねえ いきをして まだ ここで [Post-Chorus: harmony drops away completely, deliberate glitch noise solo, antiphonal call-and-response between delicate whisper and ethereal boys choir] （まわれ）まわれ （まわれ）まわれ [Verse 2: sudden drop to sparse liminal space, airy wind-like organ and isolated 808 sub-bass, traditional japanese vocal phrasing with deliberate artistic glitch artifacts] まわる まわる とけいの そと はりわ とうに とめた まわる まわる またたきの かず どこにも ゆかず ここで [Instrumental Turn: exactly 4 bars; frenetic breakcore amens interlock with french impressionist strings in extreme 3:2 cross-rhythm, granular glitch echoes] [Final Chorus: maximum arrangement, full modern french impressionist strings clash with chaotic 32nd note drum rolls and heavy trap 808, kobushi melisma soaring over delicate whispers] めぐる めぐる このよるを ふたつの こどう すれちがう かさならない ままで ねえ いきをして まだ ここで （まわれ まわれ） いきをして まだ ここで [Outro: no dramatic resolution, beat storm abruptly stops, leaving only airy wind-like organ and ethereal boys choir, deliberate glitch noise fading out into the void]
