[Verse 1: Fast swing jazz feel, with a rock and roll edge. Female vocal – strong, confident, slightly teasing, with a knowing, bluesy inflection. Punchy brass stabs punctuate the lines. Electric guitar provides rhythmic chops and short, sharp licks.] お淑やかだとか 三歩下がるとか 誰が決めたの？ 退屈なルール (Ha!) お料理上手で ニコニコ愛想笑い そんなお人形アタシはごめんよ [Pre-Chorus: Slight build-up, drums become more active. Vocal takes on a slightly more challenging tone.] 世間の目なんて 気にしちゃいないのさ だってアタシは アタシを生きてるだけ [Chorus: Fuller sound, more anthemic and defiant. Vocal becomes more declarative and powerful, with a touch of joyful rebellion. Brass section plays a catchy, memorable riff. Optional: energetic backing vocals "Hey! Hey! Akusai Yeah!" or similar. Short, sassy saxophone phrase at the end of the chorus.] 悪妻！結構！ 上等じゃないの！ 常識なんて ガラクタ箱へポイ！ (Go Go!) 気まぐれ 風まかせ それがアタシ流！ アンタもどうだい？ この指とまれ！ Yeah! [Verse 2: Same high-energy feel as Verse 1. Vocal might add a few spoken-word-like interjections or laughs, conveying a sense of fun and freedom. Brass continues with punchy stabs.] 夜遊び朝帰り ちょっと濃いめのルージュ お説教なら 聞き飽きたところよ 貞淑だ純情だ そんなの誰かの理想 アタシの辞書にゃ そんな文字はないね [Pre-Chorus: Similar build-up to the first Pre-Chorus, perhaps with more attitude. Drums might add a small roll.] 窮屈な枠には 収まりきらないの もっと自由に！そんなアタシが好きなんでしょ？ [Chorus: Fuller sound, more anthemic and defiant. Vocal becomes more declarative and powerful, with a touch of joyful rebellion. Brass section plays a catchy, memorable riff. Optional: energetic backing vocals "Hey! Hey! Akusai Yeah!" or similar. Short, sharp guitar phrase at the end of the chorus.] 悪妻！結構！ 上等じゃないの！ 道徳なんて 時代遅れのジョーク！ (Ha Ha!) 本音で生きてこそ それが人間よ！ アンタもどうだい？ この指とまれ！ Yeah! [Instrumental Solo: Fiery tenor saxophone solo, bluesy and a bit wild, full of attitude, trading licks with a raw, overdriven electric guitar solo that has a vintage rock and roll/blues tone. Rhythm section (piano, bass, drums) maintains the high energy with driving swing.] [Bridge: Slight change of pace, a bit more bluesy and swaggering. Vocal becomes a bit more confidential, almost a conspiratorial whisper, but still with a strong core. Bass line becomes more prominent, perhaps a walking bass solo for a few bars. Drums simpler, more emphasis on snare backbeat and hi-hat. Piano plays sparse, bluesy chords.] いい子ちゃんで いるだけが能じゃない ちょいと毒気と、狂気のある花の方が 唆るじゃないの… ねぇ、そうでしょ？ あんたも、ホントは、そう思ってるくせに。 [Chorus: Returns with even more energy and conviction. Vocal is almost shouting with joy and defiance. All instruments blazing. Maybe a key change up for the final chorus for extra impact.] 悪妻！結構！ 上等じゃないの！ 誰かの評価 気にしてどうするの！ (No No!) アタシはアタシよ！ それ以上でも以下でもない！ アンタもどうだい？ この指とまれ！ Yeah! Come on!
