28 — Tăcerea din Salamanca | Salamanca Romanian

[Sung entirely in Romanian. Natural Romanian pronunciation; all narrative lines sung, never spoken.]

[TITLE: EL SILENCIO DE SALAMANCA]
[EL ESTUDIANTE DE SALAMANCA]
[ACT III — MOVEMENT 28 OF 28 — FINALE]
[ROMANIAN ADAPTATION OF SPANISH LIBRETTO INSPIRED BY ESPRONCEDA]
[64 BPM — 4/4 — D MINOR TO D MAJOR]
[INTIMATE SPANISH ROMANTIC CHAMBER BALLAD]
[ZEMFIRA DE GRANADA — SOLO LYRIC-SPINTO SOPRANO]
[PURE CLASSICAL TONE — BEAUTIFUL SPANISH POP DELIVERY]
[EXTREME PPP–MF DYNAMICS]
[NO GRAND CLIMAX — NO DRAMATIC PERCUSSION]
[ONE FEMALE VOICE THROUGHOUT]
[EVERY WORD SUNG — NO RECITATIVE]
[LONG INSTRUMENTAL PASSAGES]
[EXQUISITE LEGATO — EXPRESSIVE RUBATO]
[NO MALE VOCALS — NO CLARINETS]

[PROLOGUE — 16 BARS — PPP]
[COMPLETE SILENCE FOR THE FIRST TWO BARS]
[SOLO CELLO INTRODUCES ELVIRA'S ORIGINAL FOUR-NOTE THEME]
[VERY SLOW, PURE, UNACCOMPANIED]
[NYLON FLAMENCO GUITAR ENTERS WITH DELICATE ARPEGGIOS]
[HARP ADDS SHIMMERING HARMONICS]
[SOLO ROMANI VIOLIN ANSWERS THE CELLO]
[PIANO ENTERS WITH SOFT SUSPENDED CHORDS]
[WARM VELVETY STRINGS BLOOM GRADUALLY]
[NO PERCUSSION]

[VERSE 1 — THE FIRST LIGHT]
[ZEMFIRA — VERY CLOSE, TENDER, CLEAR]
[CELLO AND GUITAR ONLY]

Salamanca deschide ochii,
prima rază a sosit;
clopotele nu mai cheamă,
orașul s-a trezit.

Pe străzi rămâne vântul,
pe marmură, ziua de ieri;
nimeni nu știe ce-a murit,
nimeni nu știe ce să creadă.

[INSTRUMENTAL — 24 BARS]
[ROMANI VIOLIN SINGS ELVIRA'S MELODY]
[CELLO ANSWERS WITH A WARM DESCENDING PHRASE]
[FLAMENCO GUITAR PLAYS FLOWING FINGERSTYLE ARPEGGIOS]
[HARP WEAVES DELICATE COUNTERPOINT]
[PIANO INTRODUCES LUMINOUS MAJOR-SEVENTH HARMONIES]
[STRINGS SWELL VERY GENTLY]
[REMAIN INTIMATE — NEVER ORCHESTRAL FFFF]

[CHORUS — THE FINAL LULLABY]
[UNFORGETTABLE, TENDER, SOARING MELODY]
[LONG BEAUTIFUL LEGATO PHRASES]
[THE CHORUS MELODY RETURNS IDENTICALLY]

Dormi, Elvira, dormi,
noaptea s-a sfârșit.
Nu mai sunt nici jurăminte,
nu mai e durerea aceea.

Dormi, Elvira, dormi,
sub cerul de cristal;
sunt iubiri care se pierd,
dar nu vor muri nicicând.

[INSTRUMENTAL — 32 BARS]
[EXTENDED ROMANTIC CELLO AND VIOLIN DUET]
[ELVIRA'S FOUR-NOTE THEME EXPANDS INTO LONG MELODIC ARCS]
[VIOLIN INTRODUCES A BEAUTIFUL RISING COUNTERMELODY]
[HARP AND GUITAR EXCHANGE FLOWING ARPEGGIOS]
[PIANO ADDS RICH BUT TRANSPARENT HARMONIC SUSPENSIONS]
[GRADUAL MODULATION FROM D MINOR TOWARD F MAJOR]
[CONTINUE TOWARD D MAJOR]
[ONE RADIANT LYRICAL CLIMAX — MF]
[NO HEAVY PERCUSSION — NO LOUD TUTTI]

[VERSE 2 — WHAT REMAINS]
[ZEMFIRA — CONVERSATIONAL TENDERNESS]
[PIANO AND GUITAR, SOFT CELLO]

Ferestrele se luminează,
lumea începe din nou;
dar unele despărțiri
nu pot fi date uitării.

În aer rămâne un nume,
în piatră, un cântec;
iar în adâncul tăcerii
o inimă încă trăiește.

[INSTRUMENTAL — 16 BARS]
[SOLO VIOLIN REPRISES THE LADY'S THEME]
[THE THEME GENTLY TRANSFORMS INTO ELVIRA'S MELODY]
[CELLO HOLDS A WARM D PEDAL]
[PIANO INTRODUCES D MAJOR WITHOUT FANFARE]
[HARP AND GUITAR MAINTAIN DELICATE MOTION]

[FINAL CHORUS — RADIANT D MAJOR]
[THE ORIGINAL CHORUS MELODY]
[ZEMFIRA'S MOST BEAUTIFUL, INTIMATE LEGATO]
[LIGHT STRING HARMONIES SUPPORT THE VOICE]

Dormi, Elvira, dormi,
noaptea s-a sfârșit.
Nu mai sunt nici jurăminte,
nu mai e durerea aceea.

Dormi, Elvira, dormi,
sub cerul de cristal;
sunt iubiri care se pierd,
dar nu vor muri nicicând.

[INSTRUMENTAL EPILOGUE — 24 BARS]
[SOLO NYLON GUITAR RECALLS MOVEMENT 1'S OPENING MOTIF]
[VERY SOFT — LIKE A DISTANT MEMORY]
[CELLO ANSWERS WITH DIEGO'S FOUR-NOTE THEME]
[ROMANI VIOLIN PLAYS THE LADY'S MELODY]
[THE THEMES GENTLY RESOLVE INTO ELVIRA'S FOUR NOTES]
[PIANO AND HARP ADD LUMINOUS SUSPENSIONS]
[GRADUALLY REMOVE VIOLIN, STRINGS, PIANO AND HARP]
[ONLY GUITAR AND CELLO REMAIN]
[VERY SLOW RITARDANDO]

[FINAL WORDS — ALMOST A WHISPER]
[SOLO GUITAR]

Salamanca păstrează visul...
Salamanca păstrează iubirea...

[FINAL CODA — 12 BARS]
[CELLO PLAYS ELVIRA'S ORIGINAL FOUR-NOTE MELODY]
[THIS TIME THE PHRASE RESOLVES COMPLETELY]
[SOLO GUITAR ANSWERS WITH ONE GENTLE D-MAJOR ARPEGGIO]
[ONE LAST NATURAL STRING HARMONIC]
[LET THE SOUND DECAY COMPLETELY]
[NO FADE-OUT]
[END]

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[Sung entirely in Romanian. Natural Romanian pronunciation; all narrative lines sung, never spoken.] [TITLE: EL SILENCIO DE SALAMANCA] [EL ESTUDIANTE DE SALAMANCA] [ACT III — MOVEMENT 28 OF 28 — FINALE] [ROMANIAN ADAPTATION OF SPANISH LIBRETTO INSPIRED BY ESPRONCEDA] [64 BPM — 4/4 — D MINOR TO D MAJOR] [INTIMATE SPANISH ROMANTIC CHAMBER BALLAD] [ZEMFIRA DE GRANADA — SOLO LYRIC-SPINTO SOPRANO] [PURE CLASSICAL TONE — BEAUTIFUL SPANISH POP DELIVERY] [EXTREME PPP–MF DYNAMICS] [NO GRAND CLIMAX — NO DRAMATIC PERCUSSION] [ONE FEMALE VOICE THROUGHOUT] [EVERY WORD SUNG — NO RECITATIVE] [LONG INSTRUMENTAL PASSAGES] [EXQUISITE LEGATO — EXPRESSIVE RUBATO] [NO MALE VOCALS — NO CLARINETS] [PROLOGUE — 16 BARS — PPP] [COMPLETE SILENCE FOR THE FIRST TWO BARS] [SOLO CELLO INTRODUCES ELVIRA'S ORIGINAL FOUR-NOTE THEME] [VERY SLOW, PURE, UNACCOMPANIED] [NYLON FLAMENCO GUITAR ENTERS WITH DELICATE ARPEGGIOS] [HARP ADDS SHIMMERING HARMONICS] [SOLO ROMANI VIOLIN ANSWERS THE CELLO] [PIANO ENTERS WITH SOFT SUSPENDED CHORDS] [WARM VELVETY STRINGS BLOOM GRADUALLY] [NO PERCUSSION] [VERSE 1 — THE FIRST LIGHT] [ZEMFIRA — VERY CLOSE, TENDER, CLEAR] [CELLO AND GUITAR ONLY] Salamanca deschide ochii, prima rază a sosit; clopotele nu mai cheamă, orașul s-a trezit. Pe străzi rămâne vântul, pe marmură, ziua de ieri; nimeni nu știe ce-a murit, nimeni nu știe ce să creadă. [INSTRUMENTAL — 24 BARS] [ROMANI VIOLIN SINGS ELVIRA'S MELODY] [CELLO ANSWERS WITH A WARM DESCENDING PHRASE] [FLAMENCO GUITAR PLAYS FLOWING FINGERSTYLE ARPEGGIOS] [HARP WEAVES DELICATE COUNTERPOINT] [PIANO INTRODUCES LUMINOUS MAJOR-SEVENTH HARMONIES] [STRINGS SWELL VERY GENTLY] [REMAIN INTIMATE — NEVER ORCHESTRAL FFFF] [CHORUS — THE FINAL LULLABY] [UNFORGETTABLE, TENDER, SOARING MELODY] [LONG BEAUTIFUL LEGATO PHRASES] [THE CHORUS MELODY RETURNS IDENTICALLY] Dormi, Elvira, dormi, noaptea s-a sfârșit. Nu mai sunt nici jurăminte, nu mai e durerea aceea. Dormi, Elvira, dormi, sub cerul de cristal; sunt iubiri care se pierd, dar nu vor muri nicicând. [INSTRUMENTAL — 32 BARS] [EXTENDED ROMANTIC CELLO AND VIOLIN DUET] [ELVIRA'S FOUR-NOTE THEME EXPANDS INTO LONG MELODIC ARCS] [VIOLIN INTRODUCES A BEAUTIFUL RISING COUNTERMELODY] [HARP AND GUITAR EXCHANGE FLOWING ARPEGGIOS] [PIANO ADDS RICH BUT TRANSPARENT HARMONIC SUSPENSIONS] [GRADUAL MODULATION FROM D MINOR TOWARD F MAJOR] [CONTINUE TOWARD D MAJOR] [ONE RADIANT LYRICAL CLIMAX — MF] [NO HEAVY PERCUSSION — NO LOUD TUTTI] [VERSE 2 — WHAT REMAINS] [ZEMFIRA — CONVERSATIONAL TENDERNESS] [PIANO AND GUITAR, SOFT CELLO] Ferestrele se luminează, lumea începe din nou; dar unele despărțiri nu pot fi date uitării. În aer rămâne un nume, în piatră, un cântec; iar în adâncul tăcerii o inimă încă trăiește. [INSTRUMENTAL — 16 BARS] [SOLO VIOLIN REPRISES THE LADY'S THEME] [THE THEME GENTLY TRANSFORMS INTO ELVIRA'S MELODY] [CELLO HOLDS A WARM D PEDAL] [PIANO INTRODUCES D MAJOR WITHOUT FANFARE] [HARP AND GUITAR MAINTAIN DELICATE MOTION] [FINAL CHORUS — RADIANT D MAJOR] [THE ORIGINAL CHORUS MELODY] [ZEMFIRA'S MOST BEAUTIFUL, INTIMATE LEGATO] [LIGHT STRING HARMONIES SUPPORT THE VOICE] Dormi, Elvira, dormi, noaptea s-a sfârșit. Nu mai sunt nici jurăminte, nu mai e durerea aceea. Dormi, Elvira, dormi, sub cerul de cristal; sunt iubiri care se pierd, dar nu vor muri nicicând. [INSTRUMENTAL EPILOGUE — 24 BARS] [SOLO NYLON GUITAR RECALLS MOVEMENT 1'S OPENING MOTIF] [VERY SOFT — LIKE A DISTANT MEMORY] [CELLO ANSWERS WITH DIEGO'S FOUR-NOTE THEME] [ROMANI VIOLIN PLAYS THE LADY'S MELODY] [THE THEMES GENTLY RESOLVE INTO ELVIRA'S FOUR NOTES] [PIANO AND HARP ADD LUMINOUS SUSPENSIONS] [GRADUALLY REMOVE VIOLIN, STRINGS, PIANO AND HARP] [ONLY GUITAR AND CELLO REMAIN] [VERY SLOW RITARDANDO] [FINAL WORDS — ALMOST A WHISPER] [SOLO GUITAR] Salamanca păstrează visul... Salamanca păstrează iubirea... [FINAL CODA — 12 BARS] [CELLO PLAYS ELVIRA'S ORIGINAL FOUR-NOTE MELODY] [THIS TIME THE PHRASE RESOLVES COMPLETELY] [SOLO GUITAR ANSWERS WITH ONE GENTLE D-MAJOR ARPEGGIO] [ONE LAST NATURAL STRING HARMONIC] [LET THE SOUND DECAY COMPLETELY] [NO FADE-OUT] [END]

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