エブリシング・イット・キャリーズ・フォワード
drum and bass, shoegaze, dreamgaze/ethereal wave;
172 BPM expansive and gathering, G major;
vocaloid, miku vocal, high-pitched robotic voice, auto-tuned harmonics, vocoder effect, three verses each recalling an earlier motif, layering through a build-up into a unified hook, the alto flute's opening breath returning alone at the fade;
alto flute breathy single tone, wall of shimmering guitar hushed at verse one, swelling at verse two, thickening at verse three, widest at the hook, fretless bass entering at verse two, descending lower at verse three, electric piano sparse chords, breakbeat withheld at the intro, loose at verse one, tighter by verse three, full density at the hook;
wide stereo image, heavy chorus and flanger modulation, warm cavernous reverb, the wall of sound and breakbeat both gradually fading over several bars into silence, the alto flute's breath left alone at the end, ‑static unchanging texture throughout, ‑minimal single-motif arrangement, ‑dry clinical mix, ‑four-on-the-floor rigid grid, ‑jump up, ‑neurofunk, ‑harsh distortion throughout, ‑screamo, ‑rock, ‑metal, ‑orchestral, ‑choir, ‑shamisen, ‑koto, ‑shakuhachi, ‑taiko, ‑traditional Japanese instruments, ‑spoken word, ‑rapping, ‑male vocal, ‑warm human voice, ‑natural singing, ‑EDM festival build and drop
V6
hue just a breath、透明、そこにあるかないか 道、切り拓く、I just walked it 形、never twice the same、もう別のもの 風のfirst shape、まだ増えてく 緑、carrying it through 声、not anyone else's、わたしだけ unseen、でも消えてない 風はmy eyesを必要としない 跡、keeps replaying、テープ切れても 隠すものない、nothing held back how far down、終わりじゃない 形も声も深さも、moving forward together 触れたもの全部、エブリシング・イット・キャリーズ・フォワード every breath、every route、残した形 ただ通り過ぎたものなど、never 全部、where the wind goes nextの一部 still moving、全部運んで ただの風じゃなかった、always going somewhere
