Disclaimer : The act of ''god killing'' is completely metaphorical and is within the context; based on societal pressure of work, word-play and homophones of ''kami'. [Song Info Below] --------------------------------------------------------------------------------------------------------------------- Lyrics : [Verse 1] 仕事が好きだと言うけど、無気力な目で嘘をつく。 You say you like your job, but lie with lifeless eyes. 上司は「顧客は神」と言う、電話が鳴ると、体がビクッと。 The boss says, “The customer is God,” and when the phone rings, your body jolts. (ring, ring) 一本のタバコ、二本のタバコ、まだ数えてる One cigarette, two cigarettes—still counting. (Fuu~) 役立たず、黙って聞け; “Useless one, just shut up and listen.” [Bridge] 紙、仕事?いいえ、いいえ〜 Paper? Work? No, no— 髪、ほどけて、 Yeah~ Yeah~ Hair let loose, yeah~ yeah~ 今夜、俺たちはヴィランズ! Tonight, we’re villains! 神殺し、 LET'S GO! Godslayer, let’s go! [Chorus] 一番のベース、初めの動き、B-B-Bang your head。 First bass drop, first move, b-b-bang your head. 二番のベース、次のステップ、S-S-Shake your body。 Second bass drop, next step, s-s-shake your body. 三番のベース、準備はできた?行け、G-G-GO CRAZY!?! Third bass drop, are you ready? Go, g-g-go crazy?!? 大声で叫べ、ベースで踊れ Shout loud, dance to the bass, 二杯、四杯、十杯、フラフラ Two drinks, four drinks, ten drinks, swaying. 今夜、神様は紙じゃない Tonight, God isn’t ''paper.'' ビートは限界、「叫べ!」、お前は全開 The beat’s at the limit, “Scream!”—you’re on full throttle 踊れ踊れよお前、今すぐダンスダンス! Dance, dance you, right now, dance dance! [Instrumental Drop] [Verse 2] 生きてる?リムボにいる。 空っぽの笑顔、ピエロの仮面 Alive? Or stuck in limbo? An empty smile, a pierrot's mask. 時計が刻む; 時間は泥棒。でも、時計が鳴ると凍りつく The clock ticks; time is a thief. But when it rings, you freeze up. チクタク、チクタク! Tick-tock, tick-tock! 一杯コーヒー、二杯コーヒー、神様に祈る、無心で One coffee, two coffees, praying to God, mindlessly ろくでなし、黙って、踊れ! Good-for-nothing, shut up, just dance! [Instrumental Drop] 神殺し、 LET'S GO! Godslayer, let’s go! [Chorus] 一番のベース、初めの動き、B-B-Bang your head。 First bass drop, first move, b-b-bang your head. 二番のベース、次のステップ、S-S-Shake your body。 Second bass drop, next step, s-s-shake your body. 三番のベース、準備はできた?行け、G-G-GO CRAZY!?! Third bass drop, are you ready? Go, g-g-go crazy?!? 大声で叫べ、ベースで踊れ Shout loud, dance to the bass, 二杯、四杯、十杯、フラフラ Two drinks, four drinks, ten drinks, swaying. 今夜、神様は紙じゃない Tonight, God isn’t ''paper.'' ビートは限界、「叫べ!」、お前は全開 The beat’s at the limit, “Scream!”—you’re on full throttle 踊れ踊れよお前、今すぐダンスダンス! Dance, dance you, right now, dance dance! [Instrumental Drop] [Finale] 一番のベース、初めの動き、B-B-Bang your head。 First bass drop, first move, b-b-bang your head. 二番のベース、次のステップ、S-S-Shake your body。 Second bass drop, next step, s-s-shake your body. 三番のベース、準備はできた?行け、G-G-GO CRAZY!?! Third bass drop, are you ready? Go, g-g-go crazy?!? 四番のベース、盛り上がれ! Fourth bass drop, turn it up! G-G-G-GO C-C-CRAZY! G-G-G-GO C-C-CRAZY。 G-G-G-GO C-C-CRAZY。 [Outro] 紙、仕事?いいえ。 Paper? Work? No. 髪、ほどけて、 Yeah。 Hair let loose, yeah. 今夜、俺たちは。。。 VILLAINS。 Tonight, we’re... villains. 神殺し。。 Godslayer... -------------------------------------------------------------------------------------------------------------------- Song Info: This song critiques societal and workplace pressures, focusing on liberation from oppressive norms. The lyrics describe someone numbly enduring a disliked job, symbolized by routines like counting cigarettes or cups of coffee. The phrase “God isn’t paper” challenges the idea that "the customer is God," suggesting that life is more than corporate demands. Using homophones—紙 (kami) for "paper," 神 (kami) for "god," and 髪 (kami) for "hair"—the song contrasts the triviality of paperwork with the freedom of “letting one’s hair loose.” The chorus amplifies this rebellion through explosive bass drops and rhythmic commands like “Bang your head” and “Go crazy,” mirroring the liberating energy of dance. The line “Tonight, God isn’t paper” emphasizes rejecting corporate servitude in favor of unrestrained self-expression. By identifying as “villains” and invoking “Godslayer,” the song invites listeners to reject societal expectations and embrace rebellion as a path to freedom