[Intro] [Heard From Very Far Away] [Everything Heavily Filtered, Almost All Reverb] [Low Drone, Distant Wind Texture] [No Clear Rhythm Yet] [First Sight] [Slow Sequencer Enters, Geometric Repeating Pattern] [80 BPM, E Phrygian, Flattened Second Held Open] [Still Distant, Still Filtered] [The Structures] [Vast Brass Chords, Slow Attack, Very Long Decay] [Chords: E minor - F - E minor - D] [One Chord Every Four Bars] [Carved Into The Stone] [Deep Brass Plays A Slow Buried Melody, Two Octaves Low] [Almost Too Slow To Follow] [Sequencer Continues Underneath] [Walking Closer] [Filter Opens Gradually, Reverb Recedes] [Low Tom Hits Enter, Spaced Wide] [Sequencer Unchanged, Now Clearer] [Low Choir] [Male Voices, Deep Register, Closed Oh Vowel] [No Words, No Language] Ohhh... ohhh... ohhh... Ohhh... ohhh... ohhh... [The Scale Of It] [High Soprano Choir Far Above The Men] [Strings Rise Underneath] [Brass Swells Larger] Aaaah... ohhh... aaaah... ohhh... [Standing Beneath] [Sequencer Silent] [Choir And Drone Alone, Very Close, Almost Dry] [Single Low Drum Hit With Enormous Decay] Ohhh... mmm... ohhh... [Solo Male Vocalise] [Tenor, Intimate, Slightly Raspy, Close And Dry] [One Human Voice Inside The Structure] Aaah... mmm... aaah... mmm... Ooo... aaah... ooo... aaah... [Majesty] [Everything Returns: Sequencer, Brass, Strings, Full Choir, Drums] [Largest Sound Of The Piece] [Buried Melody In The Brass Once More, Still Unrecognised] Aaaah... ohhh... aaaah... ohhh... Aaaah... aaaah... aaaah... aaaah... [Long Decay] [Instruments Fall Away Into The Hall] [Sequencer Last, Slowing, Fading] Ohhh... mmm... [End]
