[Intro — sparse low strings, distant wind, post-battle stillness, very slow; first faint hint of dawn in the harmony] Moringotto... lumna... cuilë... [brief silence, not a long empty pause] [Verse 1 — restrained female alto/mezzo lead, low male choir distant underneath] Angainor nauta sa Rìë racina ná Vanwë míri teva Lumna cuilë, lumna [Hook — low and memorable, restrained pulse begins underneath; simple melodic motif introduced] Araniat lantë... Araniat lantë... Cotto nauta [Short instrumental transition — the hook motif continues quietly in strings; first sense of forward motion] [Verse 2 — still dark, but less static; warmer harmony begins to enter beneath the vocal] Aran né va, sí lá Aina né va, sí lá Cirissatan lantë Lúlo caita lumna [Hook — same motif, now clearer and more rhythmic; low percussion and strings begin to lift] Araniat lantë... Araniat lantë... Cotto nauta [Instrumental rise — harmony opens, tempo feel begins to increase, darkness starts to recede] [Bridge — clear major/modal shift; dawn breaks; warm strings and brighter orchestration enter] Aurë tulë, vanya Cala luva, vanya Valar varyar Arda Síva calma tulë [Instrumental lift — same earlier hook motif transformed into a brighter melody; flowing rhythm, no march] [Final Hook — soaring but controlled female lead, warm mixed choir, luminous orchestral lift] Alassëa cuilë Alassëa cuilë Cala tulë [Final reprise — optional repeated hook with stronger rhythm and warm choir] Alassëa cuilë Sérë tulë [Outro — peaceful warm strings, tempo relaxes slightly, morning atmosphere, long luminous decay] Arda... calima... Aurë.. ....
