[Tempo: 102 BPM] [Time Signature: 4/4] [Length: 16 Bars] [Instruments: Electric Guitar + Electric Bass Only] [Overall Tonal Centre: E] [Guitar Tonal Colour: Emaj7 Tonal Centre With Grit] [Bass Mode: E Dorian – E F# G A B C# D] [Feel: Dirty Funk, Grimy, Aggressive Syncopation, Controlled Chaos] [GUITAR – RHYTHM] [Bridge Pickup] [Edge Of Breakup Tone] [Light Overdrive] [Heavy Palm Muting] [Dead-Note 16ths Prominent] [Controlled Amp Feedback Available When Sustaining] [Feedback Swells – Placement] [Bar 4: After Beat 3 Double-Stop – Roll Volume Knob Up Slowly – Natural Harmonic Feedback Until Bar 5 Beat 1] [Bar 8: After Beat 1 Downstroke – Allow Controlled Feedback For Beats 2–3 – Cut Abruptly Before Lead Fill] [Bar 16: Final Emaj7 – Sustain – Controlled Feedback Bloom From Beat 3 To End] [Bars 1–4 Rhythm Section] [Bar 1: Emaj7 – Slide In From Below – Hard Accent Beat 1 – Dead 16ths Until “&” Of 2 – Short Stab Beat 4] [Bar 2: Emaj7 – Raked Entry – Muted Scratches Continuous – Accent “&” Of 3] [Bar 3: F#m7 – Staccato Beat 1 – Scratch Groove – Slide Out Late Beat 4] [Bar 4: Emaj7 – Sparse – Double-Stop On “&” Of 3 – Begin Feedback Swell] [Bars 5–8 Rhythm Section] [Bar 5: G#m7 – Syncopated Stabs On “&” Of 1 And “&” Of 3] [Bar 6: F#m7 – Continuous 16th Scratch – Chord Pops Beat 2 And 4] [Bar 7: Amaj7 – Dirty Partial Voicing – Aggressive Upstroke Accents] [Bar 8: Emaj7 – Heavy Downstroke Beat 1 – Feedback Swell Beats 2–3 – Silence Beat 4] [DIRTY LEAD FILL SECTION – Bars 9–10] [Switch To Neck Pickup For Slightly Thicker Lead Tone] [Increase Gain Slightly] [Add Subtle Delay – Short Slapback] [Stay Within E Dorian With Emaj7 Tonal Awareness] [Bar 9 Lead Fill] [Start On “&” Of 1] [G (12th Fret G String) – Bend Slightly Sharp – Release] [Quick Hammer F# To G] [Slide Up To A] [Drop To E On D String] [Muted 16th Ghost Note] [C# To D Quick Slide Into Beat 4] [End With Short E Stab] [Bar 10 Lead Continuation] [Triplet Burst: G–A–B] [Slide Into C#] [Pull-Off To B] [Quick Double-Stop E And G] [Aggressive Bend On G Slightly Flat For Grit] [Cut Abruptly Beat 4] [Bars 11–12 Return To Rhythm] [Bar 11: G#m7 – Tight Stabs – Reduced Density After Lead Burst] [Bar 12: Amaj7 – Full 16th Scratch Pattern – Dynamic Lift] [Bars 13–16 Closing Section] [Bar 13: B6/9 Partial Voicing – Tight – Accent “&” Of 2] [Bar 14: Amaj7 – Space Between Hits – Dead Strums] [Bar 15: F#m7 – Rake Into Beat 1 – Short Stops] [Bar 16: Emaj7 – Heavy Downstroke Beat 1 – Sustain – Feedback Bloom Beat 3 To End] [BASS – Updated To Match Lead Energy] [Warm Gritty Tone] [Light Overdrive] [Ghost Notes Heavy] [Syncopated Attack] [Micro Slides Encouraged] [Bars 9–10 Support Groove Under Lead] [Bar 9: E Beat 1 – Rest – G “e” Of 2 – A “&” Of 2 – C# “&” Of 3 – D Beat 4] [Bar 10: F# “&” Of 1 – G Beat 2 – B “&” Of 2 – C# Beat 3 – Slide To D Beat 4] [Bar 16 Final] [Low E – Whole Note] [Heavy Attack] [Let Strings Slightly Rattle] [No Additional Notes] [Dynamic Arc] [Bars 1–4: Dirty Minimal Groove + First Feedback Texture] [Bars 5–8: Intensified Funk + Swell Into Break] [Bars 9–10: Explosive Dirty Lead Fill] [Bars 11–12: Groove Re-Establish] [Bars 13–16: Controlled Descent + Final Feedback Bloom]
