[INTRO — bass guitar creeping in, drums filtered, voices in the room] Ahh… Pa rele m demen maten non… Mwen pa konn ki lè m ap antre. Henny sou tab. Tekila deja frèt. DJ… Bay gaz. [BEAT DROPS] [VERSE 1] M antre clean, fresh, tout bagay anfòm De ti shot deja mete m nan zone Bass la lage, mwen santi l nan zo Gita ap pale — mwen reponn “ann go” Mwen pa nan pale, m vin fè mouvman Depi vibe la bon, m pèdi nosyon tan Yon ti Henny, bagay la dousman Tekila pase — kounye a se pwoblèm Gade jan n lage kò Gade jan n pran nivo Tout moun cho Pa gen moun k ap poze M soti pou m viv M pa soti pou m dòmi Si DJ gen mizik Frè m, pa chèche m isi [PRE-HOOK — stacked voices] Kote fèt la ye? M AP VINI Kote vibe la ye? M AP VINI Menm si l lwen? M AP VINI DJ mete l wo… N AP FINI! [HOOK — stacked male harmonies, simple and repetitive] M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN DJ PA RALANTI PA RALANTI L KOUNYE A Si son an poko mouri M poko prale lakay M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN Henny ban m vibe Tekila fè m pèdi tèt Ròm lan fè m danse Tankou demen pa egziste! [POST-HOOK — bass-heavy chant] Bay gaz! Bay gaz! M poko sou fren! Bay gaz! Bay gaz! Nou poko sou fren! [8-BAR GUITAR SOLO #1 — clean Haitian Kompa guitar, fast repeating melodic lick, traditional high-register phrasing; deep rolling bass answers each phrase] [VERSE 2] Ayiti — nou deyò Miami — nou deyò Santo Domingo San Juan — nou deyò Martinique, Gwada Curaçao, Aruba Kote yo gen vibe Se la w ap jwenn mwen la M pa bezwen envitasyon M tande bass — lokalizasyon M wè limyè — destinasyon M pran yon shot — aktivasyon Henny fè m cool Tekila fè m fou Ròm nan vini Mwen di “vide l tou” Pa vin pale m lè Pa vin di m ase Mwen konnen demen travay Men sa… se zafè demen [BREAK — drums stop, bass guitar walking] Lead: Eh eh… Background: SA K GENYEN? Lead: Yo di bar la pral fèmen. Background: KI SA?! Lead: Yo di DJ a pral ralanti. Background: PA FÈ SA! Lead: Bon… [DRUM FILL] Vide dènye wonn nan. [BEAT SLAMS BACK] [HOOK] M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN DJ PA RALANTI PA RALANTI L KOUNYE A Si son an poko mouri M poko prale lakay M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN Henny ban m vibe Tekila fè m pèdi tèt Ròm lan fè m danse Tankou demen pa egziste! [GOUYAD BREAK — drums stripped down, bass louder] Dousman… Pa prese… Pran l agoch… Pran l adwat… Kole sou beat la Pa kite l sove Bass la anba Gita anlè Dous… Dous… Dous… KOUNYE A LAGE L! [8-BAR GUITAR SOLO #2 — completely different solo; sharper, more aggressive Haitian/Zouk phrasing, syncopated guitar stabs followed by rapid melodic runs, bass guitar becomes busier underneath] [VERSE 3 — shorter, more rhythmic] Mwen poko fatige Mwen poko fini Soulye sal anba Men m toujou clean Je m wouj piti Men m wè byen DJ mete yon lòt Fè m pèdi tèt ankò menm Nou gen Henny Nou gen ròm Tekila? Ban m yon lòt wonn Yon sèl lavi M ap viv pa m Si fèt la fini la… N ap jwenn yon lòt avan! [STACKED VOICE BREAK] Lead: Nou pral lakay? Voices: NON! Lead: Nou fatige? Voices: NON! Lead: Bar la fèmen? Voices: WI! Lead: Ebyen? Voices: CHÈCHE YON LÒT KOTE! [FINAL HOOK — biggest vocals] M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN DJ PA RALANTI PA RALANTI L KOUNYE A Si son an poko mouri M poko prale lakay M PAP SISPANN — JOUK LIMYÈ LIMEN M PAP SISPANN — JOUK BAR LA FÈMEN Henny ban m vibe Tekila fè m pèdi tèt Ròm lan fè m danse Tankou demen pa egziste! [CHANT — layered male voices] Bay gaz! Nou poko sou fren! Bay gaz! Nou poko sou fren! Limyè limen? NOU LA TOUJOU! Bar la fèmen? NOU LA TOUJOU! DJ fini? NOU LA TOUJOU! Fèt la fini? [half-beat silence] CHÈCHE YON LÒT! [OUTRO — guitar and bass only] Hmm… Yo konnen m deja. Kote mizik ye… Se la m ye. [guitar lick] Demen n a pale.
