
/* my contest entry 👉🏻 hook: https://suno.com/s/3QlPNBnUgOpNzlWf */ [project:{TR-39}|{HARD-SOAP-FULL-FALL}] [intent:{1970 heavy blues rock}|{acoustic celtic folk-rock}|{electric guitar absolute lead}|{harmonic female choir age 20+}] [tempo:104][key:{D major}|{D Mixolydian}|{tritone colour}][time:4/4] [rule:{guitar leads}|{fiddle answers}|{choir supports peaks}] [SYS-00:{architecture}] [form:{wet opening}|{soap verse}|{waterfall hook}|{guitar turn}|{second verse}|{bridge}|{guitar-fiddle feature}|{full fall}] [groove:{earthy 4/4}|{loose backbeat}] [SYS-01:{electric guitar lead}] [instrument:{Gibson SG Standard '61}|{Burstbucker 61R/61T}] [technique:{blues bends}|{gritty double-stops}|{wide vibrato}|{feedback tails}] [amp:{Marshall 1987X}|{1960AX Greenback cabinet}] [role:{absolute melodic lead}|{hook answers}] [SYS-02:{acoustic+fiddle}] [guitar:{Martin 00-18}|{dry downstrokes}|{open-string glue}] [fiddle:{Eastman VL305}|{raw modal slides}|{rough double-stops}|{phrase-end turns}] [law:{fiddle secondary}] [SYS-03:{bass+drums}] [bass:{Fender Precision Bass}|{RNDI}|{Ampeg B-15N}|{warm fingerstyle}] [kit:{Ludwig Classic Maple}|{22x14 kick}|{13+16 toms}] [snare:{Ludwig Supraphonic 14x6.5}] [groove:{loose pocket}|{restrained fills}] [SYS-04:{voice+choir+mix}] [lead:{female}|{Tarja v2.3}] [behavior:{dry talking-sung verses}|{crisp consonants}|{chest-led hooks}] [choir:{harmonic female ensemble}|{4-6 voices}|{warm blended tone}|{wordless Aa-Oo-Eh vowels}|{consonant thirds+sixths}|{soft octave reinforcement}|{smooth sustained voicings}|{support only}|{never lyric doubling}] [choir law:{no Bulgarian projection}|{no microtonal clusters}|{no harsh seconds}] [room:{dry studio}|{short natural decay}] [geometry:{lead front}|{electric left}|{fiddle right}|{choir rear-wide}] [master:{warm saturation}|{open low-mids}] [FORM-I:{waterfall entry}] [acoustic:{dry pulse}][electric:{bent answer}][fiddle:{enters late}] Wash over me. I am already under it. The waterfall skips the question about more than friends. It just hits. [FORM-V1:{hard soap logistics}] [electric:{short blues answers}][drums:{loose pocket}] I build myself up to stand on the wet stone with a bar of hard soap and a practical plan. Round the serpentine they were having empty conversations. I am having a conversation with my elbows. They were filthy. The soap agrees. Friends say I’m anxiously attached. Attached to the bar. It keeps trying to leave down the rocks. I chase it. That is the passion. [FORM-C1:{carbolic hook}] [electric:{wide singing bends}][fiddle:{rough replies}] [choir:{soft Aa-Oo bed}|{close thirds}|{light sixth above phrase ends}] Wash over me like a waterfall. Do what you want. Leave me the soap. Until the moon gives in I am still scrubbing. Look in my eyes. They tell you one thing. This is carbolic. I am enjoying it in a way the universe left off the list. [choir:{warm Aa-Oo harmony}|{three-part consonant stack}|{short decay}] [FORM-TURN:{guitar-fiddle exchange}|{8 bars}] [stage 1:{guitar states low bent blues cell}|{fiddle answers modal fragments}] [stage 2:{double-stops widen}|{bass walks beneath}] [stage 3:{guitar holds upper bend}|{fiddle falls below}] [ending:{imperfect D resolution}|{dry gap}] [FORM-V2:{soap as evidence}] [acoustic:{more exposed}][bass:{melodic}][drums:{behind beat}] The numb stuff leaves this awake. So does your heart of gold. I pay my bills. I rent a ledge, a bad grip, and a bar that smells like it remembers a grandmother and a crime. You can throw away our history. I am throwing away the film on my wrists. Call the Red Cross if you want. Tell them a woman is under a fall washing like she means it. They can stay where they are. Good. [FORM-C2:{smaller ruder mine}] [electric:{heavier breakup}][fiddle:{sharper replies}] [choir:{rounded Oo foundation}|{upper Aa harmony in thirds+sixths}] Wash over me like a waterfall. Do what you want. Keep the soap in my hand. [choir:{Aa-ah harmony}|{soft three-part lift}] Oo-oo the time is running out of the bar. Oo-oo reach out and feel it. It is smaller. It is ruder. It is mine. [choir:{low Oo}|{warm upper third+fifth}|{smooth release}] We’ll shoot into the sky when I slip. Until then I stay. [FORM-BR:{whole love story}] [drums:{kick+floor tom}][acoustic:{foreground}][fiddle:{low drone}] Meet this way. Meet this way. Cold water. Hard soap. A shoulder that finally lets the cloth go. The universe can conspire somewhere drier. I am busy. The fall keeps working. I keep working back. That is the whole love story. Sorry. [choir:{Aa-Eh-Oo swell}|{four-part consonant harmony}|{gentle contrary motion}|{clean cutoff}] [FORM-FEATURE:{tube-and-bow argument}|{16 bars}] [stage 1:{guitar reduces hook to low D blues figure}|{bass holds pulse}] [stage 2:{fiddle answers rough modal turns}|{acoustic stays dry}] [stage 3:{guitar climbs bent pentatonic fragments}|{toms push}] [stage 4:{fiddle briefly leads}|{guitar drops to gritty double-stops}] [stage 5:{short phrase trades}] [ending:{wide guitar bend}|{fiddle descends}|{hard D stop}] [law:{1970s phrasing}|{no shred}] [FORM-FINAL:{full fall}] [electric:{maximum melodic width}][fiddle:{high rough answers}] [choir:{warm rear-wide Aa-Oo harmony}|{stacked thirds+sixths}|{supports phrase endings}] Wash over me. I said wash. The real kind. [choir:{dark but consonant Aa-Oo chord}|{slow swell}] The moon can give in whenever it likes. The backs of my knees still have work. Hard soap. Full fall. [choir:{rising four-part vowel harmony}|{smooth voice-leading}] Keep hold of the bar. The rest can take the water. [choir:{final sustained Aa-Eh-Oo chord}|{warm blended harmony}|{soft octave support}|{fades before instruments}] [OUTRO:{wet-room residue}] [drums:{stop}] [electric:{slow D7-coloured bend}|{imperfect release}] [fiddle:{falling response}] [acoustic:{open D-A-D}] [TERMINATE:{tube hum}|{strings settle}|{dry room decay}]
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