[Cinematic Intro] [Section: El Grito (The Shout)] (Solo Gaita flute melody, very breathy. Long Güiro scrape.) ¡AY HOMBE! (Breathe) RRRO-MA-RE... RRRO-MA-RE... [Drop] (The steady chugging rhythm of the Tambora and Güiro) To-ca-la, To-ca-la ¡E-SA! Ma-rrre-ta, ma-rrre-ta To-ca-la, To-ca-la ¡HUE-PA! RRRAN-KA-TA, RRRAN-KA-TA ¡CAN-TA! Ma-rrre-ta, ma-rrre-ta De-la-ma, de-la-ma ¡YA! [Section: Coro (The Hook)] [build] [drop] [vocal chops, kick and reverse bass] O-ye-la, o-ye-la-sa-na Va-le-rrro, Va-le-rrro Si-en-te-la, si-en-te-la-na To-ca-la-can-tá [build] [drop] [vocal chops, kick and reverse bass] Pa-ta-ca, Pa-ta-ca ¡O-YE! Ma-rrri-na, Ma-rrri-na To-ca-la-can-tá [Section: El Puya (The Build)] (Increasing speed of the Maracas and Güiro) DA-LE-MA-RRRE! DA-LE-MA-RRRE! ¡HUE-PA! DA-LE-MA-RRRE! DA-LE-MA-RRRE! ¡E-SA-ES! [drop] [vocal chops, kick and reverse bass] (Full energy. Peak "Carnaval de Barranquilla" vibes) O-ye-la, o-ye-la-sa-na Va-le-rrro, Va-le-rrro Si-en-te-la, si-en-te-la-na To-ca-la-can-tá [Section: Outro] (Minimalist. Maracas and a fading Gaita flute) Can-ta... To-ca... RRRO-MA... (Long Güiro scrape)
