[Header: Broken Halftime Dubstep] [tempo | 140 BPM] [meter | 4/4] [feel | halftime, jagged, degraded, oversaturated, heavy] [genre fusion | dubstep, drum and bass, breakcore, clicks and cuts] [groove core | halftime dubstep, chopped amen breaks, broken drum and bass fills] [sub role | tactile pressure, mono foundation] [master texture | bitcrushed, clipped, tape-warped, saturated] [Block: Stereo Behavior] [downbeat image | wide breath] [drop image | mono slam] [percussion placement | hard pan, call response] [delay method | Haas effect] [transient shape | smeared width, sharp impact] [Block: Drum Skeleton] [kick | deep dubstep anchor, gabber insert] [snare | cracked backbeat, gated tail] [breaks | amen fragments, splice cuts, stutter edits] [edit style | hard cut, tape splice] [fill behavior | sudden burst, hard stop, re-entry] [Block: Bass System] [sub bass | clean sine, chest pressure, mono] [mid bass | distorted wobble, crunchy one-shots, short decay] [sidechain | deep pump, reverb duck] [drop response | bass stab, silence, bass stab] [Block: Vocal Treatment] [vocal mode | clipped speech, damaged tape, dry close mic] [vocal processing | pitch shift, stutter gate, granular cut] [intelligibility | fragmented, percussive, degraded] [placement | center flash, stereo throw, abrupt mute] [Block: Guitar Flood] [instrument | tape-warped electric guitar] [role | post-rock swell, midrange flood] [processing | chorus, tape flutter, reverb bloom] [mix action | kick carve, sidechain pull, sudden absence] [Block: Structure] [section order | cut-in, halftime frame, mono drop, gabber intrusion, ruin bloom, final break damage] [ending | abrupt silence] [Movement I: Cut-In] [drums | broken teaser, bitcrushed hat ticks] [bass | short mono pressure] [vocal | clipped fragment] [space | narrow, dry, unstable] impermanence determinance postulates regurgitant allegorical compliments relevant to egocentric embellishment of likely magnificence in the truest sense of humanity's competence regarding competitive cognizance and tribal mindedness substituting ambivalence for destructiveness indifference hence becomes strangeness [Movement II: Halftime Frame] [groove | readable halftime] [breaks | chopped skin, syncopated surface] [percussion | hard-panned dispute] [sub | steady weight] for the populace driven by authorship from popularity's grip geared for dominance in market happenstance often swapped for malfeasance needing malpractice insurances for standard operating procedures feeding downstream markets with the shit that rolls down hill regardless it's almost like slave owners wouldn't know justice if it slapped the white right offa their faces [Movement III: Mono Drop] [stereo field | collapse] [bass | distorted one-shot sequence] [drums | kick focus, snare violence] [sidechain | maximum pump] putting places on places on racist debasement and fifty something years don't replace this not when the establishments trace their proud lineage through the streets of harlem low income faces now fill places left over from the business owners who benefited from race warin'est tearing tulsa a new one no one's complacent sis' it's a new opportunities mental place it's almost like congress is tied up bein awesome'ist can't find time to reign in a barbaris' fascist fat asshole or somethin' god damn it gets dark in this... so [Movement V: Ruin Bloom] [guitar | tape-warped swell] [vocal | pitched debris] [breaks | drowned fragments] [filter | overextended sweep] impermanence determinance postulates regurgitant allegorical compliments relevant to egocentric embellishment of likely magnificence in the truest sense of white competence regarding competitive cognizance and Tulsa mindedness [Movement VI: Final Break Damage] [drums | amen shrapnel, drill edits, hard gates] [bass | wobble stabs, sub pressure] [image | wide breath, mono hits] [master | clipped, crushed, beautiful ruin] substituting ambivalence for destructiveness indifference hence becomes strangeness for the faces driven by authorship from popularity's grip geared for dominance in market happenstance often swapped for malfeasance needing property insurances for standard operating procedures feeding downstream markets with the shit that rolls downhill on Harlem regardless [End]
