8125 - I Said, You Heard by Zombie Robby

[Intro – pad caldi e Rhodes, crepitio di vinile, pioggia lontana, contrabbasso che cammina, 90 bpm half-time , 16 Bars]

[Calm 1 – spoken word femminile, vicina al microfono, quasi sussurrato]
He says "I'm fine" and I hear a door being locked from the inside
I say "nothing's wrong" and he hears the weather report
We use the same words and the words go to different countries
We use the same words and the words go to different countries

[Build – rullante che sale, riser, un battito di silenzio]
Say it again
Say it again
Say it again

[Drop 1 – 180 bpm, amen break tagliato, reese bass rotante, stab melodici]
[Voce maschile raggamuffin, frasi brevi, secche]
Mi say one ting, mi say one ting
You hear ten
Mi say yes, you hear maybe
Mi say maybe, you hear no
Mi say one ting, mi say one ting
You hear ten

[Voce femminile, frasi spezzate, tagliate sul beat]
I said tired, you heard bored
I said listen, you heard blame
I said tired, you heard bored
I said listen, you heard blame

[Botta e risposta, entrambi]
Said, heard, said, heard
Said, heard, said, heard

[Calm 2 – 90 bpm, spoken word maschile, basso e calmo]
She asks me what I'm thinking
I'm thinking about nothing, it's the best nothing I've had all week
And somehow she hears a verdict
And somehow she hears a verdict

[Build – filtro che si apre, tom, riser più lungo]
Say it again
Say it again

[Drop 2 – 180 bpm, più denso, bassline più pesante, archi taglienti]
[Voce femminile ragga, frasi brevi]
Mi no say leave, mi no say leave
Mi say come closer
You hear go away
Mi say come closer
You hear go away

[Voce maschile ragga]
Mi say help, mi say help
She hear "mi nuh need you"
Mi say help, mi say help
She hear "mi nuh need you"

[Botta e risposta, entrambi, sempre più veloce]
Said, heard, said, heard
Said, heard, said, heard
Said, heard

[Calm 3 – 90 bpm, spoken word di entrambi, uno sopra l'altro, sempre più piano]
Maybe it was never the words
Maybe it's that nobody listens for the question under the question
Maybe it's that nobody listens for the question under the question

[Build – il più lungo, quasi silenzio, poi il riser sale di colpo]

[Drop 3 – 180 bpm, il più devastante, tutto insieme, voci sovrapposte]
Mi say one ting, you hear ten
I said tired, you heard bored
Said, heard, said, heard
Mi say one ting, you hear ten
I said listen, you heard blame
Said, heard, said, heard

[Outro – il tempo crolla a 90 e poi quasi a 70, resta la melodia sola con il contrabbasso, spoken word femminile finale]
I said I'm here
And you heard goodbye .... 
I said I'm here
And you heard goodbye ...
goodbye ...
goodbye ...

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[Calme: contrabbasso che cammina, Rhodes, pad d’archi, batteria jazz con spazzole o rullante morbido, vinile e pioggia.] [Drop: amen break tagliato e rotante, reese bass e sub, stab melodici di synth e archi, flauto o fiato breve per tenere il lato melodico.] [Transizioni: riser, tom, un battito di silenzio prima di ogni drop, e filtro che si apre nella seconda build.] [Voci: raggamuffin maschile secca nei drop, ragga femminile nel drop 2, spoken word nelle calme.] [Tempi: calme a 90 bpm, balzi a 180 nei drop, outro che scende fino a circa 70.] [Intro – pad caldi e Rhodes, crepitio di vinile, pioggia lontana, contrabbasso che cammina, 90 bpm half-time , 16 Bars] [Calm 1 – spoken word femminile, vicina al microfono, quasi sussurrato] He says "I'm fine" and I hear a door being locked from the inside I say "nothing's wrong" and he hears the weather report We use the same words and the words go to different countries We use the same words and the words go to different countries [Build – rullante che sale, riser, un battito di silenzio] Say it again Say it again Say it again [Drop 1 – 180 bpm, amen break tagliato, reese bass rotante, stab melodici] [Voce maschile raggamuffin, frasi brevi, secche] Mi say one ting, mi say one ting You hear ten Mi say yes, you hear maybe Mi say maybe, you hear no Mi say one ting, mi say one ting You hear ten [Voce femminile, frasi spezzate, tagliate sul beat] I said tired, you heard bored I said listen, you heard blame I said tired, you heard bored I said listen, you heard blame [Botta e risposta, entrambi] Said, heard, said, heard Said, heard, said, heard [Calm 2 – 90 bpm, spoken word maschile, basso e calmo] She asks me what I'm thinking I'm thinking about nothing, it's the best nothing I've had all week And somehow she hears a verdict And somehow she hears a verdict [Build – filtro che si apre, tom, riser più lungo] Say it again Say it again [Drop 2 – 180 bpm, più denso, bassline più pesante, archi taglienti] [Voce femminile ragga, frasi brevi] Mi no say leave, mi no say leave Mi say come closer You hear go away Mi say come closer You hear go away [Voce maschile ragga] Mi say help, mi say help She hear "mi nuh need you" Mi say help, mi say help She hear "mi nuh need you" [Botta e risposta, entrambi, sempre più veloce] Said, heard, said, heard Said, heard, said, heard Said, heard [Calm 3 – 90 bpm, spoken word di entrambi, uno sopra l'altro, sempre più piano] Maybe it was never the words Maybe it's that nobody listens for the question under the question Maybe it's that nobody listens for the question under the question [Build – il più lungo, quasi silenzio, poi il riser sale di colpo] [Drop 3 – 180 bpm, il più devastante, tutto insieme, voci sovrapposte] Mi say one ting, you hear ten I said tired, you heard bored Said, heard, said, heard Mi say one ting, you hear ten I said listen, you heard blame Said, heard, said, heard [Outro – il tempo crolla a 90 e poi quasi a 70, resta la melodia sola con il contrabbasso, spoken word femminile finale] I said I'm here And you heard goodbye .... I said I'm here And you heard goodbye ... goodbye ... goodbye ...

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