[106 BPM in C minor. Simple early-80s drum-machine pattern, dry short kick, short electronic snare, closed hi-hats, rigid repetitive timing, minimal fills. Analog synth bass with a restrained syncopated pattern. Sparse poly-synth chords and a descending sequenced synth motif. Short melodic synth hook during instrumental sections. Low female vocal register, narrow melodic range.] [Intro - instrumental] [Dry electronic drum-machine pulse, analog synth bass, sparse descending synth motif] [Verse 1 - low, controlled, conversational] Every evening at a quarter past nine, She walks through the lobby, never looks at the sign. A black little suitcase, a coat on her arm, She gives the receptionist a smile without charm. She takes the elevator, never says hello, The doors close slowly and the numbers glow. Twenty-five, twenty-six, then twenty-seven, And nobody knows what she leaves behind. [Refrain - restrained, rhythmic] The woman in Room 27, Arrives when the city turns blue. The woman in Room 27, Nobody knows where she's going to. [Verse 2 - slightly stronger] She never orders dinner, she drinks coffee at night, She leaves the curtains open and turns off every light. A suitcase on the table, a photograph inside, But the face has been folded where the eyes should be. One evening the bellboy brings a letter to her door, She reads it in the hallway, then tears it into four. She puts the pieces carefully into her coat, And walks downstairs without another word. [Instrumental Section - instrumental only, no vocals] [Sequenced bass, short poly-synth chords, isolated melodic synth hook] [Verse 3 - lower, more reflective] At three in the morning, the telephone rings, She answers without speaking, just listens to the line. Then she says, "You were right," and slowly hangs up, As if someone had been waiting all this time. At seven she is gone before the breakfast bell, No suitcase in the room, no note in the hotel. The maid finds one red lipstick on the bathroom glass, And underneath it, written in pencil: "Don't ask." [Refrain - same restrained vocal character] The woman in Room 27, Arrived when the city turned blue. The woman in Room 27, Left before anybody knew. [Bridge - low spoken female voice, dry] Some people leave their names behind. Some leave photographs. She left a room number. And that was enough. [Final Refrain - firmer rhythm, same vocal register] The woman in Room 27, Still lives somewhere in this town. The woman in Room 27, You may pass her in the crowd. She won't turn around. She won't say your name. She'll walk into the evening And disappear again. [Outro - instrumental] [Descending synth motif returns, analog bass continues, dry drum machine fades]