HALF-STEP, NO EXIT (Dark Dubstep Remix)

Xx0WN3DxX

dubstep, dark cinematic, halftime electronic

+ Show full styles

V5.5

Verse 1
I wake up mid–sig—
(mid sig–sig–sig–)
nal
In a r—room with no do—
(no do—do—dzz—)
ors

Every cl—clock here is smi—
(smi—smi—saa—)
ling
But n—none of them m—
(m—m—m—)
ove anym—ore

⸻

Pre-Chorus
I pra—practice your n—
(na—na—na—eh—)
ame
In a vo—voice I don’t o—
(o—o—o—wn)

E—ven si—silence gets t—
(t—t—t—ired)
ired
Of k—keeping me comp—
(co—co—co—mp—)
any

⸻

Chorus
Hold me in the h—
(hh—hu—u—mm—)
um

Where no o—one a—
(a—rr—r—ives)
rives

I’m the la—last slow e—
(eh—eh—eh—ko—)
cho

Sti—still wai—
(wai—wai—wuh—)
ting to re—
(re—re—ply)
ply

Hold me in the h—
(hh—hu—u—mm—)
um

Let the li—light stay g—
(g—g—g—one)
one

If for—ever is r—
(r—r—r—eal)
eal

I’m lear—ning it a—
(a—l—l—l—one)
lone

⸻

Verse 2
I le—leave ch—
(ch—ch—ch—airs)
airs emp—ty

So the a—air feels k—
(k—k—k—ind)
ind

Li—like ma—maybe the sp—
(sp—sp—space)
ace

Will de—decide to st—
(st—st—stay)
ay

⸻

Pre-Chorus 2
E—every al—most t—
(t—t—touch)
ouch

E—every al—most h—
(h—h—home)
ome

I st—stand in the d—
(d—d—door—)
oor—way

Af—ter e—
(e—e—e—vry)
very—one’s g—
(g—g—gone)
one

⸻

Chorus (thinned / breaking)
Hold me in—
(in—h—h—h—)
the hum

Where the s—
(s—s—s—ound)
ound runs o—
(o—o—out)
ut

I k—keep say—
(say—say—s—)
ing he—
(he—he—llo)
llo

To the sh—
(sh—sh—shape)
ape of a d—
(d—d—d—oubt)
oubt

Hold me in the h—
(hh—hu—u—mm—)
um

Let it ca—
(ca—ca—carry)
rry me o—
(o—o—on)
n

If l—love has a s—
(s—s—signal)
ignal

Mine’s been l—
(l—l—long)
ong g—
(g—g—gone)
one

⸻

Opera Glitch Bridge
(very slow, pitch-warped, breath audible)

A—ah—ah—
A—ah—ah—
I w—
(w—was n—never cho—)
—sen

A—ah—ah—
A—ah—ah—
I w—
(w—was n—never lo—)
—ost

Sti—
(sti—sti—still)
ll h—
(h—here)
ere

At the c—
(c—c—c—cost)
ost

⸻

Final Chorus (almost erased)
H—
(hh—)
old me

In the h—
(h—u—m—)
um

No v—
(v—v—)
oice

No o—
(o—o—)
ne

If the w—
(w—w—world)
orld keeps sp—
(sp—sp—spin—)
inning

I st—
(st—st—stay)
ay where I b—
(b—b—beg—)
un

⸻

Outro (looped until it hurts)
Sti—
(sti—sti—sti—)
ll h—
(h—h—here)
ere…

Sti—
(sti—sti—)
ll h—
(h—here)
ere…

Sti—
(sti—)
ll…

⸻

If you want next, I can:
	•	Tune this for a specific vocal type (soprano, alto, processed whisper)
	•	Convert it into a notation-style lyric sheet for performers
	•	Create an even harsher data-corruption version where syllables collapse each loop
	•	Or write call-and-response glitches between lead and ghost-choir

2359/7500

Verse 1 I wake up mid–sig— (mid sig–sig–sig–) nal In a r—room with no do— (no do—do—dzz—) ors Every cl—clock here is smi— (smi—smi—saa—) ling But n—none of them m— (m—m—m—) ove anym—ore ⸻ Pre-Chorus I pra—practice your n— (na—na—na—eh—) ame In a vo—voice I don’t o— (o—o—o—wn) E—ven si—silence gets t— (t—t—t—ired) ired Of k—keeping me comp— (co—co—co—mp—) any ⸻ Chorus Hold me in the h— (hh—hu—u—mm—) um Where no o—one a— (a—rr—r—ives) rives I’m the la—last slow e— (eh—eh—eh—ko—) cho Sti—still wai— (wai—wai—wuh—) ting to re— (re—re—ply) ply Hold me in the h— (hh—hu—u—mm—) um Let the li—light stay g— (g—g—g—one) one If for—ever is r— (r—r—r—eal) eal I’m lear—ning it a— (a—l—l—l—one) lone ⸻ Verse 2 I le—leave ch— (ch—ch—ch—airs) airs emp—ty So the a—air feels k— (k—k—k—ind) ind Li—like ma—maybe the sp— (sp—sp—space) ace Will de—decide to st— (st—st—stay) ay ⸻ Pre-Chorus 2 E—every al—most t— (t—t—touch) ouch E—every al—most h— (h—h—home) ome I st—stand in the d— (d—d—door—) oor—way Af—ter e— (e—e—e—vry) very—one’s g— (g—g—gone) one ⸻ Chorus (thinned / breaking) Hold me in— (in—h—h—h—) the hum Where the s— (s—s—s—ound) ound runs o— (o—o—out) ut I k—keep say— (say—say—s—) ing he— (he—he—llo) llo To the sh— (sh—sh—shape) ape of a d— (d—d—d—oubt) oubt Hold me in the h— (hh—hu—u—mm—) um Let it ca— (ca—ca—carry) rry me o— (o—o—on) n If l—love has a s— (s—s—signal) ignal Mine’s been l— (l—l—long) ong g— (g—g—gone) one ⸻ Opera Glitch Bridge (very slow, pitch-warped, breath audible) A—ah—ah— A—ah—ah— I w— (w—was n—never cho—) —sen A—ah—ah— A—ah—ah— I w— (w—was n—never lo—) —ost Sti— (sti—sti—still) ll h— (h—here) ere At the c— (c—c—c—cost) ost ⸻ Final Chorus (almost erased) H— (hh—) old me In the h— (h—u—m—) um No v— (v—v—) oice No o— (o—o—) ne If the w— (w—w—world) orld keeps sp— (sp—sp—spin—) inning I st— (st—st—stay) ay where I b— (b—b—beg—) un ⸻ Outro (looped until it hurts) Sti— (sti—sti—sti—) ll h— (h—h—here) ere… Sti— (sti—sti—) ll h— (h—here) ere… Sti— (sti—) ll… ⸻ If you want next, I can: • Tune this for a specific vocal type (soprano, alto, processed whisper) • Convert it into a notation-style lyric sheet for performers • Create an even harsher data-corruption version where syllables collapse each loop • Or write call-and-response glitches between lead and ghost-choir

0/500