孤毒

ayn.yume

gothic art-rock, chamber industrial

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(Lyrics)
[Intro]

[Verse 1]
ごちゃごちゃに詰め込んだ
きもちの標本箱
だれか　わたしを試したの？
This is a test… or a curse?

ちぎれた声を　瓶に詰めて
ならべる　虫みたいな「感情」
にせものの　優しさの毒で
きょうもまた　笑ってるフリ

[Pre-Chorus 1]
こどくを噛んで　飲みこんだ夜
「平気な顔」は　呪いの化粧
それでも　わたしを捨てないのは
いたいのが　すきだから？

嗚呼　叫びは誰にも届かない
ならいっそ　壊れてしまえ

[Chorus 1]
この身ごと　蠱毒にして
最後に残った「わたし」をみせる
泣いても　笑っても　どうせ
裁くのは　わたしの声
So scream it loud,
この孤毒、孤独より　綺麗でしょ？

[Interlude]

[Verse 2]
鏡の中　笑うのは誰？
「本物」なんて　もういらない
生き残った　罪と美学
それが「わたし」になっただけ

[Pre-Chorus 2]
甘い言葉のトゲに刺されて
心の臓は　まだ動いてる
こんなに　ボロボロでも
Still, I won’t give in

ねえ　優しさは毒にもなるよね？
その手で　わたしを殺して

[Chorus 2]
愛なんて　信じられない
でも誰かの声が　ほしくなる
汚れても　壊れてもいい
選ばれるのが　こわかった
So burn it down,
この孤毒、孤独より　強いから

[Bridge]
もしも　もう一度　生まれ変わっても
同じ罠（わな）に　堕ちていくでしょう
だって　わたしは
「それしか知らない」から

[Final Chorus]
この身ごと　蠱毒にして
最後に残った「わたし」を抱いて
泣いても　笑っても　全部
誰かの「夢」じゃ　終われない
So scream it loud,
この孤毒、孤独より　綺麗でしょ？

[Outro]

(//Lyrics End)
<HEADER>
Project: YUME Music System / 2026
Title: 孤毒
MusicDirection: yume
Lyricist: ema. / @SbefKKyDN4MPNmw
VocalID: YUMEKO / Whisper Doll Voice
Language: Japanese / English
Genre: dark ritual gothic art-rock / cinematic chamber industrial
Tempo: 82 BPM / ritual pulse.
Key: D minor / harmonic-minor tension
TimeSignature: 6/8
Frame: Y-FRAME4.6 MOONVEIL CONTROL CORE.
</HEADER>
<YUME_CORE_LOCK>
SONG_HEART: False kindness, pain and isolation ferment into her own poison; what survives is the self she finally chooses to hold.
HEART_LINES: "この身ごと　蠱毒にして" / "最後に残った「わたし」を抱いて" / "誰かの「夢」じゃ　終われない".
LYRIC_PRIORITY: exact words, punctuation, line order and sections; clear Japanese-English diction; natural sustain allowed; no substitution, omission, added phrase or hook repetition.
</YUME_CORE_LOCK>
<ADAPTIVE_SOUND_PROFILE>
GROOVE: grave human 6/8; floor-tom heartbeat, restrained triplet motion and deliberate silence. Verses stay sealed in glass; choruses widen without speeding up.
SOUND_ROLE: dry C7 reveals the specimen box; Drop-D Les Paul cuts low-mid wounds; Jazz Bass carries poison; close toms make ritual physical; cello answers pain; chamber strings wait until the final embrace.
</ADAPTIVE_SOUND_PROFILE>
<MELODY_ID_ENGINE>
HOOK_ID: preserve the chorus P5 leap D4-A4 on "この身ごと". 蠱毒 turns A4-Bb4-A4; 孤独 descends A4-G4-F4; final 孤毒 transforms A4-Bb4-D5. Keep all three meanings.
VERSE: B3-A4, intimate minor-second/third cells, fully sung; questions leave glass-box silence.
PRE: lengthen phrases from D4 toward D5. "嗚呼" is a supported vowel. Drop the band after "壊れてしまえ".
CHORUS: D4-E5. "最後に残った" rises A4-C5-D5; "「わたし」をみせる" briefly peaks E5 then releases E5-D5-C5. Keep 6/8 gravity and clear consonants.
CHORUS_2: same interval DNA, emotionally withheld. "So burn it down" is cold resolve; "強いから" lands D5 then falls A4.
BRIDGE: exposed B3-D5 arc; "それしか知らない" thins to head-mix, breath, then one beat of silence.
FINAL: same hook, wider not louder. Sing "抱いて" exactly. Brief E5 only at the peak; final "綺麗でしょ？" resolves D4 with luminous minor afterglow.
</MELODY_ID_ENGINE>
<VOCAL_IDENTITY_LOCK>
YUMEKO clear youthful soprano / Whisper Doll Voice / center-front / forward mask / head-mix / transparent clean tone / fine glass edge / stable identity.
HumanVocalRangeOnly: strict. Range B3-E5; brief E5, no sustained note above D5. Intensity is focused head-mix and vowel bloom, never chest-pulled force.
ENGLISH: first line wary; "Still" steady; every "So scream it loud" clean, pitched and restrained, never literal screaming.
VocalHarmony: none until Final Chorus; then unison on "この身ごと" and "この孤毒" only.
</VOCAL_IDENTITY_LOCK>
<REAL_SOUND_IDENTITY>
PIANO: real Yamaha C7; dry hammer, low singles, sparse high glass tones, short pedal; exposed in Intro/Bridge.
GUITAR: real six-string Gibson Les Paul, Drop D, bridge humbucker, close tube amp; palm-muted triplets and short low chord wounds.
BASS: real five-string Fender Jazz Bass; defined fingerstyle, chromatic gravity, lyric-gap replies, kick-locked 80-150Hz.
DRUMS: real Ludwig Classic Maple; deep floor tom, dry kick/snare, Zildjian K dark decay, close mics, human 6/8.
STRINGS: real solo cello low-mid answers; restrained chamber arco enters fully only in Final Chorus.
</REAL_SOUND_IDENTITY>
<MIX_SPACE_LOCK>
CENTER: vocal/kick/bass. WIDTH: guitar and late strings. DEPTH: dry-near vocal, mid piano, rear short-dark room; silence audible.
FREQUENCY: tight 80-150Hz, carved 200-500Hz, gentle 2-5kHz diction, round highs and dark cymbals.
DYNAMICS: natural transients, peak-safe; chorus width from arrangement, not vocal volume.
</MIX_SPACE_LOCK>
<QUALITY_GATE>
COMPLETION_LOCK: Complete all lyrics once, in order. No skipped, replaced, merged or repeated section. Do not end before the final line. Must reach (//Lyrics End).
REJECT_IF: generic anime gothic, cute yami-pop, metal spectacle, horror score, waltz parody, yelling, thick/changed vocal, synthetic instruments, dense Bridge, sung tags or looping Outro.
ACCEPT_IF: P5 hook is memorable; 蠱毒・孤独・孤毒 differ melodically; every word is clear; "抱いて" transforms the ending; final minor glow feels beautiful, poisonous and self-owned.
</QUALITY_GATE>
<END>

5000/7500

(Lyrics) [Intro] [Verse 1] ごちゃごちゃに詰め込んだきもちの標本箱だれか　わたしを試したの？ This is a test… or a curse? ちぎれた声を　瓶に詰めてならべる　虫みたいな「感情」にせものの　優しさの毒できょうもまた　笑ってるフリ [Pre-Chorus 1] こどくを噛んで　飲みこんだ夜「平気な顔」は　呪いの化粧それでも　わたしを捨てないのはいたいのが　すきだから？嗚呼　叫びは誰にも届かないならいっそ　壊れてしまえ [Chorus 1] この身ごと　蠱毒にして最後に残った「わたし」をみせる泣いても　笑っても　どうせ裁くのは　わたしの声 So scream it loud, この孤毒、孤独より　綺麗でしょ？ [Interlude] [Verse 2] 鏡の中　笑うのは誰？「本物」なんて　もういらない生き残った　罪と美学それが「わたし」になっただけ [Pre-Chorus 2] 甘い言葉のトゲに刺されて心の臓は　まだ動いてるこんなに　ボロボロでも Still, I won’t give in ねえ　優しさは毒にもなるよね？その手で　わたしを殺して [Chorus 2] 愛なんて　信じられないでも誰かの声が　ほしくなる汚れても　壊れてもいい選ばれるのが　こわかった So burn it down, この孤毒、孤独より　強いから [Bridge] もしも　もう一度　生まれ変わっても同じ罠（わな）に　堕ちていくでしょうだって　わたしは「それしか知らない」から [Final Chorus] この身ごと　蠱毒にして最後に残った「わたし」を抱いて泣いても　笑っても　全部誰かの「夢」じゃ　終われない So scream it loud, この孤毒、孤独より　綺麗でしょ？ [Outro] (//Lyrics End) <HEADER> Project: YUME Music System / 2026 Title: 孤毒 MusicDirection: yume Lyricist: ema. / @SbefKKyDN4MPNmw VocalID: YUMEKO / Whisper Doll Voice Language: Japanese / English Genre: dark ritual gothic art-rock / cinematic chamber industrial Tempo: 82 BPM / ritual pulse. Key: D minor / harmonic-minor tension TimeSignature: 6/8 Frame: Y-FRAME4.6 MOONVEIL CONTROL CORE. </HEADER> <YUME_CORE_LOCK> SONG_HEART: False kindness, pain and isolation ferment into her own poison; what survives is the self she finally chooses to hold. HEART_LINES: "この身ごと　蠱毒にして" / "最後に残った「わたし」を抱いて" / "誰かの「夢」じゃ　終われない". LYRIC_PRIORITY: exact words, punctuation, line order and sections; clear Japanese-English diction; natural sustain allowed; no substitution, omission, added phrase or hook repetition. </YUME_CORE_LOCK> <ADAPTIVE_SOUND_PROFILE> GROOVE: grave human 6/8; floor-tom heartbeat, restrained triplet motion and deliberate silence. Verses stay sealed in glass; choruses widen without speeding up. SOUND_ROLE: dry C7 reveals the specimen box; Drop-D Les Paul cuts low-mid wounds; Jazz Bass carries poison; close toms make ritual physical; cello answers pain; chamber strings wait until the final embrace. </ADAPTIVE_SOUND_PROFILE> <MELODY_ID_ENGINE> HOOK_ID: preserve the chorus P5 leap D4-A4 on "この身ごと". 蠱毒 turns A4-Bb4-A4; 孤独 descends A4-G4-F4; final 孤毒 transforms A4-Bb4-D5. Keep all three meanings. VERSE: B3-A4, intimate minor-second/third cells, fully sung; questions leave glass-box silence. PRE: lengthen phrases from D4 toward D5. "嗚呼" is a supported vowel. Drop the band after "壊れてしまえ". CHORUS: D4-E5. "最後に残った" rises A4-C5-D5; "「わたし」をみせる" briefly peaks E5 then releases E5-D5-C5. Keep 6/8 gravity and clear consonants. CHORUS_2: same interval DNA, emotionally withheld. "So burn it down" is cold resolve; "強いから" lands D5 then falls A4. BRIDGE: exposed B3-D5 arc; "それしか知らない" thins to head-mix, breath, then one beat of silence. FINAL: same hook, wider not louder. Sing "抱いて" exactly. Brief E5 only at the peak; final "綺麗でしょ？" resolves D4 with luminous minor afterglow. </MELODY_ID_ENGINE> <VOCAL_IDENTITY_LOCK> YUMEKO clear youthful soprano / Whisper Doll Voice / center-front / forward mask / head-mix / transparent clean tone / fine glass edge / stable identity. HumanVocalRangeOnly: strict. Range B3-E5; brief E5, no sustained note above D5. Intensity is focused head-mix and vowel bloom, never chest-pulled force. ENGLISH: first line wary; "Still" steady; every "So scream it loud" clean, pitched and restrained, never literal screaming. VocalHarmony: none until Final Chorus; then unison on "この身ごと" and "この孤毒" only. </VOCAL_IDENTITY_LOCK> <REAL_SOUND_IDENTITY> PIANO: real Yamaha C7; dry hammer, low singles, sparse high glass tones, short pedal; exposed in Intro/Bridge. GUITAR: real six-string Gibson Les Paul, Drop D, bridge humbucker, close tube amp; palm-muted triplets and short low chord wounds. BASS: real five-string Fender Jazz Bass; defined fingerstyle, chromatic gravity, lyric-gap replies, kick-locked 80-150Hz. DRUMS: real Ludwig Classic Maple; deep floor tom, dry kick/snare, Zildjian K dark decay, close mics, human 6/8. STRINGS: real solo cello low-mid answers; restrained chamber arco enters fully only in Final Chorus. </REAL_SOUND_IDENTITY> <MIX_SPACE_LOCK> CENTER: vocal/kick/bass. WIDTH: guitar and late strings. DEPTH: dry-near vocal, mid piano, rear short-dark room; silence audible. FREQUENCY: tight 80-150Hz, carved 200-500Hz, gentle 2-5kHz diction, round highs and dark cymbals. DYNAMICS: natural transients, peak-safe; chorus width from arrangement, not vocal volume. </MIX_SPACE_LOCK> <QUALITY_GATE> COMPLETION_LOCK: Complete all lyrics once, in order. No skipped, replaced, merged or repeated section. Do not end before the final line. Must reach (//Lyrics End). REJECT_IF: generic anime gothic, cute yami-pop, metal spectacle, horror score, waltz parody, yelling, thick/changed vocal, synthetic instruments, dense Bridge, sung tags or looping Outro. ACCEPT_IF: P5 hook is memorable; 蠱毒・孤独・孤毒 differ melodically; every word is clear; "抱いて" transforms the ending; final minor glow feels beautiful, poisonous and self-owned. </QUALITY_GATE> <END>

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