[Use enharmonic synemmenon dromos hitzaz mode with çıkıcı-İnici seyir for all harmonic elements. Bassline follows strictly by doubling lead instruments in perfect fourths.] [Male voice A - Miloš, male, serbian construction worker: gruff maqam bass-baritone with prominent buhha and squillo, microtonal bends, melismatic, zero rapping, slow, deliberate shirabyoshi phrasing.] [Male voice B: Felix - male: german construction foreman: german lied light lyric tenor. Delivery: smooth legato, measured, clear diction. Aloof, haughty and fully dependent on Prosper. Sings fluently in all languages cited.] [Male voice C: Pigeon - male: narrator: snarky buffo bass. Delivery: smooth legato, measured, clear diction. Aloof, haughty and fully dependent on Prosper. Sings fluently in all languages cited.] [choral elements: construction workers choir: drunken kakegoe shouts.] [Lyrics in serbian, english and german] [Dynamics swell - full ensemble *including drums* joins immediately on beat 1] [Vorspiel starts with full intensity - 2 bars, full crescendo] [All vorspiels are the same copy/pasted from the opener, ghammaz section is the only one that changes the pattern.] [Vorspiel - 2 bars] [Verse 1] [Pigeon, further "P"] This is the "Baustelle symphonie", Lots of sweat for you, Pelf for the company. [Miloš, further "M"] Мешалица свира, У срце ме дира. [Miloš, sings with dert] Мешалице, ти што свираш, Ти што моју душу дираш? Да ли знаш за знојно чело И болна леђа у свету белом? [Choir:] * Мешалица свира, * У срце не дира. [Vorspiel - 2 bars] [Pigeon] Hear them sing the "Baustelle symphonie", Hard hat and sweat for him, Middle finger for the company. [Verse 2] [P] Here is Miloš, the brute, One so raw and crude His farts scare pigeons, I'm still here, unsmudgeoned. Куче лаје, караван пролази. 'Оће л' три лоша убит' Милоша? Све док мешалица тихо свира, Ама ништа њега Нема да тангира. [Choir] * Мешалица свира, * У срце не дира. [M, sings with dert] Некад сам био ја, Баја и мудоња, Док друга земља Није моју душу узела. Никог не милујем, Бауштелу робујем, А моје срце изморено За Швабе арбајтује. [P] Here is Felix, Der deutsche Gentleman. Blonde, pallid, on the wane, Exuding authority all around, Sickly and made fun off All day long, Especially by Miloš. [Felix, further "F", sings with schmaltz] Dort in den Baustelle steht ein Herr da schaut nichts als Scheiße überall Ich schaut stromauf, Ich schaut stromab ist noch nicht da mein Herzensknab' Der schönste Bursch am ganzen Rhein Den nenn' ich mein, den nenn' ich mein [Instrumental bridge - Ghammaz section with taqsim - 2 bars] [Choir:] * Der Mixer läuft den ganzen Tag, * Mein Herz so tief berührt sein. * This is the "Baustelle symphonie", * Annoyance for you, * Pride for the company. [P] Watch now the real symphony Between two idiots so concrete! [F, with forced authority:] Kovač! These materials were organized properly. Now they'll need to be... [M, doesn't care:] Fixed promptly? Good luck finding him! [F, voice tightening:] This is the third time this week That you've deliberately... Perhaps you'd like to get back To Serbia very fast? [M:] Носи се, бре, Фелиција! [F, confused:] Waaaaaaas? [M, dismissive:] Багро швапска! [Ghammaz Section - non-lexical vocalizations] * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... [Vorspiel - 2 bars] [Verse 3] [Choir, everyone joins in stentor:] This is the "Baustelle symphonie", Confusion for you, Due to blatant disregard Of thine authority... [start fade out, slow down] [Vorspiel - 2 bars, fadeout] [Outro] * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... * 嗯嗯嗯嗯嗯嗯嗯嗯嗯... [end]
