[Who:[Vocalist: Male],[Vocal Range: Baritone with Upper-Mid Extension],[Lead]][Delivery:[Clean Style: Loose Speech-Derived Modal Singing],[Tone: Chest-Bodied, Hollow-Edged, Plaintive],[Texture: Raw, Dry-Grained, Uneven],[Enunciation: Drawled, Slurred Syllable Connection, Relaxed Consonants, Swallowed Word Endings],[Vowels: Elongated, Unevenly Shaped, Slightly Pinched on Upper Notes],[Resonance: Chest-Anchored with Narrow Oral-Nasal Focus on Upper Vowels],[Register: Loose Chest Modal into Pulled Chest-Dominant Mix],[Closure: Uneven, Lightly Leaky at Rest],[Harsh Mechanism: Pitch-Bearing Grain Integrated with Modal Phonation]][Processing:[Auto-Tune: Minimal],[Double: Minimal],[Reverb: Short Natural Room],[Saturation: Light Analog Grit],[Vocal Compression: Moderate, Preserve Microdynamics]][Rap:[Rap Flow: None],[Rhyme Density: N/A]][Advanced:[Dynamic Phonation: Relaxed Uneven Modal Baseline, Increasing Closure and Compression Selectively on Peak Words],[Pitch Behavior: Frequent Scooped Entries, Delayed Pitch Centering, Sliding Syllable Connections, Downward Pitch Drag, Minor Drift],[Vibrato: Rare, Late, Uneven],[Onset: Lazy Speech-Led Entry, Soft Glottal Contact, Occasional Firmer Peak Attack],[Release: Dropped Pitch, Swallowed Ending, Closure Loss, Breath-Grain Decay, Abrupt Truncation],[Distortion: Irregular Light Grain at Baseline, Brief Coarse Rasp on Pressurized Peak Words while Pitched Phonation Remains Audible]][Example:[Verse][Loose Chest Modal][Drawled Diction][Scooped Entry][Delayed Pitch Center][Elongated Vowels][Peak Word][Pulled Chest-Mix][Pinched Vowel][Firm Closure][Brief Rasp][Dropped Ending]] [Instrument Anchor:[Guitar Continuity: One PRS Custom 22-Style Dual-Humbucker Electric Only throughout, Eb Standard, Marshall JCM800 2203-Style Head, Single Celestion-Loaded 4x12, Stable Mix Position],[Guitar Variation: Pickup Response, Amp Gain, Pick Attack, Muting, Sustain, Chord Voicing, and Phaser],[Bass Continuity: Same Fender Precision Bass through Ampeg SVT throughout],[Drum Continuity: Same Tama Acoustic Kit throughout, Tight Kick, Solid Snare Crack, Focused Toms, Controlled Sustain],[Cymbal Continuity: Same Zildjian Cymbals throughout, Crisp Stick Attack, Bright Metallic Transients, Clean Separation, Articulate Decay],[Band Continuity: Same Core Trio throughout, Firm Backbeat, Tight Guitar-Bass-Kick Lock, Performance-Led Dynamics]] [Intro: Instrumental: Clean Ringing Chord Figure, Phaser Movement, Bass Pickup, Tight Kick Pulse, Crisp Zildjian Stick Definition] [Verse 1: Vocal: Loose Chest Modal, Drawled Diction; Instrumental: Clean Downstroke Pattern, Bass-Kick Lock, Tight Tama Kick, Solid Cross-Stick Backbeat, Crisp Closed Hi-Hat] nevermind... i don't care.. yeah i see you standing there. there was a day i gave a shit, but that day's gone. [Turn: Instrumental: Crunch Chord Stabs, Solid Snare Pickup, Crisp Crash Choke] [Verse 2: Vocal: Loose Chest Modal, Elongated Vowels, Firmer Peak Words; Instrumental: Palm-Muted Low-String Pulse, Ringing Chord Releases, Tight Full-Kit Backbeat, Solid Snare Crack, Crisp Hi-Hat Definition] that's okay... do what you do.... i know i never meant much to you. there was a day you gave a shit, but that day's gone. [Break: Instrumental: Stop-Start Chord Hits, Bass-Kick Unison Accents, Tight Focused Tom Fill, Crisp Crash Chokes] [Verse 3: Vocal: Pulled Chest-Mix on Peaks, Selective Grain, Dropped Releases; Instrumental: Clean Broken-Chord Figure, Bass Pedal Tone, Tight Kick-Tom Pulse, Focused Tom Sustain, Crisp Metallic Cymbal Swells] it's alright... i'm used to this... another list of things i miss. there was a time i'd beg you to stay, but that day's gone. [Instrumental Bridge: Instrumental: Overdriven Repeating Riff, Bass Counter-Movement, Driving Focused Tom Groove, Bright Open Crashes, Clean Cymbal Separation, Rhythmic Stops] [Verse 4: Vocal: Pulled Chest-Mix, Compressed Peak Words, Brief Coarse Rasp, Abrupt Releases; Instrumental: Saturated Stop-Start Chords, Bass-Kick Unison, Tight Deep Kick, Solid Snare Crack, Bright Open Crashes, Crisp Metallic Attack] go fuck yourself... i've had enough... i'm done pretending i give a fuck. there was a day i'd take your shit, but that day's gone. [Verse 5 Outro: Vocal: Loose Low Chest Modal, Drawled Clean Delivery, Soft Closure, Falling Releases; Instrumental: Clean Intro Figure, Light Phaser Movement, Bass Sustain, Sparse Tight Kick and Low Tom, Controlled Tom Sustain, Clean Metallic Cymbal Decay] nevermind i dont care now I'm gonna leave you standing here this is the day i'm gonna quit now i'm moving on
