
[GLOBAL VOCAL — single close mic lead; natural pitch variation; human microtiming; microdynamic phrasing; real breath transitions; precise consonant articulation; stable natural formants; minimal pitch correction; light de essing; restrained compression] [INTRO — 8 bars instrumental; immediate bass hook; swung 2 step groove; deep controlled sub; sparse minor7 stabs] [VERSE 1 — single dry close lead; intimate conversational phrasing; natural phrase onset variation; microtiming preserved; syllable timing remains human; line end dynamics remain intact] I build myself up To sail through the weather I spend the days trying To make myself feel better Round the serpentine Empty conversations I’m not impressed by anyone [PRE CHORUS — percussion reduced; bass pulse retained; vocal slightly forward; natural breath support; subtle intensity increase; phrase endings remain unforced] Friends say I’m anxiously attached yeah Attached yeah And ketamine won’t numb My passion for ya I hope you know That what you hold Is a diamond With a heart of gold [TRANSITION — half bar reduction; sub remains active; natural breath pickup; immediate chorus impact] [CHORUS — full swung 2 step groove; centered single lead remains dominant; stronger breath support; natural pitch movement; restrained vibrato; selective restrained double tracking on phrase endings] Wash over like me a waterfall Do what you want Just don’t let me go Until the Moon finally Gives into the sun Look in your eyes And they tell me one thing That we should be more than friends The universe conspired for us To meet this way Meet this way, meet this way To meet this way Meet this way, meet this way [INSTRUMENTAL DROP — 16 bars; bass led 2 step groove; strongest sub authority; short organ stabs; chopped vocal one shots; progressive harmonic movement] [VERSE 2 — single close lead; dry centered image; conversational delivery; natural consonant timing; subtle breath variation; restrained dynamics] I pay my bills Got a house in the hills Call up the Red Cross Yeah, I’ma volunteer I do it all for you And you just break me dear Throw away our history We could start from here [BUILD — 8 bars; natural sustained vowels; continuous breath support; subtle pitch variation; restrained vibrato; human timing; vocal remains centered] Oo-oo the time is running out Oo-oo reach out and feel me know Oo-oo we’ll shoot into the sky Oo-oo we’ll shoot into the sky [TRANSITION — 1 beat drum cut; sub pulse retained; audible natural breath reset; immediate final impact] [FINAL CHORUS — increased human intensity through articulation and breath support; single lead remains dominant; natural microdynamics preserved; restrained doubles on selected endings; full 2 step groove] Wash over like me a waterfall Do what you want Just don’t let me go Until the Moon finally gives into the sun Look in your eyes And they tell me one thing That we should be more than friends The universe conspired for us To meet this way Meet this way, meet this way To meet this way Meet this way, meet this way [OUTRO — 8 bars instrumental; bass hook retained; percussion progressively reduced; harmonic resolution] [END — tight dry stop; controlled sub decay]

