[Intro:] **[Incubation, contrabass pedal, pp, sparse col legno:]** Ohm-vrr… koth-nn… zruu… Tak-tike-dok… Ohm-vrr… koth-nn… Tchk-ah, tchk-ah, tak-tike-dok. [Section A:] **[Approach, ostinato accelerating, low strings + bassoon entering, crescendo mp→mf:]** Vrohm-ka terr gaelic-oh mor, Shakh-terr, shakh-terr, drey-vun kor. Kelt-en-vahr dae-voch throe, Klag-en, klag-en, zol-men-vroe. Um-brav-ka kroom, bray-lish nahr, Vren-tich, vren-tich, skel-it-vahr. Dron-ka drak, tsen-za gloom, Mahn-te, mahn-te, drey-vun doom. **[— Absolute Silence, One full bar —:]** [Section B:] **[Attack, sul ponticello overpressure, FFF brass stabs, screeching upper strings:]** M’bwe-la! M’bwe-la! Koth-nn zruu rak-ta… Zruu-vrr! Tchk-ah! Eee-ah-hii… [Climax:] **[Culmination, full orchestral clash, ascending chromatic runs, timpani + contrabassoon doubling ostinato at triple speed:]** Ohm-koth… m’bwe-la shao-rii… Strim-vahr kesh, troo-ba lach, Vrohm-ka, vrohm-ka, shakh-terr nach! Eee-ah-hii-shao-rii… [Coda:] **[Aftermath, sudden drop to ppp, single cello line, ostinato fading, dotted rhythm dissolving into silence:]** Tak-tike-dok… tak… tike… …dok… …Koth-nn.
