Backseat Pull
[Verse - female vocals only] Pull me in the backseat... Don't let me go... (Hold me, hold me...) Tight around the throat... Pin me down... Don't let me move... (Hold me, Hold me...) Let's fuckin' go!!! HAHHH!!! [Beat Drop — heartbeat locks into dark tribal techno; crawling sub-bass, ritual toms, metallic percussion and downtuned sludge guitars surge underneath distorted breaths and chopped “Hold-hold-hold me” fragments; sensual, hypnotic and crushing] [Verse - male vocals only] Pull you in the backseat... I won't let you go... (Hold you, Hold you...) Squeeze your throat... Pin you down... But you better move... (Move me, move me...) Fast then slow... YEEEAAAHHH!!! [Beat Drop — deep Southern vocal fragments pitch downward over pounding tribal drums, grinding machinery and enormous sub-bass; chopped “Move-move-move me” stutters collide with distorted breaths and palm-muted metalcore guitars] [Chorus - both male and female vocals] Dicked Down! Stake Out! Deeper, deeper in... Deeper in the night... Deeper in the sin... Dicked Down! Stake Out! Do it all again... And again, and again... DO IT AGAIN!!! [Instrumental — addictive dark-rave pulse: crushing four-on-the-floor kick, sub-bass, ritual percussion and gigantic sludge chords; male/female fragments trade across the stereo field with chopped “Liv-Liv-Liv-Liv” stutters before crashing into a brutal half-time metalcore breakdown] [Verse - female vocals only] Fog on the glass... So hot for me... (Hold it in, hold it in...) Don't go pullin' outta me... Who cares if people notice... (Let 'em see, let 'em see...) Somethin' so wrong... Yet Beautiful!!! YEEEAAAHHH!!! [Beat Drop — distorted vocal stretches into feedback before pounding tribal techno erupts; industrial machinery, crawling bass and filthy sludge guitars surround chopped “Let ’em see” whispers, ending in a syncopated metalcore breakdown] [Verse - male vocals only] Steam on the windows... So wet for me... (Keep it in, keep it in...) Don't you pull away from me... Couldn't care less who's watchin'... (Let 'em see, Let 'em see...) Somethin' so Primal... Yet Wonderful!!! HAHHH!!! [Beat Drop — tribal drums and industrial percussion erupt beneath distorted sub-bass and colossal downtuned guitars; male “Let ’em see” fragments collide with female whispers and “Liv-Liv-Liv-Liv” stutters as techno repeatedly crashes into half-time sludge breakdowns] [Chorus - both male and female vocals] Dicked Down! Stake Out! Deeper, deeper in... Deeper in the night... Deeper in the sin... Dicked Down! Stake Out! Do it all again... And again, and again... DO IT AGAIN!!! [Instrumental — crushing rave kick, enormous sub-bass, hypnotic tribal percussion, industrial noise and sustained sludge chords; “Dark-dark / Sweet-sweet,” distorted breaths and chopped vocals grow increasingly frantic as sensual techno alternates with devastating half-time metalcore] [Outro — heartbeat and sludge drone; female whispers and deep Southern male murmurs alternate while ritual percussion slowly rebuilds] Do it... Do it... Do it again... (Dicked Down...) Do it again... (Stake Out...) Do it again... [Final Build — tribal drums multiply, metallic percussion accelerates, feedback rises and sub-bass swells beneath massive downtuned chords; chopped male/female fragments become frantic before sudden silence] DICKED DOWN STAKE OUT!!! DO IT AGAIN!!! (RAAAAHHHH!!!) [FINAL DROP — colossal tribal-techno/industrial-metalcore/sludge detonation; monstrous four-on-the-floor kick, subterranean bass, ritual drums, grinding machinery and brutally downtuned guitars; “Liv-Liv-Liv-Liv,” “Dark-dark / Sweet-sweet,” distorted breaths and both vocalists whirl through the rave as gigantic sludge chords collapse into savage half-time breakdowns, finally disintegrating into feedback, dying machinery and one heartbeat] [End — solitary heartbeat... silence]
