TRISTAN - ANDUNG BOHAN NI DAINANG

[INTRO] : (Tempo: Adagio ~65 BPM. Opens with a quiet classical piano, followed by soft moans of slow rock guitar distortion and faint heavy violoncelo orchestration). [VERSE 1] : (Feel: Soft, full of resignation, quiet). (Male Version: Sung with a very deep, heavy and round chest voice, filled with subtle Batak melisma twists at the end of each word). ANDUNG-ANDUNG NI ROHANGKU, MARDONGAN ILU NA MARABURAN, MAMINGKIRHON HO ALE AMANG/INANG, DI TANO HALADOAN. TARSONGON LALI NA HABANG, SO AMPE DI RANTING NI HAU, SONGON I MA HO PARSOALU, MALUNGUN JALA MARNIDA HALOJAON. (VERSE 2) : (Nuance: Vocal dynamics start to creep up, string section orchestration starts to tighten, slow rock drum beats come in slowly). (Male version: Vocals are getting more powerful, chest vibrations are getting heavier, expressing the burden of life). GOK SUNGSANG NI PARNGOLUON, INANG, NA HUDALANI DI NADAO, NDANG DUNG TARPABOA AU, SONGON DIA JORBUT NI PARSORIONON. MANGIDANGI NGOLUNGKU, MARPARBUEHON LOJAM NA SALPU, HAPE SO TARBALOS DOPE, GABE ANDUNGKU DI TONGAH BORNGIN. (CHORUS : Emotional Climax - Exploding Forte) : (Vague: Grand Orchestral Pop meets Slow Rock. The guitar distortion rises, the orchestral symphony reaches a dramatic peak. The singer explodes with thick, loud, clear vocal power, high pitch range). (Men's Version: High-tenor/baritone forte type round power, traditional Batak cengkok andung released with full of pained energy). UNANG TANGIS HO INANG! URUPI AU DI TANGIANGMU! PAIAS MA ROHAM, UNANG PAMINGKIRHU PARSORIONKON. TOMBAK NI SITOROP ILU, SAI GABE DALAN PARLASUNAN, MARPAMUATI MA ROHAM, RESTING NI TUA SAI PASAHAT MA. PASU-PASUMI ALE INANG, I DO NA GABE HAGOGOONKU! [INTERLUDE] : (Heart-wrenching slow rock guitar solo, racing with sulim winds that twist and turn poetically over an epic and majestic orchestral arrangement). (VERSE 3 - Subtle Umpasa - Soothing the Heart) (Nuance: The tempo slows back into the Adagio, the beat is constant and calm, giving the space a deep reverence). (Sung with soul, again soft but with thick volume). EME SITAMBA TUA, PARLINGGOMAN NI SIPORHOT, PASANGAP MA INANGMU, ASA DAPOT HO PARULIAN NA GOK. NANG PE HOLOM PARNGOLUON, MOLO DUNG DITIOP PASU-PASU, GABE PARCURAN NI NAUSEA, RANTO PARASINGAN GABE JABU. (OUTRO): (Nuance: The orchestra fades slowly, leaving behind the slow tinkling of the piano). (Male Version: Heavy muttering full of subtle hooks that fade) TANGIANGMU INANG... GOGO DI AU... SAI HORAS MA HO INANG... UNANG TANGIS HO... INANG