[Intro – 0:00-0:35 – pure dread: low detuned piano, distant reversed children’s laughter slowing into distorted screams, heavy breathing, single distant violin note that never resolves, cold industrial hum] [Verse 1 – whispered clean male vocals, close to the mic, almost intimate and terrifying] We know your name, we know your face We watched you smile while you took their place Basement lights flicker, chains on the floor You thought the dark would hide you forevermore [Pre-Chorus – layered whispers, female and male] No cops, no courts, no mercy tonight Just us in the shadows, turning off the light [Chorus – sudden harsh unclean dual screams (male + female), suffocating and vicious] WE SEE YOU We’re coming through the walls WE SEE YOU No one hears your calls We hunt the hunters, we break the breakers We make you feel every scream they made [Verse 2 – slower, spoken-sung with heavy distortion, very close and menacing] Little hands still tremble in our dreams Every tear you caused drips down the seams We tie the knots you tied on them that night Now you get to learn how slowly children die [Pre-Chorus – whispers turning into growls] No quick death, no easy way out We want you conscious when the lights go out [Chorus – even more unhinged, layered screams] WE SEE YOU We’re dragging you below WE SEE YOU Where the lost ones go Every rope you used, every lock you turned Now it’s your turn, your fucking turn [Bridge – almost spoken over barely-there piano and reversed breathing] You liked them small, you liked them scared We like you screaming, we like you aware [Breakdown – crushing, slow, suffocating low chugs + distant children’s laughter layered under screams] FEEL IT FEEL EVERY SECOND FEEL WHAT YOU DID NOW YOU GET TO LIVE IT [Final Chorus – pure terror, screams breaking into distorted howls] WE SEE YOU We never sleep, we never rest WE SEE YOU This is your eternal arrest No gods, no mercy, no final prayer Just us… and the dark… and your despair [Outro – everything drops to almost nothing: single detuned piano note, distant reversed laughter slowing into a child’s whisper “they’re coming… they’re coming…” then dead silence]