Boru Ni Raja - Kenzo

(A young man’s vocals enter with a clear, light, and deeply intimate tone. There is a quality to his voice that suggests a mix of nervousness and wonder—it is truly sweet to listen to)
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(Verse.1) :

Mataniari mullop sian dolok i
Manondangi Tao Toba na uli
Hubereng ma sahalak boru mardalan
Mekkel suping, mambahen pusu-pusu marlojong.
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((A modernized traditional Tortor beat kicks in, blending with a dynamic pop bassline. The song’s rhythm makes listeners want to start moving their shoulders along to the beat (Manortor))
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(Verse.2) :

Ai boru aha ma inon na uli lalap?
Ternyata Boru Tobing na badia i
Ulosna na songon bintang di langit
Boanan hu ma ho tu parparangan ni roha.

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((A joyful and warm climax. A full classical orchestra enters, creating a grand, sweeping, and sweet atmosphere. The vocals remain steady in the middle register—never shouting, but instead sung with genuine sincerity and a "smiling voice.")
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(Chorus) :

((The music grows warmer. A blend of orchestral woodwinds and traditional Batak flutes echoes back and forth, creating a playful, teasing impression.))

(Version.3):

Manortor ma hami di alaman i
Mardongan gondang na mangguntang roha
Gelleng dope roha, alai holonghu balga
Tu ho ma Boru Tobing, tondi ni dangingku.
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((The chorus repeats with an increasingly rich arrangement, leaving the listener feeling happy and smiling to themselves as they hear it))
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(Chorus-Repeat 2 x) :

O Boru Tobing, na lambok malilung
Gabe rohangku hot tu ho, ito hasian
Samosir gabe saksi ni holongki
Rap hita nadua, sai gabe ma hita sogot!
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((The music slows down gradually (ritardando). The young man’s vocals conclude the song with a sincere, slightly "adorably nervous" breath, ending with one final, sweet pluck of the Hasapi))

(Outro) :

O Boru Tobing... na uli...
Mekkel ma ho... hasian...

[Grand Orchestral Outro]
[End]

2818/7500

--------------------------------------------------- (Intro : Instrumental Only, A quiet, solemn atmosphere. Soft cello strokes blend with the delicate plucking of the Hasapi (a Batak zither). The wistful, winding notes of the Sulim (a Batak flute) drift through, evoking the atmosphere of Lake Toba on a misty morning) (A young man’s vocals enter with a clear, light, and deeply intimate tone. There is a quality to his voice that suggests a mix of nervousness and wonder—it is truly sweet to listen to) --------------------------------------------------- (Verse.1) : Mataniari mullop sian dolok i Manondangi Tao Toba na uli Hubereng ma sahalak boru mardalan Mekkel suping, mambahen pusu-pusu marlojong. --------------------------------------------------- ((A modernized traditional Tortor beat kicks in, blending with a dynamic pop bassline. The song’s rhythm makes listeners want to start moving their shoulders along to the beat (Manortor)) --------------------------------------------------- (Verse.2) : Ai boru aha ma inon na uli lalap? Ternyata Boru Tobing na badia i Ulosna na songon bintang di langit Boanan hu ma ho tu parparangan ni roha. --------------------------------------------------- ((A joyful and warm climax. A full classical orchestra enters, creating a grand, sweeping, and sweet atmosphere. The vocals remain steady in the middle register—never shouting, but instead sung with genuine sincerity and a "smiling voice.") --------------------------------------------------- (Chorus) : O Boru Tobing, na lambok malilung Gabe rohangku hot tu ho, ito hasian Samosir gabe saksi ni holongki Rap hita nadua, sai gabe ma hita sogot! --------------------------------------------------- [INTERLUDE] [MUSIC PAUSES – SINGER CATCHES BREATH]: ((The music grows warmer. A blend of orchestral woodwinds and traditional Batak flutes echoes back and forth, creating a playful, teasing impression.)) (Version.3): Manortor ma hami di alaman i Mardongan gondang na mangguntang roha Gelleng dope roha, alai holonghu balga Tu ho ma Boru Tobing, tondi ni dangingku. --------------------------------------------------- ((The chorus repeats with an increasingly rich arrangement, leaving the listener feeling happy and smiling to themselves as they hear it)) --------------------------------------------------- (Chorus-Repeat 2 x) : O Boru Tobing, na lambok malilung Gabe rohangku hot tu ho, ito hasian Samosir gabe saksi ni holongki Rap hita nadua, sai gabe ma hita sogot! --------------------------------------------------- ((The music slows down gradually (ritardando). The young man’s vocals conclude the song with a sincere, slightly "adorably nervous" breath, ending with one final, sweet pluck of the Hasapi)) (Outro) : O Boru Tobing... na uli... Mekkel ma ho... hasian... [Grand Orchestral Outro] [End]

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