Sarp Çığ

Atonal-leaning Dissonant Instrumental Dersim/Alevi/Zaza ritual folk;irregular groove up front:additive meter, limping pulse, broken ostinato, staggered accents, phrase truncation, metric feints, bar-length shifts, off-cycle hand-drum hits, hocketed attacks, stop-start momentum, 5/8-7/8-9/8 pivots;rich harmonic motion with clustered chord changes, polychords, slash chords, quartal/quintal voicings, seconds-based harmony, tritone links, chromatic mediants, pedal point under shifting upper harmonies, contrary-motion inner voices, sideways suspensions, frequent harmonic surprise, vertical sonorities;polyphonic ambience without slowing:heterophony, unison splits, layered reed-string counterlines, short canonic echoes, interlocking ostinatos, drone lattice, modal cluster shimmer(no vocal), Dersim folk, Alevi devotional folk, Zaza folk, acoustic modal folk;bağlama/saz, cura, şelpe, fingerstyle saz, mey, ney, violin, hanging drum, GAM:Dorian+Aeolian modal core, Anatolian modal color, microtonal inflection, not static, not ambient wash