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02 - Shirae Kanór

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[Intro – soft vibraphone tones, airy piano chords, rainmaker swells, faint women’s choir humming like a distant breeze] [Verse 1 – female lead, intimate, flowing] Seyun a’Lare… lihéra nohín, veluá shané, orina véyah, miya’sofé. Thalun seríya, kahé lunori, feyah’ni maira, zolun viyé. [Pre-Chorus – rhythm opens, deep congas pulse slowly, piano dances lightly] Veyah lunari, seyun’ahé, muréya tolin, safira vé. [Chorus – choir harmonies expand, lush and embracing, summing “ah-ah” woven into words] Seyun a’Lare – nohalu férahé, miya shalun, orinéya vé. Thalun shéra, lunari selé, Seyun a’Lare… zohé lumé. [Verse 2 – piano more playful, subtle saxophone phrases emerge] Vihéra silun, kahéya no’va, melun sériya, féhun alora. Trayah nohira, soli féya, Seyun a’Lare, véyah lunari. [Bridge – vibraphone solo dances above piano, choir hum deepens into layered harmonies, congas build tension] [Chorus – repeated, key slightly lifted, saxophone and choir create a euphoric, floating feeling] Seyun a’Lare – nohalu férahé, miya shalun, orinéya vé. Thalun shéra, lunari selé, Seyun a’Lare… zohé lumé. [Outro – rainmaker fades with a gentle shimmer, piano lingers on a single luminous chord, choir hum echoes]