[Verse 1] [Sparse tubular bell overtones and glass harmonica hover above amplified concert-piano bass strings and a deep dub sub-bass drone. Two close female voices alternate a three-note cell; a rounded bass voice sustains the space beneath.] Trii — kil — riitiliii (Kriin — tsee-Kri-riii) Triil — kil — tiiRiiii (Kriin — tsee-Kri-riii) [Interlock three-note and four-note loops; shift the accents while keeping a steady inner pulse. Slowly bending gong resonances and widening stereo motion reveal a luminous magnetic lattice.] Tsi-si-tsi — tsil-riiiii (Kil-ski-tsil-ri — seeee) Tsil-kil-skil — sil-ri (kriik — tkt — rii - seeee) [Let the upper voices overlap into a continuous halo; the bass remains smooth and immense.] Tsisiii — riiis (Kriiin — riii) Tsisiii — riiis (Kriiin — riii) [Verse 2] [Amplified concert-piano bass strings, pure sub-bass and deep tuned gong resonances form a dense sustained foundation. Close low voices repeat a compact cell; one thin high voice holds a silver harmonic.] Kin — tkt — sinnn (Reeel) Kin — tkt — sinnn (Reeel) [Compress the vocal spacing and add a low answering layer. The repeating cells become tightly packed; pressure grows through density and harmonic weight.] Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) [Release one deep bass drop, then hold the entire weight in a stable chord. A small luminous interval opens above the concentrated low voices.] Tiiirrr — kriiisss (Reeee — riii) Tiiirrr — kriiisss (Reeee — riii) [Verse 3] [Overlapping glass harmonica tones and long tubular bell resonances circle above a continuous dub sub-bass drone. Soft voices use flowing consonants and unbroken vowels, entering at slightly different points.] Tii-ri-sii-ri (Rii-si-rii-tii) Tii-ri-sii-ri (Rii-si-rii-tii) [Let the two loops drift gently in phase. Add one flowing syllable; overlapping voices create a slowly turning pattern while piano bass strings and gong overtones remain suspended.] Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) Tii-ri-sii-ri-sii (Sii-ri-sii-ri-tii) [Stretch the syllables across the slowly turning bell resonances. The choir swells quietly into a broad warm halo, then thins while the inner rotation continues.] Tiiii — riii — siiii (Riiii — siii — tiiii) Tiiii — riii — siiii (Riiii — siii — tiiii) [Verse 4] [Deep tuned gongs, amplified piano bass strings and rounded dub sub-bass hold the stellar weight. Two choirs answer from opposite sides; the original three-note signal returns in a brighter register.] Krii — kil — tee (Kriin — see) Krii — kil — tee (Kriin — see) [Add notes to the signal; rising tubular bell overtones and swelling glass harmonica tones gather beneath it. The answering choirs rise toward a shared luminous register.] Krii-kil-sil-tee (Sil-tee-krii-kil) Krii-kil-sil-ten-ree (Sil-ten-ree-krii-kil) Kril-sen-ten-ree (Rii-sil-rii-ree) Kril-sen-ten-ree (Rii-sil-rii-ree) [One enormous bass drop opens into an expansive resolved chord. Choirs unite in long radiant vowels; tubular bell resonances and amplified piano bass strings lift the phrase to its full height.] Kriiii — seeerr — teee — REEEII (Riiii — siii — reeii) Kriiii — seeerr — teee — REEEII (Riiii — siii — reeii) [Let choir and glass harmonica sustain the light; bells, gongs and sub-bass slowly recede while the distant pulse continues.] Krii — kil — teeee (Riiii — reeii)
