[PROLOGUE] [ROXI]: (Electric blues guitar alone; slow E-minor phrase, bend the minor third upward, let it hang, then answer below.) [INTRO] [JILL]: (Octave-filtered electric bass enters at 164 BPM; round, deep E-B-D ostinato, Goa-like sixteenth-note skips, dub-length spaces.) [MILFRED]: (Hybrid drums; quiet rolling drum-and-bass break, snare on two and four, swung ghost notes and soft ticking hats. Stay beneath the melody.) [SEPHYR-GLEN]: (Analog synth; start a repeating E-Dorian acid arpeggiator sequence. Play warm suspended pads above it; open the filter slowly.) [LIZ]: (D tin whistle; a lilting E-G-A-B phrase, long final note; leave space between replies.) [VERSE 1] [ROXI]: (Guitar rests. Clean cheeky rap; mature smoky Celtic alto timbre, unmistakable Irish/Scottish inflection; relaxed, slightly behind the beat.) You've got a straight face; I've got a bent note. One little rasp in the back of my throat. You came to stand still? That's a difficult choice— Your left foot's already found its voice. Jill goes low and I take my time; Leave a little space at the end of the line. Nothing complicated for the front-row crew— I'll sing it once. Then it's over to you. [CHORUS] [ROXI]: (Adult female lead singer; mature smoky Celtic alto; unmistakable Irish/Scottish inflection. Rise into clear upper-register head voice, connected phrases and long open vowels.) Down low, let it roll, Let the high note carry you. Down low, moving slow, I've got a little blue for you. [CROWD]: (Adult women and men sing the same simple refrain together, warmly, with loose live timing.) Down low, let it roll! A little blue for you! [TRANCE DRIFT] [SEPHYR-GLEN]: (Sixteen bars; keep the acid sequence continuous, slowly widen its filter and let the pads overlap through Em7-A.) [JILL]: (Keep the circular bass figure; alternate low E and A roots every four bars, let the octave notes bloom into the spaces.) [MILFRED]: (Keep the DnB break rolling softly; lighter snare ghost notes, no crash-led build.) [LIZ]: (Develop the whistle phrase across eight bars; climb gently, then hold B.) [ROXI]: (Electric blues guitar answers the held whistle note; a bent G, a descending E-minor run, then two bars of space.) [VERSE 2] [ROXI]: (Guitar rests; smoky rhythmic rap, amused, close to the mic.) Half of you early, the rest laid back— That's a lovely little wobble in a very straight track. Keep your own accent; it fits in the tune. Nobody booked the last note in the room. [ROXI]: (Spoken with a smile.) Oh, you want the high bit again? Come underneath it. [LIFT] [CROWD]: (Low, easy unison singing; repeat beneath Roxi's following lead.) Down low, let it roll. Down low, let it roll. Down low, let it roll. A little blue for you. [ROXI]: (Simultaneously sing above the crowd; soaring upper-register head voice, mature Celtic identity, stretch blue and you across bars.) I've got a little blue— A little blue for you. Let it bend, let it bloom, We've got room— We've got room. [SEPHYR-GLEN]: (Open the pads into a broad Em9; keep the acid sequence flowing.) [MILFRED]: (Maintain the quiet rolling break through the lift; a brief soft snare shuffle rejoins the same groove.) [OUTRO] [ROXI]: (Electric guitar; reprise the opening blues phrase once, then rest.) [LIZ]: (D tin whistle answers an octave above the original phrase, then finishes softly.) [SEPHYR-GLEN]: (Filter the acid sequence closed over eight bars; release the pads completely.) [MILFRED]: (Thin the break to hats and ghost notes over the same eight bars, then stop.) [JILL]: (End the bass figure on a long low E after those eight bars; let it decay.) [CROWD]: (Sing alone after the instruments fade, quiet and together.) A little blue for you. [END]
